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jazzyvee

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Posts posted by jazzyvee

  1. I also had one for a really short time and yes the fan is really noisy. When i sold it to a friend i let him try it out at a gig we were both on and we found the DI was making a noise. So i gave him a separate di box and he was happy.

  2. Both items arrived completely as described and problem free transactions. Thanks guys

    . Installed in my regular bass rig. 👍🏾🎶

    A11B7A3E-C6B9-4AE4-B625-EFDB75A08B5E.thumb.jpeg.8b678011e09d12c1833eee699dd3673f.jpeg

    My newly organised pedal board. just waiting for PSU.

    9CB0DD1E-CF97-4C62-986D-06643582B2A8.jpeg

  3. I've had a couple of gigs when my bass rig was on a riser behind me so I laid the BT2 cab on it's side and put my rack in the centre. Thankfully I had earplugs in and most of my bass sound through the PA. So i didn't need it up loud.   

  4. I had one of those as my 6u bass rack power amp for a few years but it was incredibly heavy to the point that I hardly used that rack so I changed it for a Crown Class D power amp. BUT..... to my ears the QSC sounds a heck of a lot better and i do miss it for that reason but since most of my gigs these days are through a PA. I will have almost convinced myself not to revisit that.
     

    All the best with the sale.

    IMG_1826.JPG

  5. 7 minutes ago, three said:

    Love that - really individual. Did it change the tone at all? Got me thinking. My long scaleEBD2FB8C-A74A-476C-ABC2-A1C96678FE78.thumb.jpeg.6e0dce0bb8457dd1e76227d34b586d4a.jpeg is a bit heavy. There’s batteries and stuff in there so I’d have to be a bit careful but I love the aesthetic

    Would you really take large drill bits to your alembic?

  6. 14 hours ago, Russ said:

    Yep. As someone from the Cronx, I know Jonathan pretty well and he's worked on my basses on multiple occasions. Lovely bloke and he really knows his $h!t.

     

    His custom stuff is really nice. He mostly does guitars, but he has made the occasional bass. He made a couple of copies of the Alembic Spider (the Explorer-shaped one) for a guy who played Entwistle in a Who cover band and they were fantastic basses. 

     

    This is their site: 

    https://felineguitars.com/pages/feline-bass-guitar-models

    There is one on sale at the moment on Reverb

    https://reverb.com/uk/item/59295212-feline-spider-bass-used

    • Like 1
  7. I have a number of times, i'm not famous but i play bass in a famous band so it's more likely, though these days people usually want selfies and not autographs. Usually when they ask i tell them they should get the autographs of the original band members and go off and get them. if they still want mine as well that's cool.

     But outside that, when i was about 18 or so, we did a gig in Kingsbury WMC near Tamworth and our agent at the time wrote some pink torpedo & bull article in the Herald newspaper that we had just got back from touring. So the venue was packed and i got to sign quite a autographs and few female lefties that night.

    Over the years i have puzzlingly been embarrasingly, (for me), mistaken for, Lennox Lewis (far too many times), Courtney Pine, Samuel L Jackson, the guy with dreads from the "cool runnings" film, Robert Cray. I can't see any facial similarity to any of these people apart from my hair at various times and skin colour. No facial features at all. Apart from seeing the funny side of it, i am always respectful.

    • Like 6
  8. Absolutely agree, it would be a good idea to get confirmation that the electronics and pickups are original. Though if the seller is not the original owner, they may not even know.

    But I would certainly ask for as photo of the electronics cavity and pickups as it's not unusual for the electronics on some alembics to be removed and replaced with Bartolini pickups and electronics. Getting a full set of alembic electronics is not a cheap option. Also get a picture of the neck to headstock area since that is made in a way that the headstock can be repaired in the event of a fall. Sometimes when basses have dropped, there can be hairline cracks along the line of the laminates. 

     

    • Like 1
  9. From a musicianship point of view, i don't consider myself to be at what think of as a professional level. I consider myself competent have a good reliablility and attitude to what i need to do and others and have pro level gear that i understand and sounds good and is reliable. Most of my gigs are with bands containing proper pro players with degrees and formal training and can play whatever you put in front of them and i can see why they are. I'm just pleased that they still want to do the gigs i call them for.

     

    I'm self taught by ear and In the past I have toured as a guitarist with musicians where i have been the only non-pro ( by that i don't earn a significant amount from music).  Even when touring i earned far less from the gigs than my day job. But i took the tours because i love gigging and performing music and well... you can't buy those kind of opportunities.

     

    Now some of those bands were well known ( in their genre) and i was filling in as a hired hand. A short while after getting into rehearsals and gigging with one of those bands, i realised that some of the musicians were not what i would consider pro standard in their playing or attitude and that made things challenging because we couldn't raise the standard of the music.

     

    Personally I have always looked at the standard of musicianship as the main marker for being a professional and not so much the earnings.
     

    For example would Nathan East or Larry Carlton cease to be professional if they decided to stop charging for gigs?  I think not. You can still be a professional  standard musician even though your profession does not pay the bills. 

     

    If i had to choose one, it would be to be a professional standard musician. But i'm not so i enjoy being a weekend warrior with a day job.

     

     

     

    • Like 1
  10. On 06/12/2021 at 14:06, Al Krow said:

     

     

    Useful suggestions gents. I'm sure the BF LF800 will deliver all the bottom end you need. @W1_Prowhich Thomann model did you go for? The CL 112 Sub is rated at 120W RMS going up to 1000W RMS for the Pyrit 212 SubA but looks great value at £525 including VAT. 41kg is going to much for my aging back, though!

     

    I'm not sure what folk would reckon is a decent min with a full rock band? My RCF 702 AS ii delivers 700W RMS and is a more manageable 17.5kg / 39lbs which seems to be a decent power / weight compromise for our needs.

     

    Here is a clip of the first time i took the LF800 out with the Schertler Unico. The DB,  keyboards and bass drum went into the schertler and LF800  fed by it's sub output. It was also my second full gig on DB. Sounded great in the outdoor undercover venue and the groove seemed to satisfy.

    https://youtu.be/8to9vW16jB8

     

    • Like 1
  11. I bought a Db in 2018 and really am enjoying the experience. I got a local tutor and one of his tips was ' don't try to play it like it's a bass guitar' or you can develop problems with your hands that will affect your electric bass playing. I'm still in the beginner stage but done a few gigs. Hope you continue to enjoy the db.👍🏾🎶
    My DB is a fairly weighty EUB and i find it a challenge to play it standing up without feeling the weight on my left thumb and arm. Is it a good idea to use it on a stand or seated or would i be getting my muscle memory associated with that and then be stuck if i forgot my stand or stool?Classico_IMG_0437.thumb.jpg.f009bd6f756412b8ab159bc9a612f86b.jpg

    • Like 1
    • Thanks 1
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