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omikin

⭐Supporting Member⭐
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Posts posted by omikin

  1. @rogerstodge - do you mean don't drill holes, as in screw the tuners in more delicately; or do you mean don't put the vintage tuners in at all?

    If we assume I'm not interested in selling it (and it has been given a fairly amateurish "road worn" look by a previous owner with a bit of sandpaper so is hardly mint...) then is there much to lose here?

    Would the main parts of the tuners (the bits that need to go through the headstock) be the right size to fit?

  2. I've got a Fender American Std Precision with the closed-back tuners (it's about 15 years old) and I want to swap them for the vintage style ones with the longer stems and the bigger backplates. It's purely an aesthetic thing, rather than for any functional reason.

    My question is - will the vintage style tuners fit into the holes left by the more modern ones? They're genuine Fender parts (according to the website) so they should be okay quality, right?

    Is there anything else I should be thinking of`? Is this a daft thing to do?

    What do you reckon?

  3. Hi there.

    Bit of an unusual one this. I'm into week six of my wait for a Barefaced Super 12, and when that comes I will be selling my Matamp 2x12. So it's not exactly up for sale right now but it will be (hopefully) in the next few weeks. With that in mind I thought I would let you guys know, so if anyone's thinking about buying a lovely new cab in the next few weeks it might work out well for them.

    It's 800 watts into 4 ohms and has a very nice sound to it, but I have decided to go down the lightweight route.

    I'm after £[s]300[/s] £[b]275[/b] for it as it's in great nick and provides lots and lots of volume in a nice compact package.

    I will update this when I have more of an idea when the Barefaced is coming. If someone is absolutely desperate for this before the Barefaced arrives, that would be a possibility, although I would prefer not to be without a cab.

    [attachment=117105:Matampfront.JPG][attachment=117106:Matamp_Side.JPG][attachment=117107:Matamp back.JPG]

  4. Update: So I took it to my amp tech and he replaced one of the valves (more down to personal preference than anything else - he replaced the Electro Harmonix one that the previous owner had put in with a Mullard which means it takes more gain to make it break up, so it's a smoother, creamier sound), but he couldn't find any fault with the tone pots.

    I think it was a bit of a EQ issue. I'm used to using a Fender Bassman and the bass and treble on that are different "flat" to the Orange. Now with the treble at about 1, mids at 12, and bass at 10 I can get quite a bright tone (P-bass with dead flats on it). I guess I wasn't patient enough with the EQ before!

    On a side note - when I brought it in my tech was putting the finishing touches to this:[attachment=117103:Valveamp.JPG][attachment=117104:Valveamp2.JPG]

    It's an 18 watt amp he made for the fella from the Vaccines (the 4th or 5th amp he's made for him, apparently) based on an old Marshall (Bluesbreaker?).

    He passed me a guitar and let me play through it. Sounded extremely nice. Lovely AC/DC sort of distortion.

    Nothing to do with my amp problem, but I thought I would share the loveliness.

  5. Recently I've been mostly using my Fender Bassman 100 valve head with my Matamp 2x12, although I have recently ordered a Barefaced Super 12, so I thought I would take my Terror Bass to rehearsal to get used to that before the Barefaced arrives (I haven't used it a great deal as I just love the tone I get from the Fender) so I can have a truly lightweight rig.

    Anyway, I know the tone controls don't do very much, but last night I was struggling to get anything approaching top end from it, even with the treble on full. I unplugged the Boss tuner pedal and went straight into the head and that improved things a bit, but it was still a very muddy sound. Gain at about 3 (9 o'clock), volume the same.

    Anyone experienced the same thing? Going to take both heads down at some point this week to A/B them so I can rule out the tone pot on the bass (Fender US P with flats on). With the Bassman I usually have treble at about 6, and tone rolled off a little on the bass, and that gives me a nice tone. Last night the Orange sounded like it was being played from next door! Through a sponge!

    Help!

  6. I've just put a set of flats on my P-bass and I have to say I'm a convert. Love the way they feel and sound. The flats I got for the P-bass were cheap Fender ones, and I want to try flats on my 4001, but I was thinking about Thomastik Jazz flats as everyone seems to rave about them. Couple of questions - would they be that much better than my £18 Fender flats or is it just a case of personal preference? Also, if I do decide to get them, do I need to get the extra long ones or will the standard ones do?

  7. Have you guys seen this?

    http://www.fender.com/en-GB/products/bassmanpro/

    I have to confess to being very excited by these new amps. I love that the 100w version has the ability to switch down to 25w output for studio work. I think there's a gap in the market at the moment for a 100w bass valve amp (or am I missing something?) as most heads seem to be much more powerful. This can be a bit much for those of us playing pubs and bars etc. I had a VBA 400 until recently which I reluctantly got rid of as it had so much more headroom than I needed and was an absolute beast to carry about.

    I reckon the Bassman 100T would be right up my street. Lighter, great looks, nice dirty channel, and versatile for the studio. Only downside - I don't really want to spend £1500...

    What do you guys think? I can't wait till used ones of these start hitting ebay...

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