Kiwi

Did Jon give you any tips for making sure the neck was carved in a consistent and parallel way? Was there anything to stop you from taking a large chunk of wood out by mistake?

[url="http://cgi.ebay.co.uk/ws/eBayISAPI.dll?ViewItem&item=120237627391&ssPageName=ADME:B:SS:GB:1123"]http://cgi.ebay.co.uk/ws/eBayISAPI.dll?Vie...ME:B:SS:GB:1123[/url]

No need to leave the house for a demo, regardless of where you are in the country. Just get him to turn it up a bit.

[quote name='lonestar' post='163375' date='Mar 25 2008, 09:15 PM']I'll be coming on Saturday accompanied by my US Jazz, Peavey Tim Landers Signature five string...[/quote]
Now thats a bass I'm quite curious about. Looks the parts and the other sig basses I've tried like the Rudy Sarzo and Jeff Berlin model were quite impressive. That Jeff Berlin is actually a bass I wouldn't mind having at some point. Great workhorse bass given its got a graphite reinforced neck.

fascinating thread

now if only we could see some photos of all those commissions some of us waiting on as well...

[quote name='wotnwhy' post='163221' date='Mar 25 2008, 04:00 PM']laser cutting??

what and why?[/quote]
For the kiwi inlay

Its funny, I'm now wondering whether I should have asked for a radiussed top like on Warwick and Spector basses, I do particularly like how the pickups and strings project out from the body because playing is a little easier with my 'straight' thumbs. Its probably a little late for that now, but might ask about it for the workhorse bass.

Jon mentioned a couple of weeks ago that the facing with the kiwi had been sent away for laser cutting. No more photos yet

Apparently I have a band rehearsal for Sunday. But I'm going to try and budge it anyway because I rarely miss rehearsals as it is. One without me isn't going to kill the band.

[quote name='lowdown' post='162326' date='Mar 23 2008, 07:32 PM']Spent many a Sunday Night in the West end doing 7 hour Jewish Functions with Steve...
When all the Notes sound the same by ten o'clock.
And all the grooves are...
Uncha uncha uncha...!!!


Garry[/quote]
Hahaha, yeah we talked about that with him as we had been asked to do similar gigs too. We've decided not to for the most part but still have to face learning 4 of them in a 20min medley for the Marbella gig.

Oish, VERY tedious songs. I can usually find something to like in most music but those songs are mind numbing.

[quote name='lowdown' post='161274' date='Mar 21 2008, 09:24 AM']Yep Steve...
Not seen him for a while...
Good player that lad..
Not sure why he was wasting his time with Kylie though..

Garry[/quote]
Yeah he picked things up remarkably quickly although its easy if you have something to rest your notes on innit?

[quote name='Sibob' post='162163' date='Mar 23 2008, 12:38 PM']Isn't it worth just writing into the BassChat rules that:
"If any member is to visit Jon Shuker's Workshop, he/she is obligated to take photo evidence of all builds currently undertaken by said Luthier"

Cos lets face it, the only work Jon gets is from this board!

Si[/quote]

LOL, I wouldn't say 'the only' necessarily. He gets a fair amount of repair work as well. But certainly a lot of commissions come from here and anyone offering good value, open mindedness to requests and attention to customer satisfaction probably deserves the same recognition.

BTW, if some shots are possible and if the wings have been cut, I'd appreciate some photos of my headless MIDI 6 string

A-HA, so this is where it went! Welcome aboard ex-lurker Colin

[quote name='7string' post='162022' date='Mar 23 2008, 12:19 AM']It's going to be a heck of a trip !![/quote]

Sure is, I did a similar thing about 10 years ago, only starting from New York and working my way back to LA.

NY Port Authority to Alberqueque on the Greyhound bus because I wanted to get an impression of scale the US as a country. Turned out to be a real road trip with runaway lesbian teens, fights, near road accidents and some interesting characters. After getting screwed over by an unscrupulous car hire company in Santa Fe and being near dead with exhaustion after being woken up every 4 hours by a driver change, I stayed with friends in Santa Fe (again more stories).

Then another friend came out from LA in his campervan and we took a tiki tour of Mesa Verde, Grand Canyon, Four Corners, Hoover Dam and Las Vegas. Then I went to stay with a distant cousin who was then a TV presenter on a nationally syndicated entertainment show. Wouldn't have done it any other way apart from trying to get New Orleans in as well, but I wouldn't like to repeat parts of it either.

Re: basses, Consider
a limited edition Stingray 4 or 5 from Bass Central is good value if you want to buy and have someone you can ship it to
a used Sadowsky is good value if you want to buy
a lightweight amp head

Try: Smith BSR bass (like mine), Alembics, Sadowskys, Avella Coppolo, Roscoe, Nordstrand, etc. etc., just have a look at some of the GAS lists on Talkbass

[quote name='bass_ferret' post='162145' date='Mar 23 2008, 12:14 PM']Finnbass have got it [/quote]
still here?

[quote name='tonybassplayer' post='162065' date='Mar 23 2008, 08:44 AM']I think we would be looking at about double our normal rate and it would depend on where it was.[/quote]
Thats the approach we took too. There ARE up to 10 of us.

Last quote we gave was for a gig in Dubai on New Years, which we asked £5k plus expenses (flights, accommodation, food, backline hire etc.). We're still waiting to hear back but they didn't dismiss us out of hand.

oioi Foaly, hows tricks out there on the sand bar?

Interesting, but I don't buy it. I think he's saying one thing but meaning another.

SX don't make a 5 string precision bass yet, do they?

Just a small point, but I wouldn't record with it. It's designed for live use primarily.

We play this one in my band, its a great song if you can pull the bassline back behind the beat far enough and there's plenty of room for some tasty high speed fills at the end of sections. I think Jermaine Jackson played bass for the Jackson 5 but someone please correct me if I'm wrong.

It feels like a p-bass or variant thereof to me, but the tone does sound very consistent across the neck for a straight recording. I wonder if its been heavily compressed?

There's a youtube clip I've just found here with some really bad camera work - possibly an early bootleg? I'm not sure if its Jermaine playing but its definitely a greasy p-bass.



Check out the footage at 0:52 and 4:45

There's a copy of the original demo [url="http://youtube.com/watch?v=pCWJfzH6FDY"]here[/url] on youtube too which makes for interesting listening. The original bass line was done on a synth it seems...

I still have the circuit diagrams and technical notes as PDF files if the eventual buyer needs them.

this would be a nice catch for a collector!

[quote name='Stickman' post='159922' date='Mar 18 2008, 09:01 PM']Anyone driving up from West London?[/quote]
I am and if you confirm before Dannybuoy you can keep me and s_u_y company up there.

[quote name='SpinalTap' post='161334' date='Mar 21 2008, 11:20 AM']There is no real difference between the J and the P basses (except for the pickup location)[/quote]I think you keep misunderstanding my question. But thanks for your help all the same.[quote name='SpinalTap' post='161334' date='Mar 21 2008, 11:20 AM']The P Update has a Celinder (kent armstrong) pickup, while the Classic the Antiquity II/Lindy Fralin)Here is all the information on sleekelite, that used to be on the Celinder site also...[url="http://www.sleekelite.com/catalog/celinder.html"]http://www.sleekelite.com/catalog/celinder.html[/url][/quote]Ah! Thats interesting! Table replicated below for edificated browserlating.

I've got one of their live DVD's, Verdine looks quite funny on stage to me. Like a collection of arms, legs and springy ladies hair connected to a highly mobile bass.