TimR

27 minutes ago, KingBollock said:

Some money, a voucher for my local commercial fishery, and a book about words by Susie Dent.

 

But the stand out has to be: Bryn Terfel: Carols & Christmas Songs on CD…

Susie Dent was on Russell Howard podcast earlier this year. She was Suzie Dent and didn't come across as particularly engaging. But I enjoyed it, it was calm. 

13 minutes ago, Stub Mandrel said:

 

I wonder if they use cheap hardware?

 

I had to trim 1mm off the end of the speaker jack socket on my Elf head as jacks wouldn't engage properly and vibrated out when I played it!

They now 'click' in place.

Sounds familiar. 

It takes a lot of persuasion to get in, and then quite a bit more to get it out.

I've only ever used GEQ to notch out problem frequencies.

Using the PEQ on each mic to tailor the sound of each chanel to sit in the mix. 

If the mics are pre-set to sit in the mix in a neutral (rehearsal) room then there still might be a small amount of tweaking on some mic chanels to reduce problem frequencies due to stage acoustics, especially if backline is being used and set too loudly. 

My Trace Elliot Elf cab is a nightmare. I've not really investigated why, just struggle with it. 

Maybe changing the socket is in order. 

4 hours ago, BigRedX said:

 

Personally I wouldn't take this to a door stripping company even in the UK. The chemicals used are rather too aggressive in order to get the job done with the minimum of fuss and you are likely to end up with 4 separate pieces of wood. Doors mostly survive because they are held together by woodworking joints and nails although it is always best to re-glue them after the stripping process.

They'd glue back together pretty easily.

They'd at least be able to tell you whether it's likely to work.

I'd rather spend £50 on someone with some expertise than two weeks in my back garden and end up with a lung disease and RSI. 

31 minutes ago, Al Krow said:

eg John Entwistle

Entwistle spent years and a fortune on hundreds of bases and never sounded any different. 

7 minutes ago, lozkerr said:

They do indeed. Sometimes it's possible to anticipate them too. Preview shows can be very educational.

It's almost as if the MDs know what they're doing. 🤣

23 hours ago, lozkerr said:

The band will have rehearsed what might go off-script and be able to respond accordingly.

After 1 or 2 shows the 'vamp' bits become pretty obvious. 

Find a local door stripping company. They might dip it in with a batch of doors. They'd also give you a professional opinion on whether it would be easier and quicker to throw it in the skip and buy a donor bass off ebay. 

Edit: my local guys charge £35 a door. 

3 hours ago, TrevorR said:

I always find the “what bass is too expensive to play down the Dog & Duck?” question very hard to answer given that this was my regular wedding, club and pub gig set up in my function/party band days. 

Depends how many weddings, parties and functions you're playing down the Dog and Duck I suppose. 

There is/was a 410Pro and a 411Pro.

The 411 has a tweeter and 200W speakers.

The 410 has no tweeter and 100W speakers. 

Yes. The speakons will be wired in parallel for connecting to second cab. 

6 minutes ago, neepheid said:

 

Because you're worth it.  Don't let that pesky imposter syndrome get in your way.  And lose the "just".  Even "just" doing pub gigs you are already in the rarefied air of musicians who actually make it out of the bedroom.

Well I play other gigs as well, just not that many at the moment.

The only comment I ever had about my bass was when I turned up to a Working Man's Club cover band dep with my Jackson Charvel complete with pointy headstock and the band leader took one look at it and said "Just stick to the roots - nothing flash."

Not long after that I bought my current bass which looks a bit less flash and looks far more expensive than it was. 

Sounds like January might be an expensive month for me, currently eyeing up some £1700 basses to get rid of some cash I have lying around. 

1 hour ago, ezbass said:

As to the actual level of money, this will always vary from person to person and we shouldn’t judge others by what they consider expensive/cheap.

I think judging by the poll results so far it's fairly Conclusive that anything over the £1-2k mark is considered expensive. 

I really don't think anyone buying a £3k bass, regardless of how much money they have in the bank is thinking it's not an expensive instrument. Probably the opposite, they may be thinking I'm glad I can afford an expensive bass.

I think a lot of people project what they think 'rich' people think based on some strange societal stereotyping. We know actual rich people tend to be rich because they don't waste money on expensive items if they don't need to. 

