Rayman

Nice, I like the look of it as it is

I have one of these with flatwound strings on it.... absolutely love the thing as a shortscale option..... not without it's design flaws, but at the price I rate it... https://www.pmtonline.co.uk/epiphone-newport-bass-pacific-blue?&utm_source=google&utm_medium=cpc&utm_campaign=2203_PMT_BAU_Search_Google+Ads_Performance+Max_Product_Zero+Sales&gclid=Cj0KCQiAr8eqBhD3ARIsAIe-buPEPERF8AKp19VaRXknhKFQhHS_cMauhqL8KpHUYKcP5Q_IO0oENLkaAs3EEALw_wcB&gclsrc=aw.ds Otherwise the Gretsch in your short list is hard to beat.... I had one for a while, great bass indeed. At the end of the day, you can take advice, but the most important thing is what feel, looks and sounds good to you. If that's a Hofner, go for it. Don't take what others say as written in stone.

I have many regrets throughout my life.... I, like many of us have many "I could have been a contender" stories, missed opportunities, record company interest, A&R scouts etc, but blew them all through naivety and acting like a d**k. I wish I'd taken the bass more seriously in the early days too. I regret selling many many basses..... beautiful instruments I wish I still had, hundreds of them, but GAS and the misguided idea that the grass is greener on the other side of the fence has plagued me for 40yrs. Let me tell you, the grass on the other side is exactly the same colour as it is on this side. If you have an instrument you love, hang on to it with both hands, and don't be tempted to trade it out for other shiny things.... you'll regret it. I also regret not telling my dad that I loved him..... more than I did.

I don't know actually...... YES were my elder brothers' band (favourite band, he wasn't actually in the band).... he night know.....

Yes and King Crimson, two future prog giants way down the order…. 1969….. I was in my leopard skin swimming trunks on the beach in Anglesey, playing with the seaweed. I have photographic evidence, but I’m not showing that here.

So I’ll probably fill the holes left by the previous bridge….. or…… put a cover on it maybe?

So, I’m pressing on. This bass is a fun project, and if I can get it to play, happy days. No idea what has gone on previously with the bridge, someone has had a couple of goes at moving it around, for whatever reason, but it came to me without one at all. So I found this one in the bay, an old 70s Japanese bridge, which, lined up perfectly with the original holes…..

P bass works for everything. If in doubt, it’s the only choice. I never really believed that statement, until I saw Brand New Heavies live a few years ago. Andrew Levy was struggling to punch through the mix with various super jazz type basses. He glanced across to his tech mid song and said something. Tech comes out with his MIJ P bass….. BOOM……. there’s the sound. He stuck with it for the rest of the gig, much to the delight of the dancing crowd. Honestly….. a lot of people noticed the difference. The Precision bass really is an amazing instrument.

We’re a 3pce original heavy rock band. I’m bass and lead vocals. Everyone is equal. A stance I try to carry through life generally. It could be argued that the front person is the least important member of the band!

Ok, well pictures would be a good place to start.

Just one song for me…. I’ve already told Mrs Rayman what I want… “Underneath The Stars” by Kate Rusby.

I love the fact that bands think about their appearance live. It doesn’t matter if it’s a local pub or a stadium, giving the audience something to look at is super important in my opinion. We, just wear black, all black. Which works pretty good for original heavy rock. To me there’s nothing worse than going to see a live band, who just wear jeans and t-shirts. Often the lack of effort in how they look reflects in the music they’re playing.

Ramps are just tools that help some players who like to use them…. Like string wraps, roundwound strings, flatwound strings, 5 strings, 6 strings, active, passive, frets no frets etc…..

Should sound good in both circumstances…. I would just add, I had a 121P combo with a rock/pop covers band many years ago, and found it lacking a bit, both in terms of headroom and tone. Beautifully made, light, a nice thing, but just not my sound, even with a NY121 extension cab it struggled to punch through. I do know though, that plenty of others have been really happy with theirs.

Definitely a possibility

Ok.. so I’m going to be honest…. I’ve had a mare. I used a water based stripper on the fretboard to remove the varnish that had been painted over it in its entirety. The stripper has been way more aggressive than I thought it would be, and has lifted the grain right across the fingerboard. It looks pretty horrendous…. and at this point I’m not sure where to go with it. I’m not defretting it and sanding it back, that’s way more involvement than I had planned….. although, it could use a refret….. sigh

Well I have a problem with regards to this….. My amp, an old Ashdown ABM EVO 2 combo, is my sound. Absolutely love it whatever bass goes through it. However….. we live in an upstairs flat…. we rehearse in an upstairs rehearsal room…… It’s an issue

Janek Gwizdala, afternoon workshop and evening gig last night in Nottingham. Beautiful bass tone from the Mattison bass, and fascinating to talk pedals and techniques. Just a shame there weren’t more bassists at the workshop. Such an amazing player, great night.

If you play with your fingers over the pickup, you get used to the feeling of the pickup beneath your fingertips. If you move in front of the pickup or between pickups, there’s a big hole where there’s no plastic to stop you. A ramp fills that hole, and gives a consistent distance under the strings all the way across it.

I think that whatever makes your instrument feel better to you, like a ramp or anything else, is absolutely a great idea. I must admit to buying a fret wrap, but as someone who pounds the roots and rarely goes above the 12th fret (in a live situation at least) I rarely use it.

Yep, I’m a ramp guy, I’ve made a few for my basses, including one for my fretless and one for my 5 string. I find having one super comfortable, and, makes me play more consistently too.