12stringbassist

Jam night. I'm on guitar for a change. Andy Worthington on bass.

It is different than Lake Placid Blue.

New to me today - a limited edition FSR Player series bass in this groovy colour.
Arrived thru post with slack strings, from  PMT online, but was quick to set up and intonate. Plays wonderfully

On 26/11/2019 at 07:36, Bassfinger said:

Is your drummer a leprechaun of stood in a hole?

We were part way through burying him.

3 minutes ago, fleabag said:

You might need to change your forum name 
 

Nah.
The 12 string bass gets an airing every now and again...

The Christi Haydon EP (bonus tracks on the deluxe reissue of Sparks' Gratuitous Sax and Senseless Violins).
I had the pleasure of having a dance with her at a Sparks gig some years ago. Lovely girl.

People coming up to me midsong, while I am singing.. If I can hear them, I pretend they are not there til the end of the song. Then I speak to them.

However, there should always be an exception:

Slade at Manchester Rotters 1979. A punter (me) gesticulates frantically at Jim Lea during a song. Seeing as he knew me to chat to at sound checks he didn't ignore me. "Oi, Jim. Your bass rig is belching smoke". An Acoustic 360 power amp was overheating. One of the crew just pulled it out of the rig.

I use a Zoom B2 bass pod, set to Hartke rig (which is what I use onstage) and go via very careful EQ and compression on the desk into the recorder.
I tend to trim off the bottom end a bit. Clarity is your friend, rather than thump.

12 hours ago, Stub Mandrel said:

You have my sympathy, but the lesson (learnt from work situations) is if you get someone to stand in for you put the 'client' in direct contact with them and suggest they speak to them in advance.

If the landlady had spoken to the temporary organiser in advance they would both have 'bought in' to the arrangement. He might have had more reason to deliver and would have felt obliged to at least let them know. She would have been able to contact him and he would have been the focus for here ire rather than you.

She knows their bassist. 

14 hours ago, Twigman said:

So not expensive at all?

It was a lot of money to lay out (even with an artist discount for a sh*t product). 

My 'expensive' mistake was a few months flirtation with a newly issued range of amplifiers last June, because my guitarist snagged me an artist deal on them.

The top amp was a 500w 2x10 combo and I also picked up a 250w 1x15 extension cab. 

They looked gorgeous, but the amp started to make hideous noises at the first or second gig, so it went back to the maker. They arranged courier collection and got it back to me fairly quickly. They blamed the fault on "a crimped wire." 

A couple of weeks later, the extension cab failed to power on, so that went back. It was replaced with a new one.

I warned the company that the next strike they would be out and I would be asking for a refund. 

The third strike followed a couple of months later. Fortunately, it was during the solitary rehearsal for a band reunion the next day. I went into the PA for the rehearsal. Thank God it didn't happen at the actual two gigs. 

I got the rig collected later that week and my refund was processed after a couple of reminders. 

The company were very fair with me and I cannot fault their superb customer service. 

I was refunded with no argument. 

I have been told by a number of friends who work at repairers and stores, upon mentioning that I had owned them, that this amp range is a bit of a disaster and the number of returns is unbelievable, without even mentioning my woes, though I did share my experience after that. 

No names, no pack drill, but think back to what new model bass range came into stores in July or August last year. 

My band played two blindingly enjoyable gigs on Friday and Saturday after a weekend off. 

We handed our weekly jam night over to a long established and trusted local band, so we could head up to The Talbot in Burnley (always a good gig) . It had been handed over to some friends, who regularly attend the jam, the previous week, without incident. 

After our first set of three, I saw a message from the landlady, asking me where the stand in band for that night were. 

I looked on the bassist from that band's page and he had been advertising the jam earlier in the day. I sent her a screenshot of that.

We kicked off our second spot... 

Then he posted, asking around for a drummer, as their drummer wasn't doing it. They have had 3 weeks to sort this out. 

Shortly afterwards he posted that he was chucking the jam in, as he couldn't find a drummer. 

The landlady messaged me saying she was going to have to close as people had come in and walked back out, as nothing was going on.

