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Kazan

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Everything posted by Kazan

  1. Yes, it's a metallic paper that's glued on like wallpaper. It has a clear silver aspect to it. Then finished over. The burst is a pearl pink. On the originals from '68 the pink often ages to more of a gold with the lacquer yellowing.
  2. I have one of these. Terrific basses! Recommended!
  3. This post cannot be displayed because it is in a forum which requires at least 1 post to view.
  4. And... SOLD! Thank you basschat and Grooveit (have fun grooving it!)
  5. Beautiful! The AC5 is a really fine instrument. I've not seen one in the 3 tone sunburst before. Looks good!
  6. In response to a couple questions: weight (on a bathroom scale) 4.2kg.
  7. Bump +added some pics since first listing.
  8. 2000 Fbass Bnf5 £2400/2,700 euro including standard insured shipping in the EU/UK. (2016 direct price US $5,430 in this configuration - prior to VAT, etc) Beautiful playing and sounding fretless F-bass. Pretty beautiful to look at, too. F-bass really does fretless basses right. 5 string, 34.5 inch scale, 10"-16" compound radius, 28 'frets'. Ebony bridge/bone saddle (comes with a spare bone saddle blank) - currently a US $350 upcharge over the more conventional stock Hipshot A-style bridge (I had another Bnf5 with the Hipshot bridge and it is a considerable difference). 19mm spacing. Very nice gloss nitro sunburst finish in good used shape - matching sunburst headstock - I have toured with the bass and it has some nicks and small scratches, etc - posting a lot of detail pictures so please be aware of this - not mint but very presentable (by my subjective standards, at least). Some of these could likely be buffed out but I have not done this. Very solid and with no damage, repairs or modifications. There are some roundwound marks on the fingerboard as is typical with use of rounds on an unfinished board. I don't believe it needs to be planed though a new owner may feel differently. Plays great with very easy action. The woods are relatively plain by Fbass standards (alder - I believe - wings, maple centerblock and 3-piece laminate neck). Maple is not particularly figured. However, the Macassar ebony board looks spectacular. Personally, I like this more understated look - doesn't feel overdressed for a rock and roll gig... African blackwood knobs and the signature Fbass 3-band boost only preamp. I've been using this passive and had the battery removed. I just installed a new battery and am reminded just how good this preamp actually is. All three bands seem ideally suited to bass, and fretless in particular. Layout is vol, vol, tone, bass, mid, treble. The passive tone roll-off knob can be pulled to bypass the preamp and the bridge pickup knob can be pulled to split both the otherwise hum-cancelling pickups. Has original ebony thumbrest between the pickups (an $80 upcharge). I've had two other Bnf-5 basses and this one was clearly my favorite of the three. Also the marker layout on this is the best I've used for fretless - particularly in the upper register. While an individual preference, I far prefer it over full lines (both aesthetically but, more so, in terms of not disorienting intonation) and completely unmarked other than side dots. I'm not sure of the weight - need to borrow a scale. Feels average. Not a feather-weight nor overly heavy. Includes high quality, thick F-bass Levy's gigbag, the mentioned spare saddle blank, and 2 sets of of LaBella Super-Steps 45-128 (the original stock strings on Fbasses until they went to their own similar exposed-core house brand) The strings which are currently on it are quite old but I've liked the more mellow edge so have left them on for now. Here are a couple recorded examples - a lot of whole notes but demonstrates the character - from a film soundtrack. These are passive without the preamp. Only coloration being an SIB Fatdrive for slight amp character and recorded directly into Logic (and some amp sim on the chorus sections of the second example) [url="https://soundcloud.com/ludek-drizhal/walk-away-one-way-ticket-to?"]https://soundcloud.c...-way-ticket-to?[/url] [url="https://soundcloud.com/ludek-drizhal/go-away-the-sixty-niners-vocal?"]https://soundcloud.c...y-niners-vocal?[/url] The songs are intentionally derivative as the film was a period piece set in the late 1960s. Many photos [url="http://s253.photobucket.com/user/dpdp/library/bnf5?"]here[/url] I can email higher resolution photos if desired. Located in western Poland - Wroclaw(aka Breslau)/Legnica - not far from Berlin (I am sometimes in Berlin so meeting there might be possible). My [url="http://feedback.ebay.com/ws/eBayISAPI.dll?ViewFeedback2&userid=mowg45&ftab=FeedbackAsSeller&searchInterval=30"]ebay feedback[/url] Not looking for trades. Having a bass built and want to stick to the "one in, one out" thing - though if I get 'stuck' with it, it won't break my heart
  9. I love everything about that design. Enough so that I ordered one (albeit a four string). Most original and best looking single cut I've yet seen. No one can accuse him of just rehashing a Fender yet again. Still, I am keeping my '59 Precision as I certainly like that aesthetic as well (and it's often what's appropriate for the gig regardless).
  10. I don't know on the tuning stability issue as I've never more than tried the Travis Bean/Kramer ones (and double basses can be so particular in that way regardless). I will say the Alcoa aluminum neck can get uncomfortably hot on some outdoor gigs in the sun in summer.
  11. Yes, I remember the Travis Bean ones. They were pretty good and true about clarity of notes and even string response. Similar to the graphite necked basses but they where around earlier. Some had wood inserts on the back of the neck. Part of why I like the Pfretzschner better than the Alcoa is that it has the wood neck. The Alcoa has a cast aluminum neck and peg-box/scroll which is a work of art IMO but I still prefer the feel of wood!
  12. Fret-sh-ner is close enough
  13. Thank you very much! Here's another recorded the same way - also from the same film soundtrack but a different singer: [url="https://soundcloud.com/ludek-drizhal/back-to-your-dreams"]here[/url] and one recorded earlier using a magnetic pickup - sounds very electric bass like as a result: [url="https://soundcloud.com/david-l-price/2-steps"]here[/url] (please forgive any intonation weirdness as I did this right after getting the bass back together after not having had an upright for several years) Here's a picture with the bass on stage - it does make an impression:
  14. Hi, I'm late to the party on this thread but thought I'd post as that's my Pfretzschner in the photos - though its gone through a few changes since then. You can hear that bass [url="https://soundcloud.com/ludek-drizhal/ticket-to-the-moon-credits-the"]here[/url] just recorded acoustic using an Audix mic on an H-clamp - nothing fancy. I have an Alcoa as well though prefer the Pfretzschner.
  15. I believe that's an SBS pickup made by Jan Slapak. Really nice pickup in my opinion and each element is hum-canceling.
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