baldwinbass

A Whiter Shade Of Pale - Procol Harum

Evil Little Goat - Pearl Jam

Darkness - UK Subs

Tears In Heaven - Clapton

Sunrise In The Third System - Tangerine Dream

Give Peace A Chance - Plastic Ono Band

Two's Company, Three is Allowed - Gilbert O'Sullivan

Holy Terrain - FKA twigs

Leave Well Alone - Yes

Friend Of The Devil - Grateful Dead

Burn Baby Burn - Ash

The Girl I Love She Got Long Black Wavy Hair - Led Zeppelin

Rockabilly Psychosis - The Meteors

There’s A Reason Why (I Never Returned Your Calls) - Blossoms

If I Said You Had a Beautiful Body Would You Hold it Against Me - The Bellamy Brothers

It’s Hard To Say I Do, When I Don’t - Fall Out Boy

Get Down - Gilbert O'Sullivan

Say Hello, Wave Goodbye - Soft Cell

Mama Weer All Crazee Now - Slade

My Dad's Gone Crazy - Eminem

Diamonds Are A Girl's Best Friend - Carol Channing

The first compressor I bought and still have, is a Fairfield Accountant which is definitely not transparent. On my board, with a bit of experimentation, I discovered it's a unique effect with a wide range of tone shaping possibilitities beyond basic compression. I use it as both a limiter to rein in distortion pedals, and for its subtle/sometimes not so subtle tone enhancing capabilities. It's hard to describe, but when needed it thickens up my sound in a pleasantly dirty way - and its basic controls make it quick to find a satisfying tone. When I don't want noise I use my other compressor, but the Accountant remains a filthy favourite! Pricey, yes, but IMHO this mini pedal was worth it for the range of sonic possibilities.

Poison Arrow - ABC

Things Can Only Get Better - D:ream

Cheers - Rihanna