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TheLowDown

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Posts posted by TheLowDown

  1. 2 minutes ago, Chris2112 said:

     

    In terms of flexibility I think a pickup just slightly forward of the bridge position (by maybe 1mm or so) would be best. If you want that 'amp in another room down the hallway' vibe you can either pluck nearer the neck or put a pillow in front of your amp. You can always soften/deaden the sound of a bass with just a bridge pickup but you can never get that great tone on a bass with just a neck pickup. 

    I suppose it depends on what you're wanting to achieve.

  2. I prefer rap when it's fused with other genres such as jazz. Because I'm not much of a rap or lyrics guy, I need some extra spice added to the instrumentals to make it more interesting for me.

     

    Artists that may be seen as rap that I enjoy include: Gang Starr(as mentioned by OP), Guru(particulary his Jazzmattazz albums), US3,  Jazz Liberatorz, Fun Lovin' criminals.

     

    I love this one by FLC, the sax gives it a very jazzy and mellow vibe

     

     

    • Like 2
  3. The HB B45FL is decent. There may well be better or equivalent ones for more money or around that price point, but I don't think you can go wrong with it for the price. 

     

    I would also go along with the unlined because the only visual clue that is important are the side dots rather than craning his neck over the fretboard. If anything, my lined fretless requires extra and unnecessary mental processing when I look down at the side dots because I then have to do some spatial calculations to work out where the actual fret should be, whereas on the unlined this isn't the case. The only practical advantage(IMO) of the lined is that there is far more choice, so if he wants to go the 5 string route the lined may be the better option.

    • Like 3
  4. In my teens and 20s it was all about rock, indie rock, and a very brief teenage fling with new wave. Now I rarely listen to rock, because it's like no longer having an appetite for Mars bars whatsoever after eating 10,000 of them.

     

    In my teens and 20s I hated hiphop for the lyrics, was indifferent to jazz because I didn't understand it or even try to, and was even more indifferent to country just because. When you're young you're much more influenced by image, but when you're older it's irrelevant.

    I listen mostly to music that feeds my bassy cravings like RnB, funk, jazz, pop(gotta love the likes of hallucinate by Dua Lipa) now and again, some hiphop and even some country for its wonderful simplicity. None of which I would have ever considered in my earlier years.

  5. 30 minutes ago, lidl e said:

    The biggest reason they are worth it is resale value.

    I don't understand why people always tout resale value as a reason to buy a Fender. I would have thought it applies much more to collectors or people who prefer buying gear than playing it, because many of us are buying a bass to get plenty of use out of it. If I bought a bass with any view of selling it in the near future, then I probably didn't give the purchase much thought. Value for money is much more important than resale value to me, and that's why Fender never appear anywhere on my purchasing radar.

    • Like 1
  6. 4 hours ago, Harlequin74 said:

    Excellent news. That Burgundy Mist is rather nice.

     

    my wife asked me why i needed another bass. ‘ you can only play one at a time’ etc etc……. 
     

    (Sigh….)

    You should apply the same logic the next time she buys another pair of shoes.

    • Like 2
    • Haha 1
  7. On 05/11/2022 at 16:48, Grimalkin said:

     

    It doesn't matter about moving the root, it's recognising the interval, from any root. Those songs are not just played in one key.

    That's the aim, yes, but initially it's better to keep things simple for people who have difficulties, and then eventually extend to other roots. If your ability to recognise intervals is excellent then you won't need to.

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