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nazzer
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I'm selling my QSC K10.2. Only had it a couple of months and realised I'm an amp guy. I bought this from Andertons as B-stock, but it is in excellent condition, and pretty much brand new, but managed to get some scratches on one side the one and only time I gigged it. See photos (which actually manage to make them look worse than they do in person). Obviously these have no effect on the performance of the speaker. Collection only from Brighton area, but can drive to meet you at a reasonable distance (30 min or less). -
Hi, is this still available? -
Thanks everyone for your responses. I'll have a play around with the HPF to see if that sorts things out. I had one on but don't think I was aggressive enough with it. And also thanks for the firmware prompts. It was a display model I got from Andertons and fortunately it came updated to the latest version.
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I was going to start a new thread, but this seems like the best place for my FRFR question. So, I just purchased a QSC K10.2 to use with my Quad Cortex with the intention of going fully ampless. I played at a small session with the QSC and found that it was really boomy despite setting a HPF on the QC. In hindsight I think that the problem was I accidentally left the the speaker in 'Bass Amp' mode from when I was trying it out at home and did not turn off the cab on the QC. But it raised the question: what setting do other QSC players use out there when they are using it as an FRFR set up? Thanks!
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My Ibanez SRF 700 Fretless is back on the market. It is a lovely bass and sounds great, but I'm just not playing it enough to justify keeping it hanging on my wall. Other than missing the "R" on the headstock it is in otherwise perfect condition. No scratches of dings or anything. This is the older version when they were still using rosewood for the fretboard. The neck has markers on the side of the fretboard to help you navigate but keep the very classy look of the fretless board. It is a neck-thru construction with a 5 piece maple/bubinga neck and mahogany wings. The electronics are Bartolini MK1 pickups and a piezo under the bridge. There is a two band EQ for the Bartolinis and a tone control for the piezo. Each pickup also has their own volume control. All this gives an insane amount of control over your tone. Includes a gig bag, which I can pack it in for shipping at the buyer's risk (I will insure it as well) for an additional cost (probably about £25). However, I would strongly encourage collecting from the Epsom area to avoid the risk of damage. I can deliver within a reasonable distance (up to 30 minutes drive). Open to reasonable offers. -
I'm relisting my Markbass Little Mark Vintage 500W head. It's an awesome sounding amp, really versatile and in perfect condition. I'm also throwing in a Boss FS-6 footswitch so you can make use of all the functions of the amp. I'm not really playing out anymore so I'm thinning out my gear, and this should go to someone who will make use of it. Comes with a cable for the footswitch and 2 speakon cables. I can ship for a small charge or you can come check it out if you are in the Epsom area. I have already sold my cab, so if you want to hear it you will need to bring one. Open to reasonable offers. -
I am selling my Markbass Little Mark Vintage head and NY 121 Cabinet. They are both in pristine condition and have been kept covered and in its gig bag. I very rarely, if ever see these heads on sale, which is probably a testament to how good they are. I'd prefer to sell as a full rig, but I will split it if necessary. I've had the cab for a few years and I got the head about a year ago and as good as it sounds (and it sounds great) it was always a bit much for what I was using it for. This sucker is loud! I'm just not playing out as much as I used to and it is time to simplify my gear and move this on to someone who will play it like it should be played. Pick up preferred from the Epsom area, so you can come and check it out, but I can meet somewhere within reason. Shipping by courier is possible at buyer's expense. -
Darkglass vintage microtubes. Unboxed but in excellent condition and working perfectly. £115 shipped £110 collected. -
Yeah, me too. I guess not everyone is ready for such a magnificent instrument But it's there waiting for the right person! -
Hey everyone, I'm selling my HX Stomp along with a two-button external foot switch and throwing in two premium packs of bass presets: Steve Cook's Nashville Bass Pack (vol 1) and his Producer's Bass Pack (you can look these up on the Line 6 Marketplace or New Vintage Audio). It is is great condition, updated to the latest firmware (3.5) and comes with the box and all the original goodies including the power supply. I can ship it to wherever in the UK for an extra £10.- 1 reply
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Love this chorus, but I've gone full multi-effects so I'm uploading a bunch of pedals. Has a great filter feature on it which mean that the effect will only affect the higher strings if you want, or you can set it to work with every string. Near perfect condition. It just lost the back label to pedal tape, as can happen with Boss pedals. Boxed with all the manuals etc. Open to sensible offers Shipping is £5 -
It is a looker. And it plays like a dream and sounds fantastic to boot. The TI flats are awesome on this bass. I'll probably try them out on one of my others too. It's a hard one to let go of, but it deserves playing, not hanging on my wall.
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- six string bass
- ibanez
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So, I am absolutely freakin' loving my QC! It sounds just so much better than the HX Stomp to my ears. Hard to explain, it because the Stomp did not sound bad, but the QC is just better. Fuller, more responsive to me. I've barely started to scratch the surface on making presets but the bit I have done has been super simple. Looking forward to CorOs 2.0 when it comes out, as I'm sure we all are but I'm more than happy with what I've got now. I'm now unloading a bunch of my pedals (including the Stomp) and simplifying my pedal life, which feels so good. I love my pedals, but I just found that I was continually messing with them, rebuilding my board to try new things out over and over, having an at-home board that needed to be partially dismantled every time I played a gig, it was just stressing me out and I felt like I was spending more time figuring out routing than playing! This just feels simple and I'm confident that the tones I have at my fingertips are really good, whereas before I felt like I was settling for "that will do". This weekend I'm planning to capture my Markbass Vintage Classic 500 head. I'll be capturing the DI from it, but can I just check do I need to connect it to my cabinet if I am just doing the DI? I remember reading somewhere that it was best to do that, or was that just for tube amps?
