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Posts posted by lowdown
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16 minutes ago, Hellzero said:
It indeed does. 😉
Here's a tune I recorded with it a few years ago in one take:
https://tonybertrand.bandcamp.com/track/i-wish-i-was-swiss
Very nice, the Bass really sings out. A nice lyrical piece as well.
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Just now, Hellzero said:
@Cato and @chris_b if you listen to the aforementioned Charles Berthoud cover with anything else than your phone, you'll hear a nice and power B string with a super well balanced overall tone, nothing harsh as the stainless steel fingerboard is very close to a Brazilian rosewood one sound wise (as I already stated elsewhere).
I was just about to post something similar...
That Bass you have looks very interesting. Not one for the masses, but certainly one I would consider a 'players' instrument.
I should imagine that it plays and sounds great!
👍
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2 hours ago, RAY AGAINST THE MACHINE said:
Sapko I’m finding grating and not really my bag . Too shouty like an aggressive George formby for my ears . Too clickbaity !
👍
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CB has put together a very nice arrangement of a Beatles tune, along with top playing as usual:
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Strawberry Letter 23 - Brothers Johnson (Shuggie Otis)
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Three very good friends of mine have all toured on Keyboards with Chris at various times.
They had nothing but great things to say about him and often spoke fondly about him as a musician and a human being.
R.I.P.
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"19" - Paul Hardcastle
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On 15/12/2025 at 12:57, Linus27 said:
I don't understand why the other girl was so impressed with Mohini writing charts when working out a song. This is literally exactly what I do first time listening to a song. I have books and books of charts from bands I've played for, mostly original music where I've charted out the chords. I then work out the bass line based on the groove or what I'm hearing melodically. I thought this was the norm and everyone does it this way but there was nothing impressive or amazing to me what Mohini did in this video.
I agree with all you say.
She wasn't transcribing the Bass part, she was jamming (her take) over the chord changes, which aren't difficult.
In fact, anyone with decent relevant pitch would pick up those changes quite quickly, on the fly. That's what good, experienced musicians with a strong ear do.
I will add, I think she is a very good musician all round.
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Alone Again (Naturally) - Gilbert O'Sullivan
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Fly Robin Fly - Silver Convention
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Fellow Bass players...Clap your hands, tap your feet, and sing along with all the family.
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A Christmas Bass face and a helping of festive Cheese...
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Chester Thompson - As well as his Tower of Power and Santana days, he has been on the road with his own bands and trios:
And I was going to mention his solo @14:00 on this live TOP gig, when Rocco drops out, leaving Chester and the Pedals.
But all the shenanigans are good!!
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4 hours ago, Hellzero said:
And don't forget the Medeski Martin Wood band, with some albums with John Scofield too.
Chris Wood is an amazing bass player, saw them live and it was fantastic:
I've seen Chris play live a couple of times (a while back now), and apart from his ridiculous skills, he really gets into it. It tired me out just watching him. 😁
But, when he plays Arco, he can be very gentle and subtle. That's the thing with him, he's very versatile with obvious classical training.
He's a very driving player (on both upright and electric).
I'm surprised he doesn't get mentioned here on Basschat. But, if you do a search over on 'TalkBass', there are a few posts mentioning him.
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Apart from all the usual suspects mentioned, there is Joey Defranceso, who unfortunately passed away a couple of years back aged 51.
A multi instrumentalist and superb musician. His Hammond playing is terrific with amazing Bass pedal playing.
There is plenty on YouTube and definitely worthy of a mention on the OP's list:
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An interesting video has just popped up on YouTube from a couple of days ago - Bob Harris interviewing Lee Sklar:
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Cyndi Lauper quite often does a stripped back version of her own 'Time After Time'...
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I found all this stuff below ...
It looks like the Bass parts were played by English (Sheffield) Bassist Gary Unwin.
(I believe Gary Unwin was also involved in quite a few Disco projects out in Germany during the 1970's).
