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StickyDBRmf

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Posts posted by StickyDBRmf

  1. I remember in the 80's I was in a house with no one else and there was an old drumkit so I set it up and bashed about it with great abandon and no one to critque or give me grief. I sounded like the Magicband but oh what fun and a good workout. (Beefheart told the drummer on "Icecream for Crow" , "I want it to sound like bb's in a piepan."

  2. I just inherited a bass ukulele. It's an Ibanez AEB5E-BK 3U01. Hey, it's portable, I can play it at a party or the park (oops. not for awhile) without amplification, NOT like my Stick or electric bass, and...it has a U in it's name, so there. (and wimmen LOVE bass players)

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  3. I was gonna say this is getting too deep for me but then my arrogant nature took over. My general introduction to people goes like this: I went to school for music and i've been cooking ever since. When I left school I couldn't bear the thought of playing "Tie A Yellow Ribbon 'Round The Old Oak Tree" on a Saturday nite, and since the music I played had "No Commercial Potential", I wound up doing the OTHER thing I'm passionate about, cooking. They paid me well, when I was cooking other's recipes, and VERY well when I had my own restaurant. (and I had more GROUPIES than I ever had in any band...) But again, I wont do McDonald's. I'm happy playing my own music because it keeps me sane.

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  4. Two guitarists needed a bass player so I traded in my Fender Mustang (orange w/ red racing stripes) for a Fender Jazz sunburst torty pickgard maple neck w/ black block inlays. Mom & Dad bought me the Mustang fr Christmas & put the rest of the $ in for J.B. trade. We never did the songs but I just wanted to play the bass line from Inna Gadda Da Vidda for 17 mins. or the bass line from 3rd Stone from the Sun, or Sly & The Family Stone's "Sex Machine". Right from the beginning I just wanted to hold down the bottom and let all forms of Mayhem ensue. Actuall influences and who I studied and or emulated is another story.

  5. There is such a fine line between in the groove and forced. Like the line from "Spinal Tap", "There is such a fine line between 'stupid' and 'clever'." And I swear to G** it can't be taught. So many people trying to participate n the music bizniz can't funk for their Mama's sake. And yet the Pocket People die by the wayside. Back to/ sidetrain of "Normal People" and BassChat(ers). The bass players that GET IT. AND GET PAID.  and the rest should go home and make 1000 perfect omelets. (That's how I paid the rent)..

  6. Are you guys aware of who Pete Cetera is? One of the coolest rock bands EVER with horns? He, along with the keyboard & guitarist shared singing duties and CUT IT UP in the 60's/70's (sorry Pete, I lost interest in the band after Terry died...it lost it's BALLS) Guys, listen to Chicago Transit Authority (esp. Pete, "I'm A Man") and the guitarist who when Jimi Hendrix met him, said, "I wish I could play like that".

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  7. I love the perfect pitch pun...My buddy's daughter wanted one last Christmas I took him to my fav (independant) music store & found a nice one she has moved on to keyboard (not many ukelale patches in THAT one) but really... I like the low end and there is no portable bass...the Stick is even a pain in the derrière... I have a battery Roland Cube, it's FIVE WATTS (but it has 4 speakers and The Roland Chorus). So I can go to a campfire or whatever but it's still not THAT PORTABLE... but...I can't...stand...the SOUND...of those things I won't even bother to check how it's spelled. SOMETHING LIKE THAT SHOULD BE EASIER TO SPELL. Like EUGHK. One more thing I don't like those little bass thingys they sound like smuush

  8. I'm one of those "I've got to work with what I got" guys, you know, disabilty, retired from working in the cooking biz, no income coming in, soooo....I have a NORD LEAD ll that I try to get those PFunk Bernie Worrell sounds outa its what I got. But I have loved the Moog since the day it was born

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  9. The Jazz Bass and Reggae. Was that the topic? If you accidently move the knobs put tape over them. (all real bass players know you don't need knobs) I have played Reggae with a Jazz, w/ a fretless P., w/ a Pedulla 5 string fretless P/J, and now with a 12 string Grand Stick Dual Bass Reciprocal. (that's for u cats that didn't read my introduction. DBR). Oh, and I also have a ESP LTD w/ active p.u.'s and a Hartke bass that only has the J p.u. working that I tore the frets outa the right way that I paid $30 US for (the P p.u. worked when I bought it but there were no strap buttons...that musta been the reason for the price), and an Ibanez 8 string that I took the frets out of the wrong way and I CAN PLAY REGGAE ON THOSE TOO. I said you don't need knobs on your axe someone here tell how to play with the flesh of your fingers...Oh bullocks I'm not trying to be a twit. Put your pick down and stroke the string with as much flesh as you can for "tone". Check out any upright players technique it'll work fr Reggae

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  10.  I'm listening to (and learning) Lost Stars from the movie Begin Again. THE KEIRA KNIGHTLEY VERSION NOT THE BLASTED FOUL (Oh I Love His Falsetto) Adam Levine version (sound of wretching although I sinisterley love it). My girl can seriously sing the offal out of anything so we gonna do a duo this year (Dangerous Adventures) & some other covers and some extreme Corporal Punishment . Oh by the way Begin Again is  a good movie  I SAY SO. 

