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About Sté
- Birthday 04/04/1972
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Montauban
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Hello again, Few more sounds about the Vari-mid tweaking: for each pickup position, I've set up bass at noon, treble a very little rolled off, and the Vari-mid at +50% level. Then i've started to play with the Vari-mid to high-mid maximum, and slowly came back to low-mid. I've played the same thing each time to clearly show differences. Enjoy !
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Here are the soundclips: bass plugged in Focusrite Scarlett 2i2 Pickups are Bartolini BC4CBC, with parallel Wiring. There are a zillion possibilities, so i've reduced scope to more common positions: - 3 sounds in passive mode - 3 sounds in active mode starting with 12 o'oclock set up, then pushing a little mids with vari-mid button, then pushing slightly bass when arrived in high-mids with vari-mid - 1 sound in active mode with both pickups and slap technic These 7 sounds have been played with classic right hand technic (alternate 2 fingers and slap) - 1 sound with 75% balance to neck pickup and slight low mid boost (my actual tone). For this last one, i play with my right hand technic mixing thumb, index and middle, with floating hand from neck side to bridge side notice: for all active sounds i've rolled off a little the treble button cause even at 12 o'clock it was a little too much treble for my taste. Enjoy !
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The Short Scale Bass Appreciation Society!
Sté replied to Baloney Balderdash's topic in Bass Guitars
Forgot to present my new one to the Society: Ibanez EHB 1000S. 100% Short-scaler from now. -
Sté started following Transcriptions for bass (notations / tablatures) , NBD: Ibanez EHB 1000S , Christmas presents....What did Santa bring you? and 3 others
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After my short-scale revolution due to the Sire U5, i started to look after a 4 strings short scale with 24 frets. ( Yes, i'm using the fret 24 from during solos ) And i've seen than Ibanez has proposed a shortscale version in EHB familly. (Three years ago i've been closed to receive a EHB 1500 DEF for my 50's birtdhay gift, finally dismissed by a Markbass Kimandu at last minut) So it was a now perfect occasion to finally grab one. She's arrived few days ago, and is a wildest animal than my Sire at first glance. It's been a real work to make her become softer. Unplugged: very nice resonance, nice vibe; already singing. Neck is one of the most comfortable i never played. Slightly wider and less thicker than the U5 one. Neck wood is absolutely beautiful. Fret work is perfect, thin frets i dig. Weight is 7,16 pounds. Perfectly balanced when strapped, straight wrist to play and not any discomfort to play F note on E string. Very smooth touch. Small defect already beat to death in the EHB topic: inlays are near to invisible on fretboard and neck edge. I will have to add some visible dots on neck edge. First plug in my amp: Heeeelp me !!! Deaf sound, rough, becoming aggressive as soon as i touch the preamp. So, after a deep dive in the TB EHB topic, i've tried all advised modifications: - In first remove the neutrik jack lock lever. It was really painful to remove the cable - Move a connector on the circuit board: + 6db. Meh, more level and a very little more clarity but more overdrive as soon as i touch the preamp - Move a second connector on the circuit board: VMS -> BE3Q: voicing change. Not very better, still deaf and rough tone. A little more trebly but in an agressive way. - Wiring modification from serial to parrallel: Night and day ! Pickup are becoming suddenly more precise, sound more open. Preamp strats to be nice and effective. It still misses something in the mid department. Voicing is very mid-scoop and too trebly. Of course preamp can now correct things but it doesn't seem to add some thickness to the overall tone. Something is still missing. Ok, plan B: give back stock soapbars to my Markbass Kimandu, and get her actual Bartolini US BC4CBC to put it in the EHB. 4 holes drilling in the bass: original BH2 have two holes when my bart US have 3 -> Welcome to the sound and power of US bart: much more beautifull mid, and bartolini flavour all around. The bass is more precise, powerfull; even in passive mode. But overall tone is still a little deaf side mainly on the E string, as if the power would take precedence on note definitions. Strange. Ok, so mixing this impression with previous modifications tried, i decide to re-wire the US barts in parallel. And finally: WOO HOO ! Same night and day impression than with the BH2 but this time with nice mids, beautifull treble. The Preamp start to work nicely, and perfom sweet little corrections. Pickups: Neck side: if you're after a PB tone, this bass is not for you. Nice round neck sound but on the modern side. Bridge side: close too jazzbass sound. Two pickups together: It could be a jazzbass, on the Marcus Miller side. But always with a little something more modern. Notice: - Bass came in a gigbag, with a ramp (too thin and a little curved. I will re-do another one), schaller straplock and Allen key. - "Zoundhouse" in Germany is a really serious shop: quick sending with a strong cardbox in another stronger cardbox. Bass in perfect shape, perfect set up. (First time i don't have to touch anything; plus the original d'addario strings are those i use.) A shop to trust ! Finally: i've had some work, spend some time to make it suit my taste; but i'm really happy with it. I really don't understand why Ibanez didn't think at minimum about a serial/parrallel switch as it really needs it. I'm really happy: nice bass with a modern sound and an ouststanding playing comfort. I will not say GAS is dead cause you all will laugh but with my Sire U5, i've now the perfect duet to cover all fields; and they are the two most comfortable basses i've never played. Next step: find color paint RAL for making a matching ramp, add some visibles dots on the neck side, and make some soundclips. To be followed Enjoy !
