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Hi there fellas! Lately I was getting back at some tunes I haven´t been playing for a while and casually landed on this great instrumental track, from the early days of the almighty Metallica (You know, before the tragic day where Lars Ulrich decided that the bass channel knobs of should be turned down in the mix and our beloved 4 strings instrument could still be heard )
From all of the interesting work that Cliff Burton threw in that track I always loved this particular section, probably the most memorable bassline of the song, so I decided to put up another mini vid giving it a try. (I hope it sounded well enough for the minute of your lives I´m stealing for the listen, lol)
Thanks a lot for watching!
By Baloney Balderdash
"Rogue Probe" by all I nil, a work in progress progressive psychedelic stoner rock solo project of mine, which primary instrumentation is going to be bass, drums and vocals..
This particular track is sort of a demo for that project though, and genre wise it would be more like psychedelic industrial doom/stoner rock.
And the lyrics are:
Nothing to hide, nothing to see
we're going under
reached the surface to breath
like the tip of the iceberg
there's more underneath
battleships, aliens, deep blue and freezing
out of mind, out of sight, out to hunt
out of season
U-boat out of torpedoes and reason
the aliens strike back
come in peace out of treason
Turn up the feedback
only if you dare
seal up the crack pipe
Artwork is by me as well, by the way.
Now also up on Badncamp for free download and listening: https://all-i-nil.bandcamp.com/
Here's a bit more information about this track and the project:
SOLD: 3Leaf Audio You're Doom fuzz/harmonic generator pedal for sale - fantastic sounding fuzz pedal. It responds brilliantly to your dynamics and combined with the wet/dry blend means it can produce a massive range of tones from very subtle to crazy! It also pairs very well with envelope filters to produce synth-like tones, definitely the best if you're going down the route of synth tones via octave pedal, envelope filter and fuzz. The toggle swicthes from a mid-present sound for more lead-type tones, to a mid-scooped version which sits very nicely.
Now £140 including UK delivery, boxed and in great condition, also has the original rubber feet in the box. It's lived on a pedalboard and been well looked after.
"all I nil" - work in progress bass/drums/vocals psychedelic progressive stoner rock/metal solo project, and something about my 5 string Ibanez Mikro Bass! (Now with some actual sound clips!!!)By Baloney Balderdash
Here is the Ibanez GSRM25 5 string Mikro that I mentioned in the "Show off you short scales" thread, where I posted a picture of and talked about my main 4 string Ibanez Mikro Bass:
It got a poplar body and a maple neck with a jatoba fretboard, and I also did some visual mods on it, among other added a silver lotus flower decal with an OM sign in the middle and painted the pickup covers grey, the 2 stock J pickups I wired in series directly to the output jack socket, bypassing the pots, which means that the knobs and the switch are just there for the sake of being decorative.
To be honest, in my opinion, as the pickups were wired from stock they sounded like crap, no matter how I adjusted them, they sounded like a caricature of the famous Jazz Bass burp, a really over emphasized burp there was no way of getting rid of, on top of them just sounding somewhat underwhelming and anemic, except, as I found out by wiring the pickups in series, which not only got rid of the ludicrous bad sounding burping sound entirely, but actually also made them capable of a genuine great full sounding tone overall.
Otherwise this bass was perfect from factory, and I mean absolutely perfect, just to mention one example I would be able to get ridiculously low action if I wanted to without any fret buzz whatsoever, the frets are just dead on perfectly leveled.
On the particular picture above it was actually strung with the 5 lightest strings of a 6 string D'Addario set, gauge .100 to .032, but I later put on the Ernie Ball set meant for Bass VI type instruments, using the 5 lowest strings, gauge .090 to .030, and tuned it F# to D, as in F# standard tuning, 2 half steps above regular 4 string bass E standard tuning, threading the strings through the cut off ball ends of some old bass strings I had, to be able to fit it on the bass's bridge, since those Ernie Ball strings have guitar sized ball ends.