  11. I went to Negril back in '86 before all the Sandals-type places took over we got outa the plane in Montego Bay grabbed a taxi & headed toward our destination by the time we hit our first pit-stop for a Redstripe & tinkle we hooked up w/ our first bag of Ganja & proceeded to SLOW DOWN. The Island took over we got to the S. End of Negril found our boy friday picked out our dub tapes & high quality bud & I FELT THE MUSIC. We were there 10 days but the effect hasn't warn off. Reggae has to be FELT. I don't recommend any type of trendy chemical amusement aid but they all worked for me and I know going to Jamaica is expensive and dangerous as a field trip but to play Reggae you gotta BE IN THE TING.

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  12. I saw them for the "Songs of the Free" tour in New Jersey. Just the 4-piece Andy made sounds that would put the Edge to shame Sara Lee was Awesome I didn't stop dancing the entire nite. One of the best shows ever!

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  13. Okay this had to be the most incredible show I ever saw. It was Capt. Beefheart's last tour it was for Shiny Beast (Bat Chain Puller) @ the Beacon Theater NYC and his opening act was James Blood Ulmer. I don't know who JBU's drummer was but I never seen anything like it. AND the guy sitting next to me was recording Beefheart (wasn't interested in JBU) I held his mics while he changed batteries, he took my address & sent me a cassette. (no return address-very paranoid dude. But I have Beefheart's last tour)

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  14. When I was trying to emulate C.S. I had a '72 Jazz Bass & was using Ernie Balls rounds. RotoSounds were astronomical. Thru a Fender Bassmann with a 2x15 cab. Turned ALL THE WAY UP. Tried to play w/ a pick but they kept flying outa my hand. I just played really hard with my fingers. 

  15. 1 hour ago, Bluewine said:

    I love this stuff. Joe graduated from Montclair HS in 1965. I graduated in 71. 

    Blue

    ...where he took up welding. Yes and he built a talkbox out of Fender Twin Reverb and when he tried it out he rattled all his fillings out of his teeth. Us Jersey Boys anything for a laugh...

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  16. I'm a new Yankee on basschat so if this book has been mentioned forgive me. I recomend it to EVERYONE. "The Indie Band Survival Guide - Randy Chertkow & Jason Feehan - St. Martin's Press NYC $18.99 US 2nd ed. is 2012 I don't know if it's been updated  again but it talks about everything you can do on your own or when you may need help. If any ofthe moderators review this & reccomend mebe it can help some of us thumpers out there

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  17. I was a real big fan of John Wetton...until King Crimson was no more. Oh, and coming from a jazz background, when I picked up the upright, Charles Mingus. Talk about gritty. And BTW, I became jaded w/ the jazz world (seemingly stuck in the Real Book) when I was introduced to the album "Starless and Bible Black". THAT was progressive.

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  18. OK I like the new Gong. And there's a band from my stomping grounds - Princeton NJ USA called Cactus Karma that sounds like National Health/Henry Cow sorta. Dave Stewart definitely. I'm trying to do/sound different on Stick will post when I get something recorded. Funny, no appologees here my biggest initial bass influence is Criss & the main reason I wanted a Stick was the T.L. SOUND but I sound NOTHING  like either of them. And the Stick community kinda depresses me 'cause it usually sounds like treacly covers with no balls (am I gonna be censored?), testicles? What do you chaps call them in polite society? , or Bach stuff. I will search my other stuff & post accordingly.

  19. Guitar. I can't play chords on guitar. Grubby little paws. Why all my guitars are "Joni Mitchell" tunings. One of the reasons I play the Chapman Stick. Left-hand chords in inverted 5ths I can play. Right-hand chords from above I can play. OH. You said instruments you struggle with. THE CHAPMAN STICK. I love the struggle though. And keyboard. And Roland HandSonic. Life is not lived without struggle. Or strudel.

  20. There's always the Roland HandSonic (I have the older HPD-15) I bought it 'cause I wanted tabla. It's good if you like to bash about on something bigger than typewriter keys. And I also trigger it via MIDI with...AN ALESIS SR-16! I haven't embarked on the computer DAW merry-go-round yet - I've got Audacity installed but haven't recorded anything. Kinda off topic but I use a ZOOM H2 as a "notebook" for ideas outa my mixer.

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