BCH

I wish you all a successful bash...try not to buy too much...ha 

Yes I agree beware of the Mkt BS.

But what was impressive, I gave all our requirements & kit used & venues & audience sizes & asked them to select suitable FoH cab's. They selected and offered to bring a them to our next gig (4 days notice) to do a A/B test under the supervision of our sound eng & a couple of guitarist & singers from that I know from other local bands, no deposit or commitment. The venue is was a hard test, it took us a couple of gigs with our old kit to get a good sound. So we sound checked & rehearsed and were very happy will our sound.

Un plugged our 6 Foh cabs & plugged in the 2x  KV2's instant noticeable improvement, once the sound guy optimized the EQ (less) & mix vol (less) we had a great sound that was clear dynamic and even every where in the venue. All the band a guests were blown away...yes we transferred the money and put our old kit in the van. Interestingly we were advised to improve our speaker cables..7 gigs later we have learnt how to get the most out of the cabs.

But all credit to the UK team @ KV2 

Allen & Heath CQ18T arrived this week. We use A&H SQ5, very happy but needed a back up...the CQ has the guts of the SQ without the faders + assist functionality for Gain, EQ, FX, Feedback control. = built in WIFI....Set up to mirror our channel settings from the SQ...all good sounds the same!!!...I think the iPad app interface is better & the personal mix app (my SQ myCQ) is roughly the same....& its tiny & less than 1/3rd cost......so far so good....Plenty of videos on YT

Thx sid, hope the rehearsal went well...B

Some context, most of BC's who are providing the portable PA for the band are small gigs >350 audience. Anything more its the house PA or hire

I noticed many theaters are using complete systems from KV2

For us and the audience,  the result was exceptional...As I mentioned I've user RCF TT's, also EV, Bose, L Acoustic (what a faf ) Martin and many awful brands...all with a sound eng...non sounded as good as the KV2's

We are very pleased....have you tried them?

Love to hear from bands that have had used them live.

On 27/09/2023 at 15:04, warwickhunt said:

My situation - Play bass and sing harmonies in several (loud) bands and play acoustic guitar in a quiet duo.  I own various bass rigs but I'm wanting to move away from that weight/load and I've tried/failed the IEM route, so a good quality active speaker mounted on a stand at the side of the stage will be my rig and the same speaker could do the acoustic duo as FOH (2 might be overkill).  I'm presently using an RCF310 (I have 4 in total that I bought as a package) which is working fine but I feel I'd like to take the next step up.  

 

My shortlist is QSC 12.2 or RCF 732/932 but I'd not be averse to a similar quality 10" but I feel that to get the best from the vocalist in the duo a 3" compression driver would be best (don't know of a 10" driver + 3" CD).  

 

Am I missing anything (manufacturer or series/spec by QSC RCF) by focusing on these 2 options and/or could I get away with a lower spec version of the above (inc 10")?

 

I could buy a single of the above new, so that is my budget but I'm inclined to look for used as that's just the way I'm wired.    

Ive got RCF TT1A's for sale on BC, they will outperform any 12" & a couple of subs..will do a package price...good luck

My 5 piece band for a change. Pub gig....they have 2 food vans in the car park Fish & Chip & Turkish and you can eat them in the pub....ideal gig

We have gigged these new (to us) cabs for 2 months. 2 theatres, outside 500 crowd, club, village hall etc.

It's no exaggeration to say it has improved our sound quality, clarity, seperation, fill (width & depth) to the point many of the audience commented inc musicians. Our sound eng' loves them.

We have replaced 2 subs, 2x 12"+h & 2x 10"+h tops with KV2 EX 15 - 3 way active cabs (>40kg each)

https://www.kv2audio.com/products/ex-series/ex15.html

Watch the founder explain point source...there are many video's which have given me a better understanding of live sound for small bands...our biggest concern was bass & drums because the speaker layout is upside down (15" on top mid is co-ax & the horn is @ the bottom with 3 individual analog amps) but the bass response is huge.

I have no connection to KV2 they were recommended by respected guitarist sound guy...just wanted to share!!!! 

