funkgod

sold

SOLD[attachment=48745:ibnz.jpeg]

I would also add then why does a Nordstrand also work to fix this issue?

Good point,

DUCK ANOTHER CURVE BALL ON ITS WAY........

its already been said its just a frequency thing.
here is D'adaario's very handy chart showing the frequencys at notes
and string tensions per set,
[url="http://www.daddariostrings.com/Resources/JDCDAD/images/tension_chart.pdf"]http://www.daddariostrings.com/Resources/J...nsion_chart.pdf[/url]

now i play with fingers and i dont like a tight string tension i feel it kills my notes
i play using D'adaario's nickle wound 40, 60, 80, 100,
when i use a 50 on the G i get more problems
so to the point.... a tension thing per freq ????
mmmmmmmmm
just a thought............

im going to throw another curve ball here,
just a thought,
as already an on going talk here under "Technical issues"
[url="http://basschat.co.uk/index.php?showtopic=1324"]http://basschat.co.uk/index.php?showtopic=1324[/url]
some ways of trying removing dead spots,across the g string that have worked are truss rod tension, i wont repeat why read the above thred compleatly,
The one im thinking about is applying mass the the headstock, now this works,
if you have a weak g string ( yea yea funny funny) try placing the head on a bit of furniture whil playing,
hay presto gone, is that cus the trapped harmonic vibrations have an escape route ??
anyway with the stingray headstock being short or just by design maybe not enough mass to the headstock could this be why more stingrays suffer with this more than other makes of bass ? MMMMMMMMM
but then why would headless bass's work so well

iv talked myself into a corner here havent i,,,,, bugger

deleat this thred please

WOW... thanks for all that russ, and making the time to type it all !!
i personally got alot from that, as im sure others have and will in the future as there is not alot of info out there..If any.
this being the most info i have read anywhere
im sure bernie will have his day soon, he well deserves it, his commitment to the art is very commendable, as you say intrest is booming and so will the prices of all his early basses as collectors will want a piece of the "early days 150" history, a shame for us fans of bernie basses, but for him its good business.
mmmmmm think al go and polish mine..
Thanks again

Hi EBS FREAK
some questions would be
!) what time did lowden make goodfellow basses
2) which models were made.
3) from what, and to what serial numbers would be handy
4) the differences between the lowden and bernies ones.

here is what im led to belive so far.
the lowden ones were player models ??
they had metal tuning pegs and not bernies wood ones ??
lowden ones dont have the sandwich layer under the headstock facing
which are green on some of bernies ??
how much of this is true ??

Anyone ??

Does anyone have some factual info on the goodfellow Lowden connection, as there seems to be some confusion here.

Hello i have sent you a message

hello do you want a boss chorus peddle as a swap ?
or is it strictly beer tokens ?

Hi justin
sold to the funky man in the orange pants who lives 4 doors down
only if you have the box tho !

[quote name='Jigster' post='773853' date='Mar 13 2010, 08:19 PM']is this the tribute series - or do u have a US model?[/quote]

hello both are usa, the natural one on the left is a 1989 with the rare "leo fender" signiture on the headstock he was asked to remove it by fender i belive,
the red one on the right is an earlyer one just as they changed the headstock and has a different preamp chip, same sounds bit more attack in the higher mids so great for that HONK slap sound. more of a NAAAHH really !!
both are very heavy, which i like (and use too from comming from the wal !) the stingray is alot lighter and feels abit flimsey and dare i say it ....cheap !! in comparison which to be fair it is, the g&L is as solid as a tank as any G&L owner will tell you.
as "dub junkie" has said you need to get them on stage playing loud,on the stingray it frustrates me trying to get the bottom end to sit tight any one who has a tried a stingray and then a wal or a L2000 will know exactly what i mean, there is that "wooly" low i hate, the g&L on the other hand just leave everything flatt on the EQ and the bottom end is like a bass drum going off its as tight as a gnats chuff and will give any band a SOLID ground i use a swr 500 pro with a swr 6X10 for big gigs and a swr red head for the smaller gigs even through the 2x10 redhead its a bigger sound with the g&L, as the 2x10s are not trying to push the low wooly signals of the stingray, just a much more compact sound of the G&L,
that my personal take on it,

The G&L every time,
all the guys i know who have had stingrays have or is looking to switch to the g&l there is no doubt it is a natural progression, and the quality and sounds are better, all the stingrays i have had suffer from a weak G string volume and there is not a dam thing you can do about it, i know we have covered this in another thred. i have just retired my wal after 20 years of abuse and the L2000 is the closest thing in terms of power, tightness, range of sounds that i can get, it does everything with power. the red G&L in the pic is an early one, and i use it all the time now and is the dogs. the dam thing is just ALIVE !! with a slap sound that will pin you to the back wall.


