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Posts posted by dannybuoy
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+1 on the Mojomojo. Far better choice than any of the Sansamp lineup for a Motown kind of sound. Better than anything else I've tried in fact, which is er, most pedals out there!
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I've got the Hotone Bass Press. Great little wah pedal, much better sounding than the Dunlop 105Q in my opinion.
Are any of the Helix wah models decent on bass? I've not tried them but I know there aren't any bass-specific ones. You could of course blend it with clean or have it on the high channel of a crossover if you had the blocks to spare.
It does the job as an expression pedal, but the Dunlop DVP4 Mini outclasses it in every respect. Wider, smoother, more stable, more travel, built like it would last forever.
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One of these hooked up to a hardware synth would be fun to play with then:
https://www.keithmcmillen.com/products/12-step/
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@owen sounds like you are describing the EHX Freeze pedal?
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It’d be a total marketing fail if it had those fx and they just couldn’t be bothered to list them, I think what you see is what you get.
Shame, as they had the Spectradrive out so they could’ve included some drive models, then all they had to do was put out a filter before getting to work on the multi!
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From the product page:
FX include Hall Of Fame 2 Reverb, Flashback 2 Delay, Sub n Up Octaver, Brainwaves Pitch Shifter, Corona Chorus, Hypergravity Compressor, Mimiq Doubler, Vortex Flanger, Pipeline Tap Tremolo, Quintessence Harmony, Sentry Noise Gate, Shaker Vibrato, Viscous Vibe, Helix Phaser, Tape Deck Looper
Lack of drive and filter rules it out for me as a multi fx, they’re the most important effects to me. Even if you were happy to have those as separates, you would be forced to have them before or after everything in the Plethora.
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I've still not even bothered with the editor! Although I might do just do bring down the volume a tad. When it comes to pedals, I generally hate multi-fx and app-driven pedals, and this is coming from a techie that works in IT that spends all day fiddling around with scripts and settings. Maybe that's why in my downtime I just prefer simplicity! Luckily the Spectracomp works just as well in that regard, with it having just one knob.
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I liked the stock one the best after going through them. I don’t find the volume boost a problem as I leave it always on and I prefer the sound of my drive pedals with a bit of boost into them anyway. You can always adjust the master volume via the app.
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Dunlop 105Q Mini.
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I also had a hum issues caused by a dimmer, but only when combined with the flat EBS cables which didn't have great shielding!
Maybe try a simple DI box into the interface as a means to isolate ground loops etc?
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The pickups in the old ones are great, high output and aggressive, these look to be similar. I tried every Fender PJ in the shop one time and the 'Jazz' Bass Special was my favourite by far.
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On 01/12/2020 at 16:59, Reggaebass said:
My first 5 was a Yamaha 415 which I still have , i too mainly play jazzes and I was quite surprised how easy the Yamaha was to play, the nut is only 42mm I think, I can check if you want , and it’s pretty slim front to back, which I like , they are a great bass and very good value for money 🙂
I second the Yamaha recommendation - I went through a bunch of 5 strings including a Fender Precision and Jazz, but they were all too wide at the nut for me, until I found a BB415 that was 42mm, the same width as my 4-string P-Bass! I didn't get on with the Sterling Ray35 or Sandberg TT5 necks either. Ibanez would also be a good bet!
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Ok, technically that is a filter. But it's not a filter.
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7 hours ago, Quatschmacher said:
Yes, they stock some pretty decent synth stuff. They were listed as official dealers on some synth companies’ websites so assumed they were legit but I’ve never bought from them so far.
Scan are legit, I bought various bits from them to build a PC about 10 years ago!
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My top 3: Octabvre, OC-2, Markbass
But there's not much in it and I'd be very happy with either of them! Markbass might be the best choice for size alone!
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As far as I know the Octabvre Mini is no different in sound to the full size MkII / MkIII in TIM mode.
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6 hours ago, Yan_Hurei said:
hard alt rock sound. I like the clear bell ringing highs and beefy lows.
Give some Tech21 stuff a try - Sansamp BDDI (of which there is a dirt cheap Behringer version, the BDI21 if you fancy dipping your toe in on the cheap), VTDI, YYZ, or DP-3X. The last 2 in particular - as the YYZ has a bass-heavy EQ'd clean channel and the DP-3X a crossover and compressor on the low end side.
Also the Orange Bass Butler - there's one in the classifieds!
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I'd love to resurrect this but I know I'd never get around to doing it. I wonder if this might even have been mine at some point, I sold mine years ago and I don't think there are many of them around!
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Baby Sumo possibly, but is also a bit big for a pedalboard: https://www.guitarsoundsystems.com/gss-baby-sumo-ampxlite-bass-guitar-power-amp-c2x21844846
Personally I’d prefer to use a clean sounding bass amp so you can tweak your stage EQ without affecting FOH.
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Film (and instant film) cameras are seeing a massive resurgence also, used prices for old cameras are going up and up.
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30 minutes ago, stewblack said:
I did look for that Joyo gizmo but I'm not sure if they make it any more
https://www.joyoaudio.co.uk/joyo-zgp-guitar-effect-pedal-filter-isolated-output-power
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Best tip when it comes to stacking, if you have a bright clanky sound set up, don’t boost into it with the same. It’s best to use a darker overdrive to boost into it; if you’re stacking a VTDI into the SH1 for example, turn the bite off on the VTDI.
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How do you use your preamp pedal?
in Effects
Posted
I've never found an amp that could deliver the tones in my head, so messed around with pedals instead until finding what I was after in the Tech21 stuff - I have the VTDI, YYZ and DP3X. I tried the VT500 amp which was great but felt a bit gutless in the power section, so am running one of those into an Orange Terror Bass set up for a fairly neutral sound.
The DP3X is like a studio producer in a box - clean compressed lows mixed with piercing distorted high mids, and the mid-mids sucked out to make room for the guitars and vocals. About as heavily processed as you can get, but fits like a glove in a really heavy mix, it really shines when you hear it alongside everything else, you can hear the bass clear as a bell without the ear fatigue you get from too many instruments battling for the same frequency range.
YYZ is more midrangey, basically a clean channel EQ'd to emphasise the lows and roll of the highs, mixed with a dirt channel that has the deep lows cut off to keep the drive tight, and the mid-EQ placed before the drive.
When playing solo through an amp I prefer the sound of the YYZ, but the DP3X sounds better in a headphone/monitor mix. But I'm not playing with anyone at the moment so hanging onto both for now!