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Elfrasho

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Posts posted by Elfrasho

  1. 12 hours ago, owen said:

    As long as it is bought 2nd hand at realistic prices then when the time comes you can get the £ out again. No worries.

    This for me. I buy almost everything second hand so rarely lose that much on stuff that gets moved on. 

     

    My philosophy has always been to move things on that aren't getting used. I don't see the point in keeping hold of pedals etc just sitting in a drawer.  Even basses, although I understand the aesthetics, just seems a bit pointless to me! 

     

    My current bass set up could be replaced for about 850 quid second hand. £500 fender jazz bass, £100 zoom b3n and £200 carvin amp. Then 3 half decent quality leads. 

     

    I would love to know what my actually net spend has been over the years!   I bet its not more than 2k! Which considering its been my main hobby for about 20 years and I'm sitting with 800 quid worth of gear just now, is pretty damn cheap as hobbies go! 

  2. Unfortunately, soon after I made this, the project I was needing it for got a bigger pa so I'm back to gigging without an amp! So, it was all a bit of a waste of time! Haha. But for the short time I was using it in rehearsal it sounded perfectly fine. It farted out when pushed higher, but so does the internal speaker!  It's definitely there for me when required though! 

  3. 51 minutes ago, stewblack said:

    You've inspired me! I have a lovely lightweight combo which just,and I mean just, about coped at band practice. It has an output for an extension speaker which could make the difference I need. However the entire point of the small combo is ease of getting the thing in and out of the car so I want something small.

    Now I also have a very nice 2 X 10 in a scruffy and above all heavy cab with damaged grill that I don't mind taking apart. I reckon I could make a little 1 x 10 like yours employing one of the speakers from this unused overweight cab. So thank you for showing me it can be done. To be frank I'm a little intimidated by the high tech talk around here, although I love reading the threads. 

    Ha no worries. Just make sure the ohms works out OK!  And post some pictures! 😅 

  4. I had a white 4 string version. First proper bass! I sanded it down, defretted it and put a trem system on it. Then sold it on ebay for about 60 quid or something!  Would love to try another just to see if it's as good as I remember it! 

     

    To this day, I've no idea why I modded it so much! 

  5. 1 hour ago, Cuzzie said:

    @rushscored4 @Elfrasho

    Yep just seen that, and if you are interested.......

    Its overpriced, his description is wrong it’s not delano pups, defo Sandberg in House pick ups, i’d hardly call a strap ‘plus extras’, it’s a 3rd hand bass minimum, plus I know that he has hiked the price he paid for it a few weeks ago, so he is gaming it quite hard, and he should know they are about 4kg.

    They should be about £900 regardless of recen price hike IMO, and that is fair for a wonderful bass.

    To get a Sandy closer to £700 you would be looking at one without ageing done, that is of course personal preference. A TT (jazz) bass has a neck but width of about 39mm and is still slim and nice, there is not a lot in it, you may struggle for under £700 for a Sandy, but you may get lucky.

    If you are interested in a DK, and want to know more I will happily oblige, shoot me a pm

    I've seen the electras, which are probably more realistically my price point. Much experience in those? Nowhere near me stocks those either as far as I can tell! 

     

    That one does look lovely though I must say! 

     

     

  6. Need a bit of guidance from you experts here! The past 15 years I've almost exclusively played with thin necks, front to back (i think its measured). I had an aerodyne jazz which was great, then i got a Bass Collection Jazz which was amazing. I've got myself a Fender US special Jazz recently, and although its not exactly huge, it's still a bit to get used to. The thing sounds immense and plays well (and is my dream design- black on black/maple neck) so I'm willing to persevere with it, but I'm slightly worried this might be one of these situations where the player doesnt 'get on' with the bass. 

    I'm flirting with the idea of picking up another Bass collection, if i can find one 2nd hand for the same price I sold mine, but I might want something a bit more exciting! Been to all the local music shops and Ibanez seem to be the 'choice' for slimlin necks, but in all honesty, id rather not buy something brand new then being in the same position 6 months down the line, then selling it on for half the price!

     

    So what is there out there with a slimline neck? 2nd hand budget around £500-£700. Nothing pointy, but I'm open to most other things.  

     

    Fraser

     

     

  7. If it sells through that method, who cares what they did to do it? If you agree a percentage at the start, then not sure what the problem would be. 

     

    If it sells, but turns out it's been left in the case through the back then I would care not a jot! 

  8. Is that driver a match for the one already in the ext cab? If so, why not just put the new one into combo, and leave the ext cab as it is? 

     

    See if they don't budge... I'd still buy the speaker, and then just sell the one you have once changed over. If the amp is exactly the sound you like, then for a few quid it seems worth it! 

     

    Although, if Ashdown have admitted an error, then they should be supplying the new one out their pocket! 

  9. On 23/02/2018 at 14:37, artisan said:

    See if Ashdown will send you an 8 ohm speaker for you're combo

    This for me. They might even admit as an error! Was the amp sold as an 8ohm speaker? 

     

    Oops... Should've kept reading the thread. I'd definitely be questioning them further... And if you're adamant you want to use it with an ext cab, I'd probably just buy the 8ohm speaker if it came to it. 

  10. I've no idea the brand but the set I used were cheap and cheerful and to the feel, they played just how I expected! I took them off for a recording gig, but lost them!  DoH! 

     

    Remember to factor in how long they last. Pretty much forever! 

     

    I'm tempted to get that 15 quid set! 

  11. I've not followed this story at all but I'd say if the big companies are struggling, it's more to do with the saturation of brands, mass produced Chinese knock offs that are actually very playable, and just general fashion rather than less students playing! 

  12. On 11/02/2018 at 15:49, Al Krow said:

    I think multifx (e.g. my Zoom B3n and Zoom MS-60B) is great for chorus, delay, tremolo and flange and of course being a tuner. I also find the B3n is really useful as a headphone amp with its aux in and headphone out. It's got these areas covered just fine.

    But I think all but the best / significantly pricier multifx pedals (and Zoom are in the value for money end ) struggle to come close to the best analog pedals on some of the 'trickier stuff':

    a) synth / filter,

    b) octave tracking both mono octave down (low and without latency)

    c) polyphonic octave up,

    d) compression and

    e) dirt.

    I agree but the b3n for dirt and preamp 'warmth' is a step up from the ms60b from my experience. It's the first digi pedal I've been happy using distortion! 

    The synths on the zoom range are limited but sound great and track very well! 

     

    If you A/B'd the other things with dedicated analogue pedals, you'll be right. But personally, the difference is so small noone will really notice! 😅 

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