Shure KSM8 Dualdyne Cardioid Dynamic microphone & case

As new, spare mic stored in smoke free studio. Latest Shure tech’ very impressed. Watch video

Shure description

 Patented cartridge design features two ultra-thin diaphragms (one active and one passive) and a groundbreaking inverted airflow system

Exceptional control of proximity effect greatly increases working distance without on-axis coloration

Neutral mid- and high-frequency reproduction due to controlled proximity effect results in the most natural-sounding dynamic microphone available

Neodymium magnet resides in a micro-injection mold of aerospace SoftMag material, maximizing the magnetic field for the highest output level

Re-imagined Shure Pumping Pneumatic Shock Mount features tuned cavities, specific resistances, and precisely machined components fully integrated into the cartridge's acoustic properties, delivering exceptional rejection of handling noise without any loss of low-frequency response

Patent-pending Diaphragm Stabilization System technology protects and stabilizes the active diaphragm from unwanted movement from plosives or impact

Dent-resistant, hardened carbon-steel grille design lined with hydrophobic woven fabric provides exceptional water, plosive and wind protection

Meticulously crafted for world-class vocal performances and presentations in elite venues, the KSM8 Dualdyne is the revolutionary dynamic microphone that only Shure could make.

Earthworks SR40V Live Vocal Capacitor Microphone SOLD

+c’case, clip & foam

These mics are the highest quality, in build, tech, clarity and feedback rejection.

Used but excellent condition. Stored & used in smoke free studio. I have the case but not the lining or original clip

Shure KSM9HS Microphone + case & holder

Condenser mic with switchable polar pattern

Used but excellent condition, great mic. Stored & used in smoke free studio.

Shure’s description..lots of YouTube reviews

KSM9HS microphones offer exceptional consistency across all frequencies, providing more gain before feedback, while decreasing proximity effect. As the premier choice in handheld wireless microphone options for Axient®, UHF-R®, and ULX-D™, KSM9HS microphones are built to exacting Shure endurance standards, renowned worldwide and proven night after night, center stage.

Exceptional consistency across all frequencies, providing more gain before feedback, while decreasing proximity effect

Dual gold layered, low-mass Mylar® diaphragm design

Switchable polar patterns (hypercardioid and subcardioid)

Advanced suspension shock mount

Premium electronic components including Class A transformerless preamplifier circuitry

Gold-plated internal and external connectors, including XLR Output Durable aluminum housing

Available as wireless handheld transmitter SKUs

Zippered carrying case

The KSM9HS is a premium vocal condenser microphone that captures vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility, and precise vocal reproduction for live performance.

Engineered to exacting standards, the KSM9HS reveals nuance and subtlety in a microphone optimized for the most demanding live environments. With its dual diaphragm design and switchable polar patterns (hypercardioid / subcardioid), the KSM9HS is the choice for the world's most accomplished vocal performances.

The Place Theatre Bedford

7 hours ago, scalpy said:

25th birthday of our local theatre tonight, we were the after party in the bar. The main event overran which was great as a) gave us more time to set up and soundcheck and b) we didn’t have to play as long afterwards! Crowd arrived eventually so we launched into them and kept them on the dance floor. A good one tonight, enjoyed it.

Nice FBT PA

1 hour ago, LLOYDWT said:

 

I've yet to use the W950, but I've heard great things. I've got a few Lewitt instrument mics and a kick drum mic as well as my 540, and they've all been excellent. I imagine the W950 would keep up with the heavyweights of the condenser vocal mic world.

Definitely, I've gigged it in various venues from Theatres to out doors & its natural breathy reproduction makes me sound better than I am!!!

On 11/09/2023 at 22:45, LLOYDWT said:

I'm a bit of a mic addict, so I have/have had loads.

 

I always carry, and usually use, a Shure KSM8; it's a brilliant mic to work with, it's very easy to EQ, and it seems to sound great with any singer and is very forgiving of imperfect mic technique. I often use a Neumann KMS105 too; I rarely use it if I'm not doing the sound as it requires phantom power, and I don't like to give the engineer anything else to think about; but again, it's a really easy mic to work with and you can score a really quality vocal with very limited EQing or effects. I also always carry a Lewitt MTP540 in my spares bag; it's a lot cheaper mic than the Shure or the Neumann, so I'm a little less protective of it (if I'm forced to loan a mic, it's  usually this one) but I still find it to be a great mic, it sounds not dissimilar to an SM58, but a little less harsh, and it's definitely easier for me to dial in a sound I'm happy with.

 

I also own, but rarely gig with, a Shure Super 55 and an MXL CR77; I used to use these a lot with a couple of function bands I played with where a more vintage aesthetic was desired. I bought the MXL because I wasn't the biggest fan of the Super 55 (it has the same harshness that I find in the SM58 and struggle to EQ out).

 

When I'm engineering, I usually carry a couple of beaten up Heil PR 22s, as they're close enough sounding to 58s to satisfy most people, but have less handling noise and are easier for me to dial in.

