G-bitch

Pretty much brand new - maybe a scratch or two from living in a bag with some leads

£30 posted.

Nice wheely case for that speaker, cost about £95 - can't seem to find a UK site that sells them to compare today.

Pain in the arse to post so would prefer collection or other arrangement in the Midlands/ South-West (Bristol area) but postage can be arranged.

£50

Pretty much as new (maybe a bit more dusty!), as the name indicates it holds 7 guits/basses.

£25 Posted.

Everything included with this, excellent condition as only gigged a couple of times.

£30 posted

Little electronic chord finder, comes with instructions and has been used a whopping one time! (still in original packing)

£5 gets it posted.

I think the Deep Impact will probably go - don't want it collecting dust when I can turn it into cash. I'll probably leave it another couple of months before the pedals go up for sale as I've got some jamming lined up with my drummer before I move!

Thanks all - going to a few shops this weekend to try out the line 6, orange, peavey and hopefully warwick too, I'll let you know how I get on.

I would suspect that it's the cabs that's the issue - have you ever heard a 250w amp through an Ampeg fridge? Trust me it's not about power so much as speaker cone area, although a good quality power amp section is essential - one that is really designed to deliver the peaks, GK are the tits at this. A GK400rb through an Ampeg 810 is just astonishing.

Yeah, just nice tone really - good price on that one!

That fender looks good - the Eden/Nemesis is a tad too big/heavy. Thanks for the heads up on that, I just wish there was a shop that stocked this kind of stuff nearby.

Anyone tried one of the little Warwick amps? I've played the bigger combos and thought they were pretty nice but not the little uns. Something like this:

[url="http://www.thomann.de/gb/warwick_blue_cab_60.htm"]http://www.thomann.de/gb/warwick_blue_cab_60.htm[/url]

Just to clarify - something that can hide behind/by a sofa, not actual band practise! Thanks for the suggestions. It suddenly occurred to me to check Markbass and they have a tiny 50w amp that needs trying out.

Right, I dont get on with using a headphone amp - I just want to plug in and noodle without getting sweaty ears and having a cable trailing!

Any suggestions on a practise amp with the following criteria:

Small package (like 10" speaker maximum).
Nice quality sound - able to pump a bit of volume without sounding cack (like those Ashdown 'perfect' 10's or little Peavey amps!)
Controls on top would be nice but I'm already being a fussy bugger.

I've mooched a few shops but small practise amps seem to just translate to cheap cack. Oh and budget probably up to £300 ish?

Thanks,

Graham

Pretty much as new - only used for storage and a few rehearsals. Very well padded and a fairly stiff construction means you'd have to spend a lot of money to better this.

Marroony red colour.

£40 posted.

It's done just one flight and is therefore pretty damn mint - I thought it was a great idea but actually haven't used it at all so it's going out with other clearout items!

£60

Not keen on the thought of posting this but will entertain ideas.

PM me folks - I'll get a photo up later this evening.

[quote name='Crazykiwi' post='39509' date='Jul 31 2007, 01:28 PM']The only significant criticism of the amp construction that I'm aware of is here (http://storm.ca/~rheslip/ampmods.htm). Some heater circuit wiring that isn't designed to take the voltages that are being put through it. Phyrexian had a biasing issue with his V8 (http://www.talkbass.com/forum/showthread.php?t=291451&page=11). Tony, who was the previous owner of mine, didn't have any issues as far as I am aware so I have no reason to believe the amp is going to be anything other than reliable.

You're right about them sounding different to Ampegs matey . Its horses for courses innit?
You mean a lot of people rave about them on Talkbass? I don't think people such as your good self are going to start getting as excited about them in the UK somehow.[/quote]

Fair point - they are just minor niggles that could happen to any amp. I think I'm being unjustly harsh due to the fact that you can take any 80's TE amp, use it as a wrecking ball, then to mop up the Gloucestershire floods with it, keep it as a foot stool for a few years, plug it in and it still works

I have to agree, it's mostly talkbass - I don't think that valve amps for bass have ever caught on here for a number of reasons, my personal biggest gripe being that the bass amp never gets mic'd up! I swear to god, if a sound engineer looks at my (Ampeg) V4 and hands me a DI box without putting a mic on it will be garrotted with the mains cable whilst having a spare set of 7027A's inserted in their rectum.

[quote name='bassbloke' post='39086' date='Jul 30 2007, 05:05 PM']Keep the Mackie, The two Akai pedals and the guitar. Flog the rest and buy a decent quality multi FX unit second hand - either rackmount or floor based.

