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Fionn

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Everything posted by Fionn

  1. Does anyone know exactly what Trace Elliot gear that Stuart Zender was using during his time with Jamiroquai?
  2. [quote name='Chambo' timestamp='1357292243' post='1920360'] Used to have one of these and I thought it was great. I stripped mine and was surprised that they are solid wood and not ply [/quote] Aye, ditto. My first bass was a Sunn Mustang. Better than subsequent, more expensive basses that I owned. I should have kept it really. I heard somewhere that these were made in India from Fender parts. Not sure if that is correct though. Either way it's a nice bass.
  3. Ok, so there are the obvious classic bass guitars ... Those basses which have endured and continuously prevailed through the ages, and endless fashions of music. Those basses are ingrained in our consciousness, so familiar are we with the sound and sight of them. Instruments which are the successful formula of aesthetic appeal, functionality, sound capability, quality of manufacture, and clever corporate voodoo. But is there anyhing else? At what point can a bass rightfully be called a "classic"? It may not be a Jazz, a Ray, a Rick, but a Steinberger XL2, a Warwick Streamer, an Aria SB1000 ... Is your bass a classic?
  4. It's a good read, to be sure ... a real insight into the life of Jaco and the scene that he lived so large within. It left me feeling sad ... so so tragic.
  5. [quote name='Happy Jack' timestamp='1357064333' post='1917053'] Agreed - but now you have to explain the RS2000 Mexico ... [/quote] hahahaha!
  6. What then, is [i]the [/i]classic all-rounder? ... That bass guitar which covers most basses? (excuse the pun). Which bass, above all others, is most adaptable? Your suggestions ...
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  8. [quote name='maldy' timestamp='1356013534' post='1905708'] I meant to say that I didn't feel the need to vary the tone. I hardly ever tinker with it, because it has a good standard sound.[/quote] Ditto 90% of the time I play mine with the eq set flat. Beautiful Dirty Blonde BTW ... really lovely.
  9. good interview. Pawning their instruments every monday just to get by .. nuts.
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  11. For trade is my [b]Warwick Thumb NT 4[/b] Trade - Ideally I'm after a straight swap for a [b]Streamer Stage 1[/b] or a [b]Streamer Stage 2[/b]. I'd also consider a [b]Dolphin pro 1[/b] (neck-thru). Value-wise, I'd put this bass at £1200, although I've decided not to sell. I'll just wait it out for the right Streamer. [u]The Bass[/u][list] [*]Made in Germany in 2000 [*]4 string [*]Bubinga body, Ovankol/ Bubinga neck, Wenge fretboard [*]Neck-thru-body construction [*]MEC J/J pickups [*]Active (or passive) 3-way MEC electronics [*]Black hardware [*]Bell brass frets (26 frets) [*]Just-a-nut II [/list] [u]Condition[/u] Structurally the bass is totally sound, the electronics and hardware are in perfect working order, and the neck is true. The action is currently set medium-low. The bass is all original with the exeption of the jack socket which I changed for a superior Neutrik one when the original packed in. Cosmetically she is in very good condition. There are only very minor signs of wear, and a tiny 2mm ding on the back of the top horn (shown in picture). I've waxed it regularly and generally kept her out of harms way. I've really looked after this bass. The only other thing to note is that one of the adjustment screws on the nut doesn't tighten, so the nut is supported internally with a titanium shim (This can be removed very easily if needs be). The nut is solid and does its job, so I've never bothered replacing it with the superior Just-a-nut 3. To be frank, the Just-a-nut 2 is a piece of crap. The designers at Warwick must have had a brain-fart with that bad boy. [u]Dimensions[/u][list] [*]Neck thickness at 1st fret - 20.7mm [*]Neck thickness at 12th fret - 25.1mm [*]Neck thickness at 20th fret - 26.5mm [*]Neck width at nut -38.5 mm [*]Neck width at 12th fret - 55mm [*]String spacing at bridge - adjustable [*]Weight - 4.7kg / 10lb4oz [*]Scale length - 34" [/list] The bass comes with a slightly shabby but fully functional, super padded, heavy-duty Warwick Rockbag like this one ... [url="http://www.thomann.de/gb/rockbag_rb20705b_ebassgigbag.htm?gclid=CIiE4Keqv7QCFXDLtAod_F0AeA"]http://www.thomann.d...CFXDLtAod_F0AeA[/url] You're welcome to come and have a look/ play but as I live on the remote north coast of Scotland it's pretty unlikely. If you're interested or have any questions drop me a message. Here's a link to a video which explains the electronics, controls, sounds, etc ... [media]http://www.youtube.com/watch?v=TOLxxevOCzU[/media] Some pictures below Thanks
  12. [quote name='brensabre79' timestamp='1355483368' post='1898917'] I've had trouble sourcing these in the past. Solid shaft, fine. Split shaft non-concentric, fine. Split & concentric but 250k, fine. But 500k, split concentric... Nope. [/quote] You said it.