1. Take the Heat Off Me (1976)
Vocalists:
Liz Mitchell – lead & backing vocals
Marcia Barrett – backing vocals
Frank Farian – male lead vocals in studio
Instrumentalists:
Gary Unwin – bass guitar
Keith Forsey – drums
Nick Woodland – guitar
Thor Baldursson – keyboards, arrangements
Stefan Klinkhammer – arrangements
Johann Daansen – arrangements
Notes: This was Boney M’s debut; the official band members (Bobby Farrell, Maizie Williams) rarely played in the studio.
2. Love for Sale (1977)
Vocalists:
Liz Mitchell – lead & backing
Marcia Barrett – backing
Frank Farian – male vocals
Instrumentalists / Arrangers:
Gary Unwin – bass
Keith Forsey – drums
Nick Woodland – guitar
Thor Baldursson – keyboards
Stefan Klinkhammer – arrangements
Christian Kolonovits – arrangements
Notes: More orchestral elements were introduced; tracks like “Belfast” show layered studio instrumentation.
3. Nightflight to Venus (1978)
Vocalists:
Liz Mitchell – lead & backing
Marcia Barrett – backing
Frank Farian – male vocals
Instrumentalists:
Gary Unwin – bass
Keith Forsey – drums
Nick Woodland – guitar
Thor Baldursson – keyboards
Michael Cretu – keyboards (session on some tracks)
Stefan Klinkhammer – arrangements
Christian Kolonovits – arrangements
Additional session brass & strings – European session musicians
Notes: Major hits include “Rivers of Babylon,” “Rasputin,” “Painter Man.” Studio arrangements were heavily layered.
4. Oceans of Fantasy (1979)
Vocalists:
Liz Mitchell – lead & backing
Marcia Barrett – backing
Frank Farian – male vocals
Instrumentalists:
Gary Unwin – bass
Keith Forsey – drums
Nick Woodland – guitar
Mats Björklund – guitar
Michael Cretu – keyboards
Thor Baldursson – keyboards
Stefan Klinkhammer – arrangements
Christian Kolonovits – arrangements
Johann Daansen – arrangements
Additional session brass & woodwinds (American/European session players)
Notes: “Hooray! Hooray! It’s a Holi-Holiday,” “Gotta Go Home” — highly produced, mix of European and international session players.
5. Boonoonoonoos (1981)
Vocalists:
Liz Mitchell – lead & backing
Marcia Barrett – backing
Frank Farian – male vocals
Instrumentalists / Arrangers:
Similar lineup as previous albums, but expanded session musicians for percussion, horns, and synthesizers.
Michael Cretu – keyboards
Thor Baldursson – keyboards, arrangements
Stefan Klinkhammer – arrangements
Christian Kolonovits – arrangements
Notes: More experimental disco and Caribbean influences.
6. Ten Thousand Lightyears (1984)
Vocalists:
Liz Mitchell – lead & backing
Marcia Barrett – backing
Frank Farian – male vocals
Instrumentalists / Arrangers:
Keyboard-heavy arrangements: Michael Cretu, Thor Baldursson
Bass / drums: mostly session musicians (some overlap with earlier albums)
Stefan Klinkhammer – arrangements
Christian Kolonovits – arrangements
Notes: Released after Boney M’s peak; heavily synthesized disco style.
Summary Notes:
Frank Farian: Producer and male voice on almost all studio recordings.
Liz Mitchell & Marcia Barrett: Core female studio vocalists.
Bobby Farrell & Maizie Williams: Mostly live performers, limited studio participation.
Core British session musicians: Gary Unwin (bass), Keith Forsey (drums), Nick Woodland (guitar).
Keyboard/arrangements: Thor Baldursson, Michael Cretu, Stefan Klinkhammer, Christian Kolonovits, Johann Daansen.
Brass/strings/orchestral: A mix of European and some visiting American session players.
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6 hours ago, paul_5 said:
This is probably my favourite joke EVER!!
I must admit, myself and some of my muso friends, blanket bomb Facebook with this gem annually.
All rather childish, really...
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A rather nice 'Textural Ambient Reverb' freebie.
No sign up or email required, just download and give it a go.

Letts Bass
in General Discussion
Posted
I wonder if Mick Mason and Jon Letts are related..?