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Burns-bass

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Posts posted by Burns-bass

  1. Absolutely!

    I was referred to the incredible upright bass master that is Martin Penning by my teacher. He's helped me an awful lot with getting my old knackered (but cherished) bass to a wonderful playing and sounding instrument.

    An upright bass is a complex piece of design and engineering held together with glue and pressure. I certainly have no idea how it works, I'll defer to a pro.

  2. Best advice I had was to get a DB teacher and get them to advise you. They should understand your technique and your requirement.

    They can also spot potentially expensive issues (although a luthier will help with that).

    Of course don't but sight unseen, but more importantly, listen to the bass! Cheap ones can sound great, but it's often hard to tell until someone plays it for you.

  3. How much did two kids cost you?

    Sorry. These basses are wonderful. When I was gigging with a signed artist he insisted I played one of these strung with Roto flats and a slab of foam at the bridge. Sounded wonderful. Good luck with the sale.

  4. I'm not able to play for hours a day, so a practice diary helps me structure things. I do an 80 bar warm up following 2 pages of the Walking Bass book.

    I then spend about 20 minutes on scales and arpeggios (alternate between the cycle of 5ths and 4ths) and then what time left I spend playing along with a Walking Bass book. It's not nearly enough to get me making rapid progress, but family life mean it's all I can do at the moment... can't imagine the others in my office would be happy if I smuggled in a DB.

  5. Precisions are funny things. They're currently less popular than Jazzes, and more of them were made of course. I purchased a 63' all original and in great condition for £4200 this time last year, and that was from a dealer.

    If I were buying it for investment value, I'd make sure to buy an original bass. If it's to play, or for recording etc. then it doesn't matter.

    I use a 73' Jazz which has a replaced set of pickups and pots which gives me the oomph I need.

  6. The best bass in your budget is going to be a Marcus Miller Sire. These are top instruments at a bargain price!

    They record very well indeed.

    Another good choice would be a vintage series Squier. Don't be put off the Squier name these are quality basses too (and cheaper than a Sire!). In fact, if you shop around you should be able to pick up the Squier and an Epiphone for £300.

  7. The only rule is playing what the music demands. If you can make it work musically, the play anywhere and everywhere. If your playing affects the band, and stifles the groove, then tone it down.

    It's about being a conscious player and it comes naturally to some and needs to be learned by others. I'm in the second camp here...



  8. Thanks guys. After the advice I've decided to save the cash and concentrate on the DB. I've now worked out a bit of time everyday to spend (30 minutes) on the stuff I need to concentrate on (scales and technique) and I can do a lot of the theory off the bass or on an electric. If I get the urge I can finally fix my 60s Burns upright (which is in a few bits at the moment and never really worked).

    I guess I was trying to compensate for being at home by purchasing a new toy, but it seems there's no need.

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