[attachment=44724:IMG_1066.jpg]

[quote name='green' post='765742' date='Mar 6 2010, 12:10 AM']OH NO !!!
better don't do that again !

there are magnets inside your pickup.
ferromagnetic materials have a so called curie-temperature. if you heat them above that, they lose their magnetic properties.
for alnico magnets, this curie temperature is at about 860°C, but you shouldn't heat it above about 500°C or you will wreck it.

folks, whatever you do: never heat or smash your pickup with a hammer ! you will ruin it ![/quote]


hi green, my fault for not explaining better,
when i said i heated it up, sorry should of said, i heated it up only enough to wharm the wax around the pole, so not very hot at all, my choise was... what the hell worth a try as i was going to get another pickup anyway as i could not live with it the way it was. anyway as said it did not work for reasons stated. but dropping the 4 middle ones is a vast diff on mine, it still has not got the power or tonal range of the G&L. but then again horses for etc,

REG the G string pole pices
At first i tried to heat up the g string poles with a solder iron from the bottom even when warm they did not slip through the wax and coils
but the A and D ones did you do heve to give them a bit of a push ( dont over do it) mine went through quite easy ? tho i know my friends befor he got rid of it had a bit of a problem getting them to push through...here is a pic after done.....
no doubt the strings are much more even in volume now and i dont get drop out when walking over the G string.

[attachment=44213:IMG_1052.jpg]

mmmmmmm how do i get a photo on here ????

Hello Green.
some good comments there
just let me say i dont hate stingrays i like the sound hence still having one,
tho i dont use it in favour of the g&l,
yes i agree woods like birds eye maple are getting more expensive and i have seen some fantastic birds eye E.B necks, but you must admit the ones for the majority they are making now
are of a lower grade wood, im only stating what i see.
birds eye aside, just tight grained maple must now be getting expensive, so yes maybe to keep the price affordable they are using a more affordable sub, or fast growing hybrid.
i know that now good dark tight grained rose wood is getting hard to get, and alot of guitar makers now use a hybrid rosewood what grows faster hence a more pinky colour, which is a good thing (dont want to start a eco thred here !).
as for the battery clip two of my friends stingrays have had probs with these, one was the copper contacts at the bottom had corroded. and the other was the clip at the top hinge had snapped and so now and again the sound level would drop, because the battery would not make good contact
i did not mind the two screws and chrome cover as only once every 8 months to undo.
but it was relyable

Good advice for the day... never drive faster than your gardian angel can fly !

I have had 3 stingrays all with the same problem,
as artisan has said the two middle poles A and D are taller, so you cant tilt the pick up to the G string as it just makes the D louder.
NOT only this but if you look at the pick up from above you will see the G string is not in the middle of the pole it misses centre by a quarter so its only a quarter over the pole piece, so its not getting the middle of the field.

but reg the pole height there is a cure !! on the E.B. stingrays if you want to chance it....

take the pick up out you can leave it connected
THE 4 middle poles WILL push down, the 4 outside ones WONT push up because of the coil tensions at the ends, the middle ones will do it slow then when you put it back you can raise the pick up. JOB DONE
And remember you heared it here first folks, (or mabe not)

the main problem is the pick up is too large for the string spacing

Now E.B. know this and could have sorted it out a long time ago but they wont as long as they keep selling, not only this but the whole bass is just Cheep now, that plastic battery compartment is like some thing from the back of a toy from toys are us,
the neck now is made from cheep "NEW" wood and is very wide open grain ( not old tight grain) the so called now smooth back of the neck is just sh*t, and soon wares off leaving dark patches, they should of left it varnished, the body is now very open grained, the selection process i think goes like this,
if it looks ok spray it naturel,
if it looks not bad with some figuring spray it translucent
if it looks pants with different coloured woods or miss matched grain ..paint it solid.
now there is nothing wrong with this process as everyone does it
but you dont know whats under the paint, as the natural ones are now open grained enough.
( with exceptions)
leo at musicman never used these cheep woods on the neck or bodys, have a look at the early ones.
when leo started th G&L comp he knew what he was doing,
i dont want to upset musicman lovers here, and i know it is personal preff.
but the G&L L2000 is altogether a far better bass, its heavy solid, like the old MM, the pickups with adjustable pole pieces are just amazing, tonal possabilites are endless, bla bla bla, i still have a stingray and 2 G&Ls L2000 the early one with the control plate on the front
and the one without ( with leos signiture on it) and with doube it blows the stingray away, to a point where friends who have stingrays who have tried the L2000 have switched... ALL OF THEM ( 3 )
as said its all personalPreff
hope this helps