Japhet

PM'd

Recently played through a Vanderkley MNT112 and was very, very impressed.

[quote name='Marvin' timestamp='1359627881' post='1957702']
A truly dire Gorilla practice amp. Just shocking.

I borrowed some Laney combo for a practice once that was dreadful as well. None of the controls seemed to do anything, perhaps they were decorative. And it sounded, rubbish.
[/quote]

I had a 25w Gorilla practice amp. Horrible. Also had a Fender BXR 100watt (? I think) which weighed a ton and had virtually no volume.

This thing must be monstrous!! I've got the 212 which moves enough air to cause turbulrnce problems for low flying aircraft. It also weighs next to nothing. My drummer picked it up recently after a gig and almost took out a couple of light bulbs. Have a bump for a SERIOUS bit of kit.

Sweet Home Alaf*******bama! Purile garbage for toothless rednecks that on a good night only goes on for about half an hour.

This is about the funniest thing I've seen on youtube;

[url="http://www.youtube.com/watch?v=NOF1FJ7wGhw"]http://www.youtube.com/watch?v=NOF1FJ7wGhw[/url]

I'm in tears pretty much every time I see it.

David Garibaldi and Francis Rocco Prestia (Tower of Power) deserve a mention.
Vinnie Corliuta (can't spell) and Tal Wikenfield (can't spell that either!)

I use a Streamliner 600 through a TechSoundsystems 2x12 which is a similar setup to yours. I've only had 'boom' issues on larger hollow stages but I have a foam rubber pad to go under the cab now which does the job. I'd also suggest using a long lead so you can get away from the cab for a listen at gigs - it usually sounds better than you think when you're up close.

Threads like this always make me think of the TV advert where one little girl asks her sister "What do you love more, Daddy or chips?"

Bump for a stonking 5 string. Have one exactly like this and it's a monster!

+2 for the Streamliner. I bought your Techsoundsystems 2x12 a while back Pete and it sounds stonking with the Streamliner.

Couldn't possibly pick 4 and there have been some corkers already. I'll have a bash at 4 from different genres that are worth checking out though;

Love Shack - B52s
The Way - Meshell NdegeOcello
Birdland - Weather Report
Pressure and Time - Rival Sons

First up was James Jamerson. I was inspired by such melodic lines. Through the years I'd say Chuck Rainey, Carol Kaye, Jaco, Pino Palladino, Mark King, Chris Squire, Tina Weymouth,David Dyson to name a few. Victor Wooten is also in there for the simple reason that he continually pushes the envelope of what you can do with some imagination.

Seems that many of us have the same issues. I've played with some fantastic drummers and some proper duffers too. Trying to hold it together when the tempo is drifting about and the flashy fills always come back in on the wrong beat can play havoc with your own confidence. I play with a drummer at present who slows down during songs and I feel as if I'm trying to drag him along to stop it from grinding to a halt. Drives me nuts! It is a wonnderful feeling to play with a really tight and competent drummer though, especially when either he or you can mess about with the beat and have a rock solid point of reference to come back to.

Don't play it anymore (cos we don't have a female singer!) but I always loved playing You Oughtta Know by alanis Morisette. I heard somewhere that Flea and Chad Smith were on it but don't know if that's true.

PM'd

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Did a Christmas lights turn on gig last Sat. -5C outdoors! No feeling in the fingers at all after 2 songs. Played ror about an hour. Spent most of Sunday thawing out! Here's a snippet.

[url="http://www.youtube.com/watch?v=zn_xrJ_Iu3w&feature=youtube_gdata_player"]http://www.youtube.com/watch?v=zn_xrJ_Iu3w&feature=youtube_gdata_player[/url]

Seems to be impossible to keep politics (with a small p) out of bands. Unfortunately it seems to be that we bassists are generally undervalued and often our opinions are ignored. I've had similar situations in the past and would walk away from it every time. Last time I ended up without a band I started having lessons to learn some theory since I had always played by ear. It was much better use of my time than putting up with the garbage you're currently enduring.

PM'd

I've been using one of these for about a year now and just love it. It's easy to set up and gives good visual feedback of what is actually happening to the signal via the flashing 'scale' on the unit. I've had various compressors in the past that often seemed to be doing nothing at all. can't imagine being without this one though.

PM'd re flanger

What model is the flanger?? Cheers

Could bring along my Genz Benz Streamliner 600 and TechSoundSystems ND212S cab provided no last minute gigs materialise, Could also bring pedal board with a few flashy lighty clicky buttony things on it.

These apparently had a problem where a star washer was missing on the earth strap to the chassis. I've only just found this out and have already blown mine up twice so it's worth checking this out. It was a manufacturing fault which costs a few pence to sort out.