algmusic

[quote name='Doddy' post='912407' date='Aug 2 2010, 12:55 AM']I like active instruments,particularly on 5 and 6 strings,because I like the added flexability to boost certain frequencies,especially the lower range-for me it helps to tighten things up.It's the same with the upper range on a 6 string. However,the pretty much every one of my 4 strings is passive-There is just something about a passive Precision and Jazz that sounds 'right'.[/quote] +1 5 strings want a bit of punch, but fours seem to only work to my ears with passive circuits.. I'm mainly a fours man now..

[quote name='Mr. Foxen' post='907777' date='Jul 28 2010, 01:20 AM']Provided however you are connecting the pair is parallel (mnost are, but anything with two jacks should be marked how they relate). Usually two jacks on the back of amps say 'Outputs (parallel)' or somesuch.[/quote] It actually doesn't say it's the terror bass. It must be parallel ? Just being a geek. What would you do if wasn't then?

[quote name='OldGit' post='907841' date='Jul 28 2010, 08:56 AM']+1 and they will sort all the setup stuff there and then for you - important if you only have a day.[/quote] +2 I agree. The bass gallery is the best place I've been when it comes to service and choice in London. They sorted out my 'road worn' bass when it needed a setup etc and it sounds great now. Not the cheapest, but you know if you have any queries, they will sort you out I don't think you should have paid a 'fee' for the bass.. it's their screw up not yours.. but nevermind. What's the name of the shop.. NAME AND SHAME!!! NAME AND SHAME!!!NAME AND SHAME!!!NAME AND SHAME!!!NAME AND SHAME!!!

ok last question. I have two a 2x10 600w@8ohm and a 1x15 400w@8ohm The amp is switchable 500w @ 4 or 8ohms When I'm using the 2x10. I should keep it at 8ohms. but when I using a both the amp should be at 4ohms.. right?

[quote name='Bigwan' post='906857' date='Jul 27 2010, 11:27 AM']SWR and EDEN do. SWR do the microlite thingy. Eden get close to the size of the MB LM too with the WTX series (i think that's what they're called). EBS don't so far.[/quote] oooh. Has anyone tried it

It's a great little amp

[quote name='Bigwan' post='906741' date='Jul 27 2010, 10:08 AM']Going on description alone I think the GK MB500 (they've dropped the 2 from the name now) is probably a good starting point. The Ibanez Promethean is supposedly quite Markbass sounding so maybe too like what you've already tried. If you decide to sell off your LMIII give us a shout - I'm on the lookout for one myself.[/quote] I've tried the Promethean and by all your comments, it's seem the way to go or the shuttle (but I know less about this one)... The orange is tubey, the MB LM is warm so the next step would be more towards the HI-FI... The Ibanez is more Hi-Fi. the mark tube sounds like bad mix of MB trying to sound like an orange... ;-( It's a shame SWR, EDEN or EBS don't do a micro amp.. I think that would open up the other end of the amp spectrum. I've played the Redhead combo and it's great.. a mirco redhead would be awesome

[quote name='JMT3781' post='906441' date='Jul 26 2010, 10:55 PM']Grandad Paul! The fender amp in the link ALG sent you is one in my ebay store... its a really great amp, and on wheels too.. very nice sound a clean as a whistle for secondhand. Would love to do a deal for a fellow basschatter, so let me know of it interests you mate Thanks for the mention ALG J[/quote] No worries, I've bought/sold items here and it's much nicer through basschat.. including the the usual geeky bass chat :-) gotta love it

