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solo4652

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Posts posted by solo4652

  1. 21 hours ago, ikay said:

    The pole pieces on a standard hum-cancelling '51 style pickup won't line up with the narrower string spacing of the Musicmaster. Although you can slant the pickup to get proper alignment (see pic below).

    Aero and Sentell both make drop in replacement pickups for the Musicmaster with the correct pole spacing. Both are single coils though. I have a Sentell 'Big Sis' in my Bronco (great pickup) and it's generally hum free unless I face the amp and get too close.

    Herrick make custom pickups so may be able to rustle up a hum-cancelling Musicmaster style pup for you with the correct pole spacing.

    https://www.herrickpickups.com/

    https://www.sentellpickups.net/bass.html (scroll down for the Lil Sis and Big Sis)

    https://www.aeroinstrument.com/pickups.html (scroll down for the MusicMasterer)

    1102894230_SquierVistaMusicmasterwithSCPBpickup.jpg.a2fa0a29a57c051a1e9498d4d64871a1.jpg

     

    Thank you - excellent advice.

  2. I play with a 3-piece trio, switching between (electric) bass and miced-up cajon, depending on which song we're playing. I'm looking for something just a little more advanced than the cajon to extend the beat sounds we have available. Shopping list:

    Table top drums or drum pads.

    Portable.

    Can gig it be playing it through the desk, or my bass combo.

    Simple - I am a beginner with drums! 4-pad to begin with, maybe.

    Simple - probably no need for foot pedals at this stage.

    Simple - no need for loads of complex samples and built-in rhythms.

    Inexpensive. Budget is £100 max.

    First web trawl throws up these. Any other suggestions?

    https://www.amazon.co.uk/dp/B016KNIJHG?psc=1&SubscriptionId=AKIAIDFS7VHPOOMSWYMA&linkCode=gs2&creativeASIN=B016KNIJHG&tag=edadvisor-21&creative=165953&camp=2025

    https://www.gear4music.com/Drums-and-Percussion/DD40-Electronic-Drum-Pads-Pack-by-Gear4music/16DR?origin=product-ads&campaign=PLA+Shop+-+GENERIC&adgroup=GENERIC&medium=vertical_search&network=google&merchant_id=1279443&product_id=54927d1&product_country=GB&product_partition_id=582794439500&gclid=CjwKCAjwtuLrBRAlEiwAPVcZBqjvgzCr86dOkjCI5OYL4ZfMz3qVSTosEt2t_eO6VgiRb9eM5MUKfRoC-TYQAvD_BwE

     

  3. I've just looked inside my cajon - professionally built, don't know the make. Peering through the sound hole, I can see a 10" length of drum snare held onto the striking face of the box in a vertical orientation by metal clips at the ends. The snare is positioned in the bottom LH corner of the cajon. I can see a small wooden block pressing a foam strip onto the snare, held in place by a length of elastic stretched between the metal end-clips. Clearly, the idea is that the small block can be slid along the snare wire to change the tone. No idea how you actually reach it, though! I've attempted to photograph it. 

    On a seperate note, I found it very uncomfortable sitting on top of the box and leaning forward. This playing position really hurt my back. So, I knocked together a folding stand that enables me to play while sitting on a comfy chair, with the striking face of the cajon at an angle between my legs. See photo.

    100_1084.thumb.JPG.9758a65a15cfcfb3d86d0b5a82ccee34.JPG468145609_Foldingcajonstand001.thumb.JPG.00068952a223e00defeb74406cf7c662.JPG

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  4. Have you tried micing the cajon? I always do, when I'm not practising at home. Main reasons: it means you don't feel the need to hit the box hard, quite possibly hurting your fingers and wrists in the process. Micing also greatly improves the depth and spread of the tones you'll get. Lots of mic options - you could simply use a vocals mic lying on a cloth inside the cajon. Or, you could get a clip-on drum mic. I use a £20 Yoga D-606 - http://vi.raptor.ebaydesc.com/ws/eBayISAPI.dll?ViewItemDescV4&item=352730741518&category=29946&pm=1&ds=0&t=1565797779000&ver=0   through either the desk, or my Eden 10 bass combo. 

  5. 5 minutes ago, stewblack said:

    Shame @solo4652that line up didn't work for you. To be honest I can easily see the appeal as  a bassist of playing in either band. 

    I agree with you, the others do seem to be excellent musicians, funnily enough the bass player wasn't in any way out of place alongside them 

    You're very kind - thank you!

  6. 37 minutes ago, stewblack said:

    Too modest. Your version is less mainstream, sure, but really really good. Inventive and very well played. 

    Thank you! Lead guitarist, drummer and singer are all very good musicians and, together, pulled the band towards (prog) rock stuff. That wasn't my bag. I'm much more oriented towards soul, funk, pop, groove songs. Classic band split was the result. The rhythm guitarist/synth guitarist/vocal synth guy and myself have joined forces with a female singer to set up a lounge/jazz/smooth trio., with me switching between bass and cajon depending on the song being played. I miss the push and power of the full band, especially playing with a drummer. Nowhere to hide in a trio!

  7. @ Al Krow. I prefer your version over ours. Yours is much more "accessible" and easier to listen to. When we played ours live, the guys in the audience would get up and video the guitarist, while the ladies would disappear from the dancefloor. Sadly but predictably, the band in my video folded a couple of months ago. Good standards of playing, but too loud and blokey for most pub venues.

  8. Over in the Amps and Cabs forum is a discussion about 112 cabs. Al Krow of this Parish has posted a clip of his band doing Kiss, to demonstrate his 112 cab. Kiss is/was a favourite of my band, and he we are - posted here so as not to derail the 112 cab thread.

    Edit: Blast! Can't work out how to post video here. Bear with me......

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