Old Man Riva

… a bit more on the Christmas Wrapping track and bass part.

Been listening to the first two Roxy albums today.

This particular track got more than one listen …

This has a fabulous Tracy Wormworth bass line, which I always think is dead cool when I hear it. Really fun to play, too …

Go on, admit it, you’ve been out and spent a load of cash on basses that you didn’t need and a coffee you didn’t want just to use that excellent thread title!

It was money well spent, sir! 

18 hours ago, Richard R said:

 

Fell about laughing at that.

The track is rather good to - will be searching out a bit more of them.

It’s an interesting sound, isn’t it!

If you dig that then there’s a more recent artist, Dan Snaith, whose album, Up In Flames, is worth a listen. The artist is sometimes listed as Manitoba, and sometimes Caribou, depending where you look.

Here’s a taster…

Went to see triple harpist Cerys Hafana at Kings Place (on York Way) in London.

Wasn’t sure what to expect but am always happy to shuffle along and have a look at something that may not be an obvious choice, when it comes to my usual listening habits.

I was thoroughly blown away. Cerys covers a mixture of classic (predominantly Welsh) folk pieces along with original compositions. She switched to guitar at one point, with an interesting non-standard tuning, which felt a little odd compared to the rest of the set. Still enjoyable, mind.

The venue was cool too - she was in the smaller room at the venue, which held around 200 people. Nice and intimate.

The sound was excellent and the playing other-worldly. I’d imagine in years to come on Harpchat there’ll be folk saying, “Yeah, but Cerys only needed 90 strings”!

To give a little taster, here’s a clip of her set from a few months ago. She gives an interesting insight at 8mins 16secs into how a triple harp works.

1 hour ago, pnefc42 said:

It’s a Brian May bass!! 😀

… if that’s the case then young Burns-bass can only play this using a sixpence as a pick whilst wearing clogs.

Them’s the rules! 

German art rock from 1972. Having a 1970s comprehensive school education we didn’t do German as a language subject, but, if pushed, I’d hazard a guess this translates as, “you’ll not be seeing this in Smash Hits”.

Anyway …

On a similar theme: From 1979, a groovy little number by the excellent Can. Bass was supplied by Rosko Gee at this point…

Should be a good evening...

https://allevents.in/london/a-very-simple-mind-an-evening-with-derek-forbes/10000729633622807?ref=eventlist-cat 

… the old curmudgeon actually looks like he’s enjoying himself!

The London Cast of ‘Hair’ followed by Chris Barber was a nice touch!

JPJ, with an honourable mention for Bobby Vega … 

That’s great, thanks for the heads up!

 I love this track and bass part. Ron Carter on electric bass…

More guitars (and guitar changes) in a 60 minute set than you can shake a stick at - and if you ever want to see a guitarist wear three guitars at once then now’s your chance!

A terrific (and often overlooked) rock ‘n’ roll band.

Oh, and Bun E Carlos. What a performance…

9 hours ago, Dad3353 said:

 

Hmm... Not many opera lovers, that's certain. (Other unloved genres are available ...)

Sorry Dad, just not a fan of talk shows. Especially the US ones… 

3 hours ago, SurroundedByManatees said:

My old jazz bass is for sale again.

 

https://www.zikinf.com/annonces/annonce-2220978

 

Important note: Neck and body are from different basses. Period correct though. Indian rosewood fretboard, no Rio.

 

Seller has decided not to mention this for a bigger profit.

 

Also he is using my pictures without asking....which always feels a bit weird. 

He says because he retired 2 years ago, but he bought it about 6 months back or so.... probably saying to create some feelings.

 

It's a really great Jazz Bass though, but it needs some honesty when listed.

That’s rotten behaviour from the seller, and good on you for calling them out on it. Who knows, maybe they’ll have a think about it in their quieter moments and do the right thing and list it correctly?

What’s the story with the bass, how did the neck and body meet?! 

XTC. This is a BBC session of a track from the Oranges & Lemons LP.

Colin Moulding on vocals and (wonderful) Wal bass. I really dig this version as I think it sounds more airy than the album version, and the overall band performances feel slightly looser… 

That said, both are fabulous!

I pretty much recorded it all (inc US stuff) on VHS video. There may be a few bits towards the end that got missed, but most of it is recorded for posterity on a large number of TDK 180 tapes!

Re. Zeppelin. There’s been recriminations over the years… https://faroutmagazine.co.uk/jimmy-page-regrets-led-zeppelins-reunion-phil-collins/

Re. Vincen Garcia, what a great story!

Good luck to him!

On 07/10/2023 at 14:01, chaypup said:

Yussef Dayes in Cardiff with Rocco Palladino on bass. Sound was a bit meh bass wise, while the drum sound was perfect as you'd expect for this act. Nevertheless a great gig, Rocco was amazing and a pretty big crowd - about 700 - for what is still essentially a niche jazz act. 

I was surprised to see the Albert Hall gig is pretty much sold out.

Good on ‘em… 

Been thinking of Paul Ryder recently, so this has been given a good old blasting…

19 hours ago, Velarian said:

If I’m not mistaken, I think the C120s were made from thinner tape so they could fit more on the spool, which is why they frequently got chewed up. 

… which is why they were never allowed to go anywhere near a car radio/cassette player!

Cleaning tape heads was a near-religious experience for me. Cotton buds (not too fluffy, so reducing the minute chance of bits of fibre actually finding their way into the inner workings) and isopropyl alcohol. Press play, and then carefully clean each head with one end of the cotton bud, and then lightly clean/finish off with the other. Once done, onto the roller and tiny steel part that came into contact with the actual tape. Use the tape counter to ensure each part of the process was afforded equal time to get the job done properly.

The satisfaction when viewing the dirty cotton bud and seeing all the residue made the whole thing worth it!

My dad walked in on me once, and when I excitedly told him what I was doing and showed him the cotton bud evidence I genuinely think he would have preferred that I was out on the town taking drugs… 

2 hours ago, Shaggy said:

 

Don't remember the “long” C90’s, but I do remember trying the C120’s as you know you’d be sure get a full long album per side (and many of the “prog” LP’s were long......)  - unfortunately they’d regularly jam, stick, and / or uselessly fill your cassette deck with yards of unspooled tape....🙁.  I think I used to favour BASF chrome C90’s.   

 

A bit of nostalgia 😎- 

 

 

The 120s were handy for the Radio 1 concerts that were occasionally aired.

And, yes, they were a pain for getting snagged up in the machine…