The top one isn't a combo, but this would do the trick and does sound great, not too heavy. The others are combo. Feel free to PM etc [url="http://cgi.ebay.co.uk/Ashdown-MAG-300-Bass-Amp-Head-and-2-x-10-Cab-/320565250475?cmd=ViewItem&pt=UK_MusicalInstr_Amplifiers_RL&hash=item4aa32d89ab#ht_500wt_1154"]http://cgi.ebay.co.uk/Ashdown-MAG-300-Bass...b#ht_500wt_1154[/url] [url="http://cgi.ebay.co.uk/Fender-Bassman-200-Bass-amp-combo-/260638944631?cmd=ViewItem&pt=UK_MusicalInstr_Amplifiers_RL&hash=item3caf4aad77#ht_500wt_928"]http://cgi.ebay.co.uk/Fender-Bassman-200-B...77#ht_500wt_928[/url] [url="http://cgi.ebay.co.uk/AMPEG-BA-210SP-Bass-Amp-Cube-digital-effects-/220640749321?cmd=ViewItem&pt=UK_MusicalInstr_Amplifiers_RL&hash=item335f36a709#ht_500wt_1154"]http://cgi.ebay.co.uk/AMPEG-BA-210SP-Bass-...9#ht_500wt_1154[/url] [url="http://cgi.ebay.co.uk/Ashdown-C115-500-EVO-Bass-Amp-and-Flightcase-/230503072091?cmd=ViewItem&pt=UK_MusicalInstr_Amplifiers_RL&hash=item35ab0dc15b#ht_670wt_1139"]http://cgi.ebay.co.uk/Ashdown-C115-500-EVO...b#ht_670wt_1139[/url] The Ampeg would be my first choice, then the Ashdown or Fender.. you should be able to get one of these within that budget

[quote name='moonbass' post='905404' date='Jul 26 2010, 12:47 AM']I've just bought Logic Pro 9 and I'm dumbfounded by the amount of options. I reckon it could take several years to try out all the configurations available, so thought it might be useful if people shared any tips, or signal paths they use to get good results from recording bass in Logic? Do you record straight into your interface? Which amp simulator/effects work well? What settings? C'mon, I'm a lazy, lazy man, and I'm looking for a quick fix! Andy[/quote] To get you up and running find either someone local either on here or a mate.. offer a pint or two and they could take you through a few things to get you started in a few hours.. if I was local, I'd help you out. I remember what it was like starting out

[quote name='Grandad Paul' post='905856' date='Jul 26 2010, 02:36 PM']I have had a good look through the forum over the last couple of days, and have found it very interesting. I have specifically looked at peoples experiences with amps, and as is to be expected, "one mans meat is another mans poison". Just what do you all think is the best combo I could buy for £350. Give or take a quid or two. I would really appreciate your views on this. Thank you gentlemen. Grandad Paul.[/quote] what sort of stuff do you play and what volume? do you usually plug into the PA, so you're using the your amp for monitoring What have you played in the past? liked and disliked? There are lots that come to mind 2nd hand or new (2nd hand you get a higher spec amp)

I think it depends.. just getting an idea down = Plug straight in (DI). If you're recording something with a bit of something = If you have sansamp, those work great into logic IF you have time and are looking experiment = Use a 2 or more recording input for bass. Mic the Bass cab and DI striaght and or sansamp or something like it. Also the sanamps are great for life work. You can go into the type of mic and positioning as well (and multiple mics), but it's all a personal taste thing and I thing sometimes find, it doesn't make that much difference for a home studio. I personally find most plug-ins sound very 'aritfulal'. I might use a plug in after I've recorded, but not usually during recording. Also if you have a nice bass DI might be the best route...

[quote name='Low End Bee' post='905717' date='Jul 26 2010, 12:47 PM']Me too. It was way too hot for the desk at the Half Moon on Saturday. First time I've gone DI with it. I had to go Sansamp to PA and through OTB set flat with the gain right down for stage. Sounded great though.[/quote] I love the sansamp and take mine to alot of gigs.. I just wanted the DI form TB as it sound so good... It's also a good back amp :-) if you have good PA, the FOH never know. The sansamp sounded better than a SWR 6x10 rig at FOH.. that was a funny festival when I worked that out

[quote name='270degrees' post='905667' date='Jul 26 2010, 12:26 PM']I've just changed from Roto Trubass to Roto flats. Only had the flats on for a few days so can't comment other than to say the G string feels like a razorblade. I'm hesitant to slide my finger along it for fear it may cut me. That said, it may just be in my mind as I've just come from the black nylons, which are much thicker. Black nylons: lovely and warm, great for the plonk, plonk, plonk parts that I play. One thing I will say about them is that the B and E strings feel very plastic. Hard to describe but it feels like you're playing a solid (but flexible) plastic tube rather than a string. I use my thumb so it's not too bad but it felt 'wrong' playing with fingers; there's very little feel/feedback through them. Lower tension so they move about a bit more, especially near the neck. As stated, I'm a roots-and-fifths guy; I think more technical playing would prove slightly more difficult than usual with these. I had to file my nut to fit them, too and, because the strings are thicker, there's less gap between each string, meaning you have to be more precise with your fretting hand. If you've any specific questions, just ask. Oh, should it matter, the silk on these is gold. Great if your hardware's gold; not so great with brushed metal/chrome.[/quote] Wow what bass are you using? also what pick up, My P sounds more like and acoustic and the J is more warm and groovey, but not plastic-like on my bass.. I've found my strings nothing but smooth

