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The Bass Doc

⭐Supporting Member⭐
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Posts posted by The Bass Doc

  1. Bought one of them there fret bending tools. Lovely job Richard.

    Using fingers only up to now has resulted in damage that I can blame for my poor bass playing - but, as one of my bandmates pointed out, I am to bass playing what Eric Pickles is to hang gliding.

  2. OK, here goes:-
    [attachment=160300:IMG_0002.jpg]

    The conversation taking place at the time was me pointing out that the polepieces of the pickup on my Stingray were uneven and I was getting loud A and D against quieter E and G. Afterwards he gave me add-on magnets to take away and fit when I got back home and they helped cure the problem.

    Just shows Leo didn't mind criticism and I reckon would not particularly join in and bask in the 'Leo got it right first time' debate. He continued to innovate - and, guess what? - his next move to the G&L range saw adjustable pole pieces being used.

  3. [quote name='EssentialTension' timestamp='1397501817' post='2424586']
    .
    No doubt someone will be along in a minute with a better explanation.

    And no doubt someone will say that one (or the other) sounds different and better, or not.
    [/quote]

    The second explanation is the most acceptable imo, particularly as Leo Fender told me himself ;)

  4. [quote name='BigRedX' timestamp='1397499455' post='2424545']
    What's the reason for the "veneer" style board? I can't help but think it would have made the production of the neck unnecessarily complicated - something which would have gone agains Leo Fenders philosophy when it came to building musical instruments.
    [/quote]

    An explanation (that I think has been aired previously) is that, in the case of some slab boards, occasional twisting occured as a result of the rosewood being a fair thickness tended to dry out at a different rate to the maple whereas in the case of the cambered board it was more of a veneer and did not interact with the maple to the same extent.

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