I intend to use it as the main instrument for some songs in the making for a sort of progressive psychedelic stoner rock/metal solo project I am working on called "all I nil", which is supposed to have the fundamental, primary, instrumentation consist of just bass, programmed and physically recorded drums and various percussion, as well as vocals, though a much more sparingly use of additional instrumentation, like for instance programmed or physically recorded organ/synth, piano, electric or acoustic guitar, cello, flute, glockenspiel/bells, as well as eventual more ambience based effects, will be added for certain parts of the songs, restricted to fill out a, in no way dominating, fundamental or essential, more flavor oriented, secondary function.
I am still working on my setup/rig for this thing, but one thing that is certain is that an octave up effect will be added to my bass signal, sometimes with separate effects used respectively for the octave up signal and the regular bass signal, sort of giving an effect similar to a 10 string octave bass with pairs of bass and octave strings, just with the advantage I get from doing it this way of being able to process the bass and octave up signal separately.
For this I am using a TC Electronic Sub 'n' Up Mini, which seems to actually work really well for this, as good as flawless and super fast tracking, and in my opinion being capable of sounding more natural/realistic than for instance the EHX POG pedals, which tend to have a slight somewhat organ or synth like quality to the octave up signal.
Pitching your signal up a whole octave is always going to sound somewhat artificial though, no matter how well it is processed, but it has actually still worked surprisingly well and sounded reasonable naturally in my preliminary test runs of this idea, and adds a lot of extra sonic space and flavor, exactly as will be needed for this project, where my bass is going to be the main, and most of the time only, instrument that carries the melodic content of the tracks (well beside the vocals of course).
Other than that heavy thick distortion with fuzz like qualities mixed with a bit of clean signal, and secondarily chorus, flanger and phaser, will see a lot of use for this project.
Just in the process of figuring out which kind of setup will give me the best results for what I have in mind currently, and so far only got fair deal of the basic bass parts down so far (I believe I more or less got the bass parts and final form for 4 to 5 tracks at the moment), then when I got my setup perfected the actual recordings can start, then the programming of the drum/percussion parts and eventual additional flavor instruments comes, and eventually writing the lyrics and getting the vocals laid down.
All in all I think at least another 6 months, very likely even more, before I got an EP, or less likely a full length album, ready for release on Bandcamp and various online digital music streaming services and shops, perhaps even a self released physical version, but we'll see about that when it eventually that time comes.
Here's a short sound sample of a preliminary distortion tone, using some riffs I have been working on for this project (notice that if you are not logged into Dropbox a box might pop up when you click the link, encouraging you to sign up, blocking for the audio player, in that case you just click somewhere outside that box and it will disappear, making the audio player accessible):
https://www.dropbox.com/s/8m02vfjf7dv5ojx/all I nil - New Distortion Sample.mp3?dl=0
And here's a couple of older very rough takes of 2 songs in the making, respectively with the working titles "3rd Eye of Hypnos" and "In Orbit", playing both of them in a bit faster tempo than was is really intended ("3rd Eye of Hypnos" since this recording having had a much melodically expanded variation of the intro and outro riff added) :
https://www.dropbox.com/s/3u06k5cct75coi9/all I nil - 3rd Eye of Hypnos.mp3?dl=0
https://www.dropbox.com/s/7f5wbstq5wh318w/all I nil - In Orbit (Take 2 F%23).mp3?dl=0
Please note that the above linked to recordings are fairly old, recorded directly and not with a miked up amp or any form of amp emulator added or other post production done to them, as well as this was a preliminary temporary setup, and as a result the tone/sound of these recordings are admittedly pretty crappy, and pretty seriously far from how it is actually eventually going to sound after I have managed to find just the right pedals for the effects I intend to utilize, just the right setup for these, recorded with a properly miked up amp, and having been edited, mixed and mastered properly, it is not even remotely close to how it eventually is going to sound live either, as it, already at this point, where I haven't actually found just the right setup that I am 100% satisfied with, sounds way way better than these recordings, but thought those crappy sound snips might still be able to give you at least some idea of what I am heading at with this project.