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Danuman

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Everything posted by Danuman

  1. I'm on a similar quest. I definitely haven't given up on class D just yet. I have only been gigging for a few years as a bass player, but luckily I've been spoilt for choice when it comes to borrowing rigs from friends. I've played everything from giant Trace combo's to ultra heavy SVT's with a pair of 410's. That sort of stuff commands the stage, but it's just not feasible to bring those kinds of amps to a gig without at least a van. Plus, in my experience with tube amps, you're looking at a broken down rig at least once every season. I think those big amps are just too cumbersome and vulnerable for anything other than (semi) professional touring. Don't get me wrong, I love 'em, but it makes no sense for a simple weekend warrior like me. I've tried Markbass, which is loud, but the amps I played had that unpleasant 'woof' to them (I don't know how to describe it any other way) that sort of drowns out all other sounds and leaves the whole band complaining. I've tried EBS, which, although very nice, was just a tad too clean for me. And I've tried the Ampeg heads, but I didn't like the EQ preset thing they've got going on. So I bought an Eden 500 watt class D amp which sounds amazing, but guess what, it runs out of steam disappointingly quickly. Swings and roundabouts. Sorry, that got a bit long winded. But there HAS to be a proper sounding and powerful class D out there for me. I wouldn't even mind if it weighed a few extra pounds.
  2. Thanks, I hadn't considered that yet, but it's a nice way of thinking about it. I'll definitely look into it. It might lose some of its one-trip-only charm, though. The amp was a gift from my girlfriend for a pretty momentous occasion, so I don't particularly want to part with it. I do think I'll upgrade to a 212 though. That way I'd still be able to put it in my car without too much fuss.
  3. I know what you mean. As luck would have it, I only found out there was trouble after the fact, so I didn't lash out to anyone. Turns out the neck had come loose. Didn't see that one coming... I do now realize I need a way more powerful rig. Which is a bloody shame, because I love the flavour of this little setup. There's just not enough of it to push a full-on drum kit.
  4. Good news. Well, sort of. Did some A/B-ing and it turns out the problem was my bass after all. I suppose it'll be easy enough to fix. Thanks guys, my mini-meltdown has now subsided. Food for thought, though...
  5. Well, I guess that'd be safer, but I don't like to be precious with my stuff. If people hadn't let me play on their rigs when I was a teenager... I doubt I would have played anywhere. Kinda sucks I got burned right away though. I just got it last week. 😢
  6. Thanks for the advice Phil, I'll be sure to give that a try! I'm not quite sure what's going on. The E string sounds fine acoustically, but plugged in it's dull and anemic. I'll have to try some configurations to see what the problem is. Maybe it's the amp...
  7. Hey all, I was hoping maybe some of you could help me think about this. I'm kind of afraid a young grasshopper inadvertently slapped my 112 to death at a gig yesterday. How would a blown speaker sound? I'm not quite sure, as I've never dealt with something like this before, but it seems my E string doesn't quite pack the wallop it did before - the A string and up sounds fine, btw. I'm really hoping it's just a dull string, but I don't have a fresh one on hand... All the best, Daniel
  8. Ahh, those pasties with a nice cold ale. That's good living, if you ask me!
  9. Hi Steve, I recently joined the forum for very much the same reasons you did. For these past two weeks I've been on holiday just to the south of you. The weather leaves something to be desired, but it has been mild and I very much enjoyed the peace and natural splendour these parts have to offer. Lovely food, and people too! Kind regards, Daniel
  10. Straight in with a Douglas Adams quote. Nice to know inspired silliness is appreciated round these parts. I like it here already.
  11. Greetings fellow low-endians! I've lurked here, on occasion, but since I'm currenty actively looking for some proper gear, I decided to get with it. Strictly as a matter of speaking, of course - has bass playing ever really been hip? Anyway, I've an old Japanese Jazz bass copy, ca. late 1970s, which serves me very well in a floppy and unassumingly vintage way, and a dirt cheap P-bass copy, which only sounds nice if you don't compare it to the other one. I recently bought an Eden WTX 500, because it was such a ludicrously good offer that I simply couldn't have refused. I'm as yet somewhat unconvinced of its stage-worthiness, but the preamp sure does sound nice. I'm currenty searching for a decently efficient 8 ohm 112 cabinet, in order to create a compact and versatile rig while leaving some room for improvement, as my main drummer is unholy - think John Bonhamly - loud. (Essentially just as good too!) I'm currently liking Vanderkley cabinets, as their sensitivity seems pleasingly high, and they seem to be well-regarded on the whole. That, and the burgundy red is a nice touch. What do you all think? I hope to learn a lot from you guys. All the best, Daniel
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