Skybone

TBH, I haven't read the whole thread, but surely you mean "All HAIL Chris Wolstenholme" not "HALE", as in to cheer or salute him, instead of him being free from infirmity or illness... ?

There's always one pedant eh?

An excellent collection and a really good article. Especially the Matsumoku content! Had an SB Special II in the late 80's/early 90's and stupidly sold it, then found another one on eBay about 12 years ago which was rough after searching for ages to find one. Seemingly pretty rare entry/intermediate level bass.

Bright display? The LED's are bright enough to burn holes in your retina's!

Great pedals, GLWTS.

nudge

If you're going to use it for recording, then why not get some sort of amp modeller instead of an amp? Something like the Vox Stomplab / Zoom B1 / B3 / MS60B or something similar.

You have plenty of sonic options on tap, you can practice quietly and some of them have USB connection for easy recording. You can gig them as well, just plug / DI straight into the PA.

Maybe the crazy bloke just wants more people to visit the band's website...

Beautiful bass.

Bum, not coming anywhere near us...

Bump

The Everson Caiman is a thing of beauty...

Still looking at amps, but also really, really fancy a long scale Warwick Star Bass...

And an Everson....

And an ACG Krell....

And.....

Does the Drummer/Roadie have to carry a Scaffolding qualification to put the kit up?

Nudge, nudge, wink, wink...

I noticed that the Rumble 500 was under £400 at Thomann, very tempted indeed! It's looking like the serious front runner just now, just need to scrape some pennies together!

OK, so that puts the Ashdown back in the running then!

I would prefer a more "Vintage-y" sound, would like to consider the Orange Terror Bass 500 combo, but it's too expensive.

So I'm still GAS-ing for an amp, and I'm currently between the GK MB212-ii OR the Fender Rumble 500 (or the GK MB210-ii as well), though I do keep coming back to look at the Ashdown Rootmaster 420 210 combo too.

They're both light weight combo's that pack some punch (or so I am led to believe from what I've heard on here & other sites), pretty reliable, loud enough for rehearsals & gigs, and all importantly, relatively affordable...

The thing is now to decide which one would be best for me. Both amps "tick all the boxes" of spec, but unfortunately, I'm unable to try either out, so I'd have to take a punt at getting one from an online retailer.

Sound/style wise, I'm playing in a rock-y/punk-y style band, so would like something that sounds good and rock-y & punchy sounding, but also relatively small & light.

The Fender is the front runner just now, because it's the cheapest, but also one of the local music shops can get one in for me (but don't seem too willing to get one in to try out). Benefit: shop backup if things go wrong. Also, with adding a suitable (and reasonably priced) cab, you can access the full 500w.

The GK's sound ideal as well, the 212 uses the full 500w with the internal speakers, where the 210 needs a powered cab (according to the GK blurb).

Can the MB210 be used with a suitably rated passive cab to get the 500w?

How does the Rumble compare to the MB sonically? Has anyone tried them side by side?

Does anyone know if the Ashdown Rootmaster 420 210 combo gets the full 420w through the internal speakers?

Confused? Certainly! Still need to sell my G&L L2000 Tribute to fund it too.

I agree, the amp sims are very usable.

In theory, you should be able to use the DI Out straight to the desk (without the need for the PA DI box), and get a usable sound. Though I would spend some time in rehearsal plugged into the PA, tweaking your sound so it works. That's the whole reason I bought a B3, but I admit that I'm GAS-ing for an amp as well now!

You could also plug it into your computer & install a recording package to see how it sounds "on record" so to speak.

Was it just me, or did Mr Grubinger look more than a little bit demented?

It was certainly a brave move for the interval piece, but a darn sight more interesting than more flaming singers.

It's only Rug'n'Roll?

Gah! Been drooling over the ACG website for a while, some darn fine looking basses (and guitars) on there.

Nice basses btw. Enjoy.

Was his name John Hall by any chance?

How long do you all think it'll take for the OP to resist GAS for his next bass?

Nudge & price drop. Now £325

Don't mind whether it's vol/vol or vol/pan, it's having the choice that counts. Though I would choose vol/vol/3 way over vol/pan any day.

It still amazes me, when you get a twin pickup bass that doesn't have either option in this day and age. Surely it makes more sense to have one or the other for the sake of versatility?

[quote name='Cosmo Valdemar' timestamp='1432297928' post='2780151']
I can't imagine that bass sounding particularly out of place on anything. Or any other bass, for that matter. And why would you need a bass with a completely different 'feel'? I would question this advice.
[/quote]

"We dislike your choice of instrument, therefore, if you bring other instruments with you, you won't be too offended when we tell you that your instrument sounds like poo"

OR

"we are only able to get a good bass sound from specific basses, and yours isn't one of them"?

An amp - potentially either a Fender Rumble 500, a GK MB212-ii or an Orange Terror Bass 500 combo, though this is subject to change without prior notice.