All argeed... YES :-)

[quote name='Clarky' post='905627' date='Jul 26 2010, 11:50 AM']Take it back and list the points you mention - some may be easy to fix (eg, the foam may be a bit compressed under the pickups so that they don't move with the screws as they should), other may be more worrying (eg, loud G or dead spots). if they have a decent on-site set-up person, they may be able to sort these out with little/no difficulty. Either way, they are obliged to replace if its not fit for use. RW Fenders are not cheap and should be perfect![/quote] I agree take it back. I bought a 2nd hand roadworn tried it, as it sounded good, but needed a bit of setting up, but then took it to the bass gallery just to tweek etc it and it's sounds great. But if you buy it from a shop that should do that.??? .three words TAKE IT BACK

For me music, it's just who I am.. I feel wired if I don't play.. in terms of gigs. Most of my highlights where I really enjoyed myself wasn't the flash recordings/sessions or tours, which were fun, but the silly little covers bands with friends, where we played most of the time wanted we wanted to play and we really enjoyed each other as friends and musicians in our own right. I play in one band were we're all bassist (not all for this gig) and there's never any competition only engagement and a true sense of appreciation..

Right, I have the Terror and it sounds great, thanks to andyonbass. I have to wait a whole 10days to give it a good run in :-( , but you gotta go on hols sometime ;-) Just ordered a 40db inline attenuator as the DI is HOT as HELL. It's coming tomorrow

[quote name='davebass66' post='905406' date='Jul 26 2010, 12:51 AM']terror bass?!![/quote] Yes mate, I traded it for my little mark 2 yesterday. Life is very tubey and vintage.. still grooving. Works a treat with both basses. Will be using it alot in the next month, so I'll let you know how it goes

[quote name='EssentialTension' post='903688' date='Jul 24 2010, 12:30 AM']Great, glad you like them. The Trubass are the only Rotosound string I really like, although I've not used them for a while. I've got La Bella Black Nylons on my Squier Jazz.[/quote] I know what you mean, I was hesitant as they were Rotosound, as i'm not keen on the brand from experience, but the tru bass.. very cool

Hi, I tried the Tru Bass Strings.. PERFECT.. nice warm, big warm acoustic style sound style sound. The bigger flat strings was the best choice for the Aerodyne bass and a complete different sound to the other jazz which has a more vintage vibe with balls. I like the idea of the Aerodyne for the Groove old skool, or folky, acoustic style and the relic for the pop, rock, and modern stuff. And I'm getting the Terror Bass on sunday.. Good times

[quote name='chris_b' post='903003' date='Jul 23 2010, 11:33 AM']Most bands destroy Superstition. They play it too fast and like a rock number with the emphasis on the riff. That kills it for me. The secret to making the number groove is getting the drum pattern right then the bass pedalling 4's on the root. Let the notes run into each other. I only play with one drummer who plays the right feel, and when he's on the gig I could play it all night.[/quote] It's funny, maybe I'm getting older and care less.. ;-) I used to hate people playing it too fast. I still do, but I've noticed the studio speed is usually a bit slower than the live, as the 'everyday' joe feels it's too slow, so the MD is saying play it faster, so they can dance in time :-) .. I'love it when it sits back.. I guess, just a muso... and I don't dance :-) Or the classic quote, which, I'm glad a don't hear or haven't heard in a while '[color="#FF0000"]we rock this bit up[/color]', which is aka for I can't play this bit or can be brothered to practice it, so I just play loud over this bit and hopefully the audience won't know.. I like the challenge of new gigs or deps, you sweat alot, but after you've nailed them, it's great feeling. I had a funky function dep, and I hardly knew their tunes, so I practised my ar*e off, an fee great about as I've got more songs under my belt.. (not sure the gig fee weighs up the practice time, but it never has, unless it's regular band/tour etc) That said, did function with a band I've played with for 2 years 2 weeks back its was nice not having to learn loads of tunes and just enjoy the gig