Probably the closest comment so far is the most expensive bass is the one that never gets played. 

13 minutes ago, LukeFRC said:

I’ve had very well paid friends who could drop £5k on a bass if they wanted

They would still consider it expensive. 

Just now, Stub Mandrel said:

To me, expensive means paying more than you need to.

 

So I'm firmly at £1,000 as that's where the law of diminishing returnd really kicks in. These days you can buy a bass perfectly capable of the standard required for any stage in the world for comfortably under £1k. I paid over that for a couple of basses and a couple that would have been more new. The extra pays for things that aren't actually necessary that take them into the realm of being luxury items where you choose to pay more.

 

25 years ago or more, you had to pay proportionally a lot more to get something of the quality you can get for £500-£750 these days.

I'd certainly not want to be spending a months wages on a bass now! 

2 hours ago, itu said:

Depends on the LED board. There are both, CC and CV systems, there. Constant current is very common in luminaires, but especially stripes are using constant voltage drivers. 

 

It is very nice that there are lots of DALI drivers, but also Casambi (wireless) drivers have become widely available (Osram, Tridonic, TCI...). 

I'm going out on a limb here and guessing these are not professional level lighting fixtures. 

Makes note to buy £5k bass so that I get offered more pub gigs.

5 minutes ago, peteb said:

 

My question would be, why wouldn't you? 

 

I'm guessing that you could afford it and if you had a better instrument then it might make you play better / sound better / enjoy the experience more. Add to that, other musos might take note of your improved sound and more professional quality gear and start to consider you for other projects when they need a bass player, some of which might possibly be a step up from only playing pubs. 

 

That's an awful lot of variables none of which are "If I'm just doing pub gigs."

1 hour ago, Hellzero said:

Satisfied?

Not really. 

I was replying to your reply to Tauzero who said that there was too much thinking going in.

Looks like there still is...

7 minutes ago, fiatcoupe432 said:

Expensive or not expensive I would still  take the bass out and play it . What is the point otherwise of owning a nice instrument? It's like buying a nice car just to have it parked in the garage 

I think the point here - for me anyway - is why would I spend £3k on a bass if I'm just doing pub gigs?

I have the 5.2.

You need to push the gain as far up as you can, you almost want the 'clip' light just coming on most of the time. 

2 hours ago, Hellzero said:

Anything over zero (0) as you'll assess its value by simply looking at it.

 

If you can give it a go, you'll have to assess a lot of specifications before saying x is too expensive and it's always impossible to be objective as there are too many variables here, including personal taste and "wealth".

 

You could also do the maths using the value of the material only without taking into account the added value of the craftsmanship, which again would be wrong.

 

Putting it the way you propose is not a possible option as humans need a point of reference to give a value.

 

Simply ask a non musician not interested in music the value of your instrument and you'll get a better answer, but get ready for a huge disappointment concerning what you consider expensive as it will become highly overpriced.

The question is what do YOU think is expensive.

Not what does someone else consider expensive. 

So most of the variables disappear. All your points of reference are fixed and different to everyone else's. 

20 minutes ago, peteb said:

 

Well, yes and no! 

 

The guy that I mentioned makes a living from playing bass and decided that he needs a P bass that was completely bulletproof, complete with a quarter sawn neck / CS pickups, etc to handle every pro gig that he gets called for. I seriously considered getting something similar, but decided that I couldn't justify the extra cash as I already have a really nice 70s P bass that is always going to be my main bass, so paying the extra £1.5k wasn't worth it when I could get a really nice AVRI with a pretty similar spec, but without the quarter sawn neck! 

 

As I said in another post, you can pick up an American Std for £1k or so, which makes it difficult to justify the extra cash. But, for guys that are going to get that boutique P bass as the one that they use all the time, then it's certainly worth it for them! 

 

Making a living from Bass will also offset tax. 

I'd definitely be getting a bespoke instrument made. That could well be just a load of off the shelf parts built to my spec. 

And a beater bass for the roadies to throw around during soundcheck. 

LEDs are curent driven, don't mess around with power supplies. Get some rechargeable 1.5v batteries. They'll last for decades on a single charge.