Old Man Riva

56 minutes ago, JellyKnees said:

 

I was gonna say Language Barrier. I would probably also have Little Creatures by Talking Heads. Have to say though, I thought it was a lean time after the splendour of the early 80s post punk new wave period.

I was really into Language Barrier. Obviously the tracks and the playing were great, but I thought the idea for the project and the production were out of this world. It reminded me of World Destruction by Afrika Bambaata and John Lydon from the year before, which I loved. Ditto stuff like the AAA Sun City project/album. 
 

Funnily enough, Little Creatures was the first Talking Heads album I didn’t really get on with! 

2 minutes ago, rushbo said:

I still play it often - although it's littered with things that nail it to 1985 ("s-s-s-s-s-s Sony!"), it still sounds really fresh and exciting and there's not a duff track on it.

I actually think it’s aged really well. I always credit BAD with introducing the everyday wearing of oversize baseball caps to the UK yoof!

That and white 501s…

2 minutes ago, Bassassin said:

 

Dunno how I forgot that - loved that album!

Ditto. Inexplicably left off my list!

A few already mentioned (Sting, Propaganda, Kate Bush and U2), but definitely these:

Bryan Ferry - Boys and Girls

Scritti Politti - Cupid & Psyche 85

Sly and Robbie - Language Barrier

Grace Jones - Slave to the Rhythm 

1985 was a good year…

Recently became aware of this guy, Chanan Hanspal, through a series of interviews he did with Andy Partridge from XTC (well worth watching). I subscribed off the back of those (and his content on Zappa and the Mighty Boosh) and this popped up a few days ago.

I really like his style, and his musical knowledge and how he imparts it is top drawer - like a Beato of the Valleys!

23 hours ago, dmccombe7 said:

Forgot about this.

 

In terms of overall musicianship, for me that’s probably one of the best rock bands assembled. Every member is a stellar player… 

3 minutes ago, dmccombe7 said:

Were they not into their Skinhead bovver boots thing around or just before this album and maybe trying to impress as "hard men yobs" before going full Glam and becoming the darlings of Glam charts.

Have to say the playing is exceptional on this album. I'd never heard it before so went and had a listen when i saw you post it. I love Jimmy Lea's live bass playing, he's just all over that neck in a flowing aggressive style. The guys an absolute legend IMO.

Dave

Jim Lea is a fabulous musician - violin on Coz I Luv You. Wow! He also co-wrote most of their songs and (for me) was the creative force within the band - and, along with Don Powell, I thought he was cool as f**k too!  

And as you say, his bass playing was wonderful too, in an effortlessly musical way… 

.

On 01/09/2023 at 11:48, Nothingman said:

This is the first ‘proper’ album I ever owned as a kid. To this say, when I listen to it, the raw energy and pure excitement takes me back to being an awe-struck kid. 

That said I personally don’t think it trounces the studio stuff. Slade had a fabulous knack of producing the most exciting studio tracks, that sounded other-worldly on the mono radio (1) at the time. Massive, boot-stomping raucous rock ‘n’ roll. Big guitars. Big drums. Even bigger vocals!

For me, both the studio stuff and Alive! are fabulous, but in their own way. I’d say neither is better, just different. Brilliantly different.

One final peeve I have re. Alive!, though. When I was a kid the sound of someone burping on a record was one of the funniest and cool things I’d ever heard! Now I think it detracts from the stunning Darling Be Home Soon and really wish they hadn’t done it!

Though I still do laugh at burps! 

... brilliant stuff.

Here's another...

I’ve been overdosing on The Tubes today.

From the 1975 debut, where they out-Toto Toto before Toto formed Toto…

Bought this (the single) when it came out with saved up pocket money. Anything Ferry sang sounded mysterious and cool to me at the time - mostly it still does.

Had no idea it was a cover, until my disapproving uncle pointed out it was by Bob Dylan (“who?”)…

… this may be a better example?

43 minutes ago, ped said:

When you say slanted frets were they like fanned frets today? Just had a quick Google and the frets all look straight so I must be missing something. Cool looking guitar though!

Yes, they’re like the fanned frets of today, but not as angled, from what I can tell.

It’s difficult to tell from the pic on the page, but if you can manage to expand the pic and have a look at how the final/highest fret is positioned in relation to the end of the neck (angled and not parallel) you should hopefully be able to get an idea.

Let me know if not and I’ll try and take a better (more close up) pic… 

… and if you really want to get into the detail and the nitty-gritty of Fender from the start through to 1970 then this is the place to look.

The depth of knowledge and level of detail is phenomenal (not to mention the fabulous images) - and it was certainly news to me that in the mid 60s Fender toyed with a ‘slant frets’ instrument (the ‘Marauder’)!

… on the subject of excellent books on Fender, this is definitely worth a look.
 

It offers a detailed look at Fender over the first 75 years, covering most/all of their output - guitar, bass, amps, keys etc. 

It also comes in a very natty tweed-style cardboard wrap. Not reliced!

To add to Meterman’s excellent compilation recommendations, here’s some that I’ve gotten a lot out of over the years.

They were a gateway into artists and tracks that I’d not previously been aware of.

So, slightly off the beaten funk track I’d definitely recommend these…

… and you could definitely lose yourself in this. It’s in E. Just E.
 

If there is then hopefully this is on it…

3 hours ago, BassBunny said:

Had the pleasure of seeing him a couple of times. Absolutely mesmerising live.

I've still got the 12" vinyl if 1999/ Little Red Corvette.

Fave track/performance is something he wrote for Maurice Day and The Time and performed live on the Welcome to America tour. "Cool"

http://youtu.be/jBlNeDFKDVo

Love that track. The set list for that tour included some interesting choices - Mountains and segueing into Wanna Be Starting Something was a good un (there’s a few good clips on YouTube).

Re. The 12” you mention. Was that the double 12” containing both tracks? That was fairly collectible for a while… 

… the B-side of Mountains is an instrumental called Alexa de Paris. His guitar playing is very Zappa-esque, to my ears.

Great track.

(but way too many fantastic tracks to have a favourite…)

It was the signature bass - interesting p/up configuration. Always reminds me of the early Lakland basses… 

Ida Nielsen?

19 minutes ago, meterman said:

I also have a soft spot for the original and pretty weird 1960s Fender Bass V, but that’s my problem 😂

… well if it was good enough for John Paul Jones! 

A Charlie Tumahai sig bass - love it!
 

Looks like a cracking instrument (and why hasn’t a CT sig been done before?!)

GLWTS …