I messaged the bassist who was covering and he said he had messaged her and she mustn't have seen it. That was not the point. He let her down. Big style. 

I just felt sick. This ruined my evening. I know that we are going to get it in the neck next Sunday, as she will be ripping about this - as she is indeed entitled to be.

I am normally there first and will catch the brunt of this anger. Ironic, as I didn't want to hand the jam over for a second week on the trot. Pray for me... 

Kiss could license the name Kiss to a band to perform using the name, but it wouldn't be Kiss. Not by a long way. They'd probably have to call it THE KISS SHOW. I could never see the show being staged like an actual Kiss show.

I haven't read mention of Thin Lizzy without Phil Lynott.
Scott Gorham said it felt wrong for it to continue with the Lizzy name after a while.

Slade have been continuing without Noddy Holder and Jim Lea since 1992.
In the world of Slade fans, this causes either much controversy or delight.

Some guys I used to be in a band with joined up with some other guys who had bought the name of a 60's chart band, (who were long defunct) for a couple of grand. The funniest thing I have ever heard is them announcing "This was our big hit in 1965" or whatever, then doing a hatchet job on it. It's a way to make living, I suppose - playing to people who have no clue about the original bands in social clubs and on holiday camp weekend bashes.

Cheap Trick, by the way, parted with their original drummer Bun E Carlos amidst some shouting and bitter acrimony and legal battles. He remains a business partner and still gets a fee from every show the band do, despite not having lifted a stick with them for some years.

For me personally, I think it has improved the band. Out with the shorter greatest hits type sets and in with deep cuts and much longer shows.

Tom Petersson (optional number of S's) also had a long break from the band (band with controlling ex-wife), to be replaced by Pete Comita then John Brant - both excellent players, but Tom was THE ONE and his return was overdue.

Some of the costume errors irritated the bejasus out of me. The sudden excited announcement of a US tour, without mentioning that they were supporting (or that it was Mott The Hoople) frankly was criminal. Making it look like they leapt to instant stardom.

Rami Malek peformed superbly. As did the other band members. But the mistakes like those were unforgiveable. With a few simple tweaks and a little care it could have been 10/10.

I have absolutely no desire at all to see RocketMan, as it appears to be Elton The Musical On Ice. Knickers to that.

On 24/09/2019 at 21:07, wateroftyne said:

JAYSUS... those vocals! Make him stop!

Nothing at all wrong with those vocals. They are from 2006, by the way...

Joe Jackson - Blaze of glory album.

18 hours ago, TimR said:

That really depends on what the business entity Status Quo is, and what partnerships and contracts are involved with the other members. 

I get your point, but Quo without Francis Rossi couldn't fill a phone box.

Doctor Feelgood are trooping round with no original members - they have carried on and have evolved to the current line-up with the surviving former members blessing.

Rossi has been there all the way through Quo and others have come and gone. Andy Bown has been there since 1983 (36 years), and Rhino since 1986 (33 years). Not inconsiderable service.

There is currently no reason for Rossi to put himself out of work because he is the last one of them involved. When Rossi retires, though, there is no earthly way at all that a band can call itself Status Quo.

I'm not small, the bass case is HUGE.
The tallest case I've got (for an acoustic bass)

Do it yourself album by Ian Dury.

1 hour ago, NikNik said:

?? What's all that about??

I was talking about going to watch my (un-named) old band while on sick leave from them after cancer surgery. They had a dep who was fumbling his way through the set and at that point, I realised how lacking my band mates were and made up my mind to wait a while, then give in my notice and leave them. The mention of the drummer's personality disorder about various things (I've never seen anybody cry at a soundcheck before and never want to again) and their sloppiness was a continuation and justification of why I decided I was leaving them at that point.

59 minutes ago, Stylon Pilson said:

Or perhaps they both noticed and cared about them, but they were being professionals about it. It's generally considered poor form to respond to a mistake by instantly turning and glaring at the person who made it.

S.P.

The band's general sloppiness and lack of musicality was the main reason I wanted to leave them (they played a lot of howlers themselves) as well as an OCD drummer who offered me outside for a fight once, when I asked for a turn on the mp3 player thru the PA. 

I'm happy with either term.