  13. [quote name='Mr Zea' timestamp='1352990219' post='1870231'] My beastly rig [/quote] Niiiice!!! ... the Warwick / Gallien Krueger combination is a winner.
  14. I've still had nae luck finding the goodies. As said before ... 500k / 500k stacked pot, with a split shaft. If anyone can point me in the right direction I'll build a temple in their honour.
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  16. I just saw a 1981 Aria SB900 on fleabay, identical to mine. The serial number caught my attention. It is [b]1120518[/b], mine is [b]1120517[/b] ... what are the chances of that?! Crazy, this is the bass that was next off the production line to my own. Thought I'd share that as it seems so unlikely. If I was rich I'd reunite them. [url="http://www.ebay.co.uk/itm/Aria-SB900-bass-/130817945066?pt=UK_Musical_Instruments_Guitars_CV&hash=item1e755b6dea#ht_2766wt_1140"]http://www.ebay.co.uk/itm/Aria-SB900-bass-/130817945066?pt=UK_Musical_Instruments_Guitars_CV&hash=item1e755b6dea#ht_2766wt_1140[/url]
  17. Back in the day I recorded much of my vinyl onto mini-disc. It sounded amazing! Because there is so much compression a lot of the more extreme artifact from the vinyl is removed, but somehow the goodies stay intact. It's an interesting sound.
  18. The last two digits of the serial number tell the year of manufacture.
  19. [sup]Price drop Bump[/sup] [sup]£275 (posted)[/sup]
  20. [quote name='3below' timestamp='1352542014' post='1864350'] Another approach might be to file flats onto the height adjusting screws. This will allow you to grip the screws with a suitable tool. [/quote] As 3below said. That's what I would do. Where the screw is visible below the saddle, grip the exposed screw with piers (parallel pliers are best as they wont slip so much) and twist it out. If it's heavily seized and either breaks or just wont budge, another option is to drill it out and tap a new thread in the hole. This will obviously take a slightly wider screw. The brass will behave the way you want it to. It's not a difficult metal to work.
  21. [b]Akai MPC 2000 [/b](sampler / sequencer) This is a classic piece of kit, great for both production and live work. It's in excellent condition / perfect working order. Fully expanded 32mb memory. Product info ... [url="http://www.vintagesynth.com/akai/mpc2000.php"]http://www.vintagesy...kai/mpc2000.php[/url] [url="http://www.soundonsound.com/sos/1997_articles/apr97/akaimcp2000.html"]http://www.soundonso...kaimcp2000.html[/url] [s]£300[/s] [s]£275[/s] [b]£250[/b] ... or trade for a suitable acoustic bass.
  22. Check it out!!! Steve Harris rockin it!!! BBC4 .... it's been on about 10 mins already
  23. I'm surprised this is still around. Such lovely basses are these. Crazy to think that Mexican Fenders sell for this price. This bass is superior in every way ... only my humble opinion, of course.
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