oo.viper.oo

I endorse Korg Pitchblack tuners because of their excellent legibility even in direct sunlight. I have a Poly version, but I don't use the polyphonic anyway and the legibility is the same for other versions. Obvious point is: you need to be able to read the tuner so that you can use it. And that can sometimes be difficult when gigging outside.

[size=3]I have TC RS212, which, I guess, is kind of similar to your 2x RS112 in tone. The difference is impedance, my cab is 8[font=arial, sans-serif]Ω, yours is too, but you run two of them so you're at 4[/font][font=arial, sans-serif]Ω.[/font] [font=arial, sans-serif]Anyway. I am feeding this cab with Markbass Big Bang (Class D) and I'm very happy with the overall tone I get from this combo. It's warm, yet with concrete bottom and clear, yet not sparkling transients. I'd say it's very suitable for jazz, blues, funk. VLE and VPF filters are very handy to carve that particular sound you want, though I mostly run it on flat EQ and filters anyway. Slap technique sounds great with this combo! However if I want to play rock, I need to add little dirt with pedal. [/font] [font=arial, sans-serif]People familiar with both Big Bang and Little Marks say they sound different so chance is you may like it even though you didn't like other Markbass amps. I'd say it's definitely worth checking. I have no experience with Little Marks myself so I can't tell.[/font][/size]