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ezbass

⭐Supporting Member⭐
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Posts posted by ezbass

  1. Other than the stand I bought for my EUB (tier 2 at worst), I’m still in. There have been a few things that have tickled my fancy, but either the GAS wire off, or someone beat me to it (a certain, red, Rickalike springs to mind here). Really not that bothered by anything at the moment, I’m even thinking of offloading some basses, as they’re just sitting there, doing nothing.

  2. 11 hours ago, Russ said:

    Basswood gets a bad rap because it's often been used in cheap instruments and has an extremely plain grain pattern. No such thing as "quilted basswood"! All Bongos have solid finishes so the grain doesn't really matter, and it's got the right weight and sonic properties, so why not? 

    I had an Ibanez GWB35 (the matt black one). I stripped off the dull as ditchwater, black finish and the basswood underneath, whilst not flamed or otherwise, was pleasing in its plainness, I liked it. Sonically (if these things ever make a noticeable difference [opens can of worms]) it was absolutely fine and the weight was great and not just for a 5 string. I kind of miss that bass. 
     

    IMG_0045.thumb.jpeg.ee5cafb433e6bda04f3d087aa21c655a.jpeg

    • Like 4
  3. 1 hour ago, dmccombe7 said:

    IMO the SE should listen to the on-stage sound and simply recreate that out front.

    Seconded. I mixed a FoH sound once, in a decent sized venue (not a pub/club). All I did was listen to the stage sound, then brought up the individual instruments so that it just enhanced/reinforced that original sound, no thumping/booming bass drum, etc. There were no complaints about the sound not being loud/visceral enough.

    • Like 2
    • Thanks 1
  4. 1 hour ago, Hellzero said:

    The easiest way would be to drill a hole from the neck pocket through the neck pickup cavity to the bridge pickup cavity.

     

    Fast, easy, clean, invisible, impossible to screw.

    Impressive work, Neep. As for the cable run, see above.

    • Thanks 1
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