Lee-Man

Proper little good Keyboard this one, sadly I don’t have enough space for it. As a non-Keyboard player it came highly recommended by a number of guys that suggested it was actually really decent, especially for the money.  
 

A travel affair bit for gigs, and I’m regularly in the Birmingham, Leicester, Nottingham, Sheffield areas particularly. 

Up for grabs is this rather excellent BSII. Comes with Novation Fitted Bag. Its great way to get in to synth bass for functions etc.

P

Have a Blacklion Audio 1073 (B173) - Sounds great, as you'd imagine. £300

Will do the Blacklion interface and half rack all in for and extra £150 

I've just gone down the 500 series route, so these will be surplus. Happy to look at trades against 500 series bits. 

IMG_9156.HEIC

Sold

I'm driving from Leicester to Bristol this weekend. So if anyone was interested we could potentially meet en route. 

10 hours ago, i.clarke said:

Hope this is still up for grabs as i quite fancy it

Yes, it is. 

These are almost brand-new. Bought for a project and have been great. I don’t have any room for them and as such someone else should benefit. 
 

40” high and sat a couple of 7” monitors on.

I’m based in Leicester, however regularly travel to Birmingham, Nottingham and Sheffield.

Got a spare Shure P3RA pack that I can’t see myself needing (have 4 already). This is from the current range and can do both stereo and dual mono (if you’re sharing a transmitter). 
 

48 minutes ago, Happy Jack said:

Can this be played on a standard end-pin, or does it only work on a stand?

It doesn’t have an end pin. I guess you could attach one. 

Sounds ace! 

Any sound samples? 

They are brilliant. Really well built and sound good. We’ve had no issues with ours. Still using a couple of them as a smaller

line up. 

Just got one of these wireless IEM sets left now. 

From what I’ve been told it’s old rosewood. Looks great irl. 

On 29/11/2024 at 23:42, Bassybert said:

If this is one of the NC/YN/CY serials from the mid/late 90s these are seriously good guitars!

 

I've got a red one my daughter uses, full size solid wood body, lovely chunky neck.

I’ll check that. It’s a surprisingly good player. 
 

Can do, no worries. Not sure how much it would cost?

Got a coupe of Shure Wireless IEM PSM300 + P3ra body pack for £490. Have extra body packs for £200 as well. 

Will get better pics for anyone interested.

Also filed under “ things I thought I’d sold a long time ago” is this road worn G&G USA tweed case. Works as it should, but quite well

used/gigged!

Got one of these going spare! I excellent cases and new ones are pretty expensive.

The 4 grey controls are a mixer that controls

the output of each string.

The other three are volume, bass & treble. 

On 14/11/2024 at 12:24, Beedster said:

I’d love to see more pics @Lee-Man 🙏

Sorry for the delay

Had a few messages re more

Pics and info on this one. Built by the late Paul McNabb it’s a copy of a 1960 precision with nitro neck and body finish. Reverse tuners and hootenanny button. I have the original pick up and wiring, although the Monty’s pickup and loom is far better imho. 

I’ve been in touch with Paul’s daughter on the Facebook group for these instruments and she’s provided me with a copy of the order book the include this particular instrument. Pauls work is pretty legendary and this is an excellent example that I should probably hang onto! 

Tentatively putting this up for sale. I commissioned this 25 years ago and it’s flipping great. Unfortunately a bout of rather horrid RSI years ago means it doesn’t get played. Despite how much I love it, I really feel it should go to someone how can really enjoy it. 

Tentatively putting my rather lovely Paulman Precision up for sale. Rescued it a year ago and spent a fortune recommissioning it including full fret level and dress, new Montys pickup and loom and Dunlop flats.

It’s now a properly great precision.

1 hour ago, maxr said:

I have a rookie question on the Nashville numbering system. Having dealt with the dots and tabs in the past, I'm now learning this system (N.N. from  here on), using I II III IV V VI VII for each chord. To learn to busk N.N. on bass, my cunning plan is to go through a folk tune book marking up the chords in each tune I know  in N.N., then record the tune on fiddle and play bass against that.

 

A simple chord progression in the key of G Major (key sig. one sharp) could be e.g.

Chords: GMaj / CMaj / D7 / GMaj
N.N.:         I          IV       V      I

I understand that, but - another tune has the same key sig. of G written on the page (so the notes are from the G Major scale). However the tune resolves to E, and the first four bars of chords are Em / C / G / D etc., resolving to Em. So, the key signature's G (specifying which notes can be used) but I think the tune's in the relative, Em?

So, how would you write those four chords Em / C / G / D of this tune on the page in N.N. - would you relate the N.N. chord notation to the key signature of G, or the actual sounding key of Em?

Thanks, Max

I would write it as 6415