I've only Just discovered Lewitt & blown away. I've had many mics but for the last 10 years using Earthworks SR40V (now the spare) with a shure KMS9HS as spare (now selling) but the Lewitt MTP W950, is much  better on all comparisons & very forgiving, our sound eng says its quick to set with only slight - EQ for the room. I have tested with different male & female vocalists, with great results.

 https://www.soundonsound.com/news/mtp-w950-handheld-mic-lewitt

I use with a SQ5 digital desk & KV2 FoH cabs (they have improved the band sound but thats another story)...Fabulous sound.

This Saturday 23rd, Theatre gig. A nostalgic trip down memory lane, 1958 to 1970 pop music 

16 minutes ago, asingardenof said:

Looks like one of these: https://www.tc-helicon.com/product.html?modelCode=P0DEG

Yes VOICELIVE 3 EXTREME..I use for vocals & acoustic....no bass fx

Phew that was a hot one...raising funds for volunteer fire service 

Yes....PM'd...B

If anyone is after a ss Musicman...thx

Ernie Ball Music Man T

Please review the RCF site for all the functionality & reviews on YouTube

Anaconda Ultra J4E-Elite Custom 32" scale 4string bass & gig bag Price Drop £1800 make me an offer

I had this built with a slim fast jazz neck 32" scal...its in excellent near new condition (no wear) amazing tones, playability. I did not expect to part with the bass but wrist issues have meant  the sale of my basses (ACG, Musicman Tim Commerford ltd edition)

Below is the full spec hand built & finished by Andrew Taylor- Cummings (cost £3005) I have also provided the original as a download

Try & collect

View on Anaconda site

https://www.anacondabasses.co.uk/Basses/featured-bass---1

ANACONDA BASSESSpec/Order Form
Customer: Bernard Hewitt, Phone: 07590535499, email:[email protected]

Spec Description Model Ultra J4E - Elite From: £1916

Notes: Target weight, less than 3.5Kg. Narrower neck 50mm at 12th fret, and 19mm bridge spacing.

Body Core Alder (+ £80)
Chambered to relieve weight. (+£60)

Body Top 5A Flame Maple (+ £70)

Body Bottom 5A Flame Maple (+ £70)

Neck 1 Piece Roasted Birdseye Maple (+£100)

Veneer/Coachline Sycamore (Black) between top and bottom and core.

Fingerboard 21 Fret Roasted Birdseye Maple Fingerboard (+£100)

Neck finish: oiled    Scale 32" 

Pickups Bartolini BC4BC                  

Coil Switches Series/Single coil/Parallel

Preamp Glockenklang 3-Band with Mid Centre switch (+£40)

Battery Gotoh Battery Box -9V

ToneZone Rear coil in 60's Jazz Bass Positions

Bridge Hipshot A Style – Chrome (+£12) Aluminum.

Tuners Hipshot Ultralite – Chrome (+£12) .

Nut Anaconda Hand Cut Brass (incl.)

Control Layout

4 in-line, vol-bal-mid-Treble/Bass stacked. 

Side dots Luminlay (+£25)

Front dots Pearloid (incl.)

Truss rod Dual action (incl.)

Reinforcement Dual Carbon Fibre U rods. (+£70)

Fret wire Dutch medium jumbo (incl.)

Finish Sunburst, both sides, gloss ripple lacquer. (+£250)

Loxx Strap Locks chrome (incl.)

Strings D’addario prosteels (incl.)

Terms:
In order for work to commence, a non-refundable deposit of £1000 (received) is required. Work on the ordered instrument will commence in the next available batch, as soon as the deposit has been received and all materials are in place. Should the customer decide to cancel the order at any stage after the deposit has been paid and work commenced, ATC Music Enterprises Ltd t/a Anaconda Basses reserves the right to retain the deposit. 50% of the outstanding balance is due half way through the build and the balance due on completion and before collection.

Build Time:

Build time is currently estimated at 16-20weeks from start of build. Anaconda basses will endeavour to complete all work within this period. However, this may occasionally be affected by an unavoidable circumstance.

Spec changes:

Once the build has commenced, any changes to spec must be communicated to us by email. A new spec will then be issued and signed off by the customer before work can continue.

Total Price: £3005 incl. VAT

Andrew Taylor-Cummings

DIRECTOR

ATC Music Enterprises Ltd. T/A Anaconda Basses

11A Oakthorpe Road, Palmers Green, London, N13 5HY, United Kingdom Phone: +44 7904180699, [email protected], www.anacondabasses.co.uk

Bernard Hewitt UJ4E.pdf Video.mov.zip