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The Short Scale Bass Appreciation Society!
Sté replied to Baloney Balderdash's topic in Bass Guitars
On the way to achieve my complete short scale transition, by offering a sister so my Sire U5: an Ibanez ehb1000s is heading to me. 😎 This duet will be my #1 arsenal from now on. -
A tune that always given me some good energy.
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Hello again. Here is the first of 2026: a demoniac theme from P.Metheny / J.Scofield -tempo 230- with awesome harmony. The entire album is a blast. P.METHENY - J.SCOFIELD - No way Jose - theme - play it online P.METHENY - J.SCOFIELD - No way Jose - theme - pdf Enjoy !
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Good afternoon ! And again: Happy new year 2026 ! i took opportunity from holidays to finish my backlog transcriptions and add tablatures parts on it. So here are the five remaining ones; beautiful melodies and themes. John Mc LAUGHLIN - Healing hands Exrtact from "the heart of things" album which is one of my favourite, and in my playing list since 1997. At this time i was guitarist, fascinated by jazzrock. I was not conscious about Matt Garrison on bass who was put down foundations for a lot of actual modern bassists playing. So i re-discovered it later with a bassist POV and it's a big inspiration source to me. And here is one of my favorite complex themes from this album. J.MC LAUGHLIN - Healing hands - play it online J.MC LAUGHLIN - Healing hands - pdf WA. MOZART - Clarinet concerto in A major - Adagio Heard it one morning on classical radio during my day-job road. Instant lightning strike. MOZART - Clarinet concerto in A major - Adagio - play it online MOZART - Clarinet concerto in A major - Adagio - pdf HIROMI'S SONICWONDER - Sonic wonderland - themes & phrases Fan of Hiromi's past trio and actual 4tet. Some themes and riffs from this excellent album. Good rythmic challenge HIROMI'S SONICWONDER - Sonic wonderland - themes & phrases - play it online HIROMI'S SONICWONDER - Sonic wonderland - themes & phrases - tab DHAFER YOUSSEF - Diwan beauty and odd - themes & phrases Another artist with a very special universe, singer-oudist. Here he's visiting jazz territories with his Oud, incredible singing and beautiful melodies. (with especially Aaron Parks on piano). An astonishing rythmic work. DHAFER YOUSSEF - Diwan beauty and odd - themes & phrases - play it online DHAFER YOUSSEF - Diwan beauty and odd - themes & phrases - tab G. BIZET - Arlesienne - minuet I discovered this theme during a live music school rendition from a young flute player whom my lady have been the nanny. Another Instant lightning strike. G.BIZET - Arlesienne - minuet - play it online G.BIZET - Arlesienne - minuet - pdf Enjoy !
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Xvive A58 system, then "Bach on bass" book and "concept for bass soloing" réédition book. I will be able to jump all over the place on stage, but still work on my musical improvement in parallel.
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Jazz Bass control circuits (passive) - what works for you?
Sté replied to JapanAxe's topic in Bass Guitars
VVT. And those stock from my Sire U5 are really efficient. -
That should be a Sire thing. Exact same feeling with my U5. Became my #1. Period.
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Good evening, Next one is the theme from Avishai Cohen "Continuo"; awesome piece to work on chords positions, 5/4 bars mixed with 4/4 ones ; and some tricky fingering to find for smooth result. Notice that Avishai plays it on a 5 strings bass with treble C. So i've lowered second part from one octave to be able to play it on 4 strings bass. AVISHAI COHEN - Continuo - playable online AVISHAI COHEN - Continuo - pdf Enjoy !
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Mismatched top, would this bother you? Cort space 4
Sté replied to 41Hz's topic in General Discussion
Would not bother me. -
Good afternoon, About this next one, i'm working on it since more than two years. I've started by the first video below version, which ignited this work. Then after listening a zillion version, decided to transcribe also one octave under the first one. Each version has her proper interest: the "treble" side contains challenging fingering on the top of the neck. And the "lower" side is a good exercise to work on non-fretted notes; imposing to work and find hand positions for mutting between fretted note and non-fretted notes. And this awesome other one: It's really a pleasure to work, as a musical meditation. JS BACH - Prelude from Cello suite n°1 in G - playable online JS BACH - Prelude from Cello suite n°1 in G - pdf Enjoy !
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Good evening, I would like to share with you all some bass transcriptions; my main work to grow and improve on my musical path. I focus more on melodies, themes, solos, than bass parts. No plan: i work on pieces (or parts of pieces) than touch me and makes me vibrate. I transcribe for 4 strings bass: there will be some compromise on certains notes. (no low D 😁) Let's start with Jean -Philippe RAMEAU : La danse du grand calumet de la paix My transciption is based on several versions. This one is just an example, a nice version. It's downloadable in pdf, or Musescore format. You can also play it freely directly on Musescore website. JP RAMEAU - La danse du grand calumet de la paix - player online Edit: i add pdf direct link for those interested as i had a feedback about mandatory registration on musescore website to be able to download it from my below link. JP RAMEAU - La danse du grand calumet de la paix - pdf Enjoy !