Could I have a price on the Korg Pandora by the way? I love mine and dread the day it finally dies. If I didn;t keep it, I have a few bass playing friends that would appreciate it.[/quote]

No worries - email your way.

Cheers,

Graham

The Birmingham specsavers lady is really rather tasty (New Street) - an added bonus

If I'm brutal I can honestly only see myself keeping the Mackie, and maybe the Deep Impact. Shiiiiit, better start taking photos!

No worries - everything I decide to sell will go up in the classifieds a good while before it hits ebay!

Right I’m moving to Bristol and moving in with the better half, the result of which is having much less space available so I’ve got to rationalise the possessions. Upon examination, it would appear that I own two groups of things that take up room – music gear and bicycles. The latter can be kept in a garage/shed but I’m going to have to clear a lot of gear out to fit alongside a guest bed and desk etc.

I’m hoping to get into a new band either on bass, vocals or both – it’ll probably be a straight up bloody row rather than the two piece experimentalist stuff I’m currently doing which requires (justifies anyway) the vast amount of effects!

There are some things which are definitely keeps: Ampeg V4, Marshall VBC 412, G&L L2000, Shuker 6, vocal rig (Safesound audio mic-pre + boss vf1), Fulltone bassdrive, Keeley modded RAT, Sansamp BDDI.

This leaves quite a few other things which I’m not sure whether to sell or not:

 Mackie SRM450 (+ plus nice gator wheelie padded case)
 De-Armond Ashbury rubber stringed mofo (currently used for hip-hop covers and not much else)
 Frankenstein P bass with moses graphite J neck, cheap ass body and sub-par construction – still sounds damn good mind! Would probably part this out rather than inflict my dodgy drilling and shielding on anyone.
 SX Gibson les paul copy – don’t play it, probably never will either.. but it’s nice to have a guitar around right? (you’re seeing my problem now aren’t you?!)
 Pedalboard – the largest one available from Flightcase warehouse/Spider engineering. Must remove stickers to sell!
 Custom two loop loooper
 Akai unibass
 Behringer V-amp 2
 Akai Deep Impact
 Korg Bass Pandora (3 I think that takes 9v adaptor and AAA batteries)
 Sansamp programmable BDDI
 Other pedals including Guyatone MD3 delay and MC2 chorus, EH bassballs, Danelectro PB&J.
 Miscellaneous items: Axess Electronics BS2 buffered guitar splitter, MTR big beefy ass 2 amp 9v power supply, Korg tuner, Behringer shark

I can’t see myself using any of the pedals again – keeping the best OD and distortion pedals I’ve ever used is enough for me. I’m really split on the Mackie as this has been used a fair bit with a band that didn’t rehearse at rehearsal studios so needed a vocal amp – how likely is it that this’ll be needed d’ya reckon? I also kind of love the Ashbury but don’t want to have it collecting dust.

Basically, what would you keep based upon amount of space it takes up and ease of getting replacement should I kick myself for selling (that’s the second Bassdrive I’m on)?

I posted in Dood's thread back on bassworld or whatever it used to be (f*** knows how you're supposed to keep track LOL - only just found this one!) - picked the 15db jobbies from audiologist a couple of months back. Superb basically, don't think that the comments posted need any expansion.

One thing I will say is that 15db is plenty to make intimate (and bloody loud) metal gigs a very comfortable volume - most recently, Napalm Death. 25db is probably intended for industrial applications; I don't care how loud your band is, you don't need them unless you have particularly sensitive hearing in which case you wouldn't have been able to join a band in the first place

Only experienced Birmingham - they, rather unfortunately, had the legacy of the staff that used to work there when it was Musical Exchanges (a.k.a. Musical Excuses) 90% of them really quite clueless and with no interest in customer service. I haven't been in there in about 3 years after asking to try out a digitech pedal to be met with "Are you looking to buy it? I can only get them out if you are looking to buy it?". I could understand if they want to keep tire kickers away from £3k basses but FFS, an £80 pedal?! My face probably said it all before I told him to forget it and walked out.

Reliability seems to be the only other problem after rarity! I suspect that it's just the case of a few duff units but I do know one person who had to have the same job done to both a V4 and V6 - nothing major but still a good £100 worth of bench time. It's cheaper to get Ampeg valve amps now, and I actually prefer that sound; not better or worse just different. A lot of people rave about their amps and it's only the V series' rarity that has built up the cult following for these amps - they're damn good, but they weren't a gift from god so try before you buy rather than taking the hype as word enough.

The only 'alternative' to an SVT is a vintage V4 or V4B. The tits and 100-120w means that you get power amp break up at volumes that won't cause structural damage like the SVT.