WalMan

Adding myself to the list, though not sure what to bring yet so it’ll be some out of the ones shown

@cetera - Charvel 3B, ESP Surveyor '87, Fender FSR PJ Precision, Hamer Impact, Italia Imola, Spector NS2, Spector Euro, Spector EuroX (Spectorbird), Spector Pulse II, Spector Dimension 4HP, Gallien Krueger 400RB & Legacy800 heads, GenzBenz Neox 2x12 cab

@TheGreek - All short scale this year - a @Jabba_the_gut scale 5er, Mini Ray, Short scale P bass

@Harlequin74 - Zoot Performer, Status Shark, Spector QV4 , Markbass TTE501 and Matching CAB. Maybe the Lehle Basswitch…

@Frank Blank - @Jabba_the_gut short scale fretted and fretless, JMJ Mustang, QSC K12.2, Grace Design Alix

@TrevorR - Mk 1 Wal, Wal Pro IIE, Aria SB700, Frankenjazz, pedals and MarkBass LMII & Traveler 2x10

@bnt - travelling light, probably a couple of pedals such as T-Rex Diva Drive, Orange KongPressor

@bass_dinger - 1999 Washburn XB500, 1994 Washburn XB500, Washburn XB925 in zebrawood, Washburn XB925 in bits, Boulder Creek 5 string (likely to be for sale, SWR Workingmans 12.

@greentext- 2008 Spector NS4-H2, 2015 Sandberg VS4, 2000 Trace Elliot T-Bass, my pedalboard and my tin of picks 😈

@prowla- Probably a couple of Rickenbackers and some interesting oddities. Amp-wise a Markbass EVO and a 1x12 (last year I bought some others to try and never switched them on, as the EVO sounded spot-on).

@SuperSeagull- Status S2, Feline P Bass, Modded Fender Lyte, Flea Jazz, MB Combo

@Merton - various short and medium scale ACGs, Zoots and Conway basses, Barefaced cabs, modern Trace Elliot amps

@MacDaddy Shuker (probably no3), Snapdragon Folding Bass, possibly a Rob Allen Mouse.

@neilp - matching pair of fretted and fretless 1980 Aria SB1000s, possibly my fretless Wal mk1, Ashdown ABM500/Ampeg 4x10, Tech 21 Bass Fly Rig

@NickD - Strunal Schonbach 5 String DB, and whatever else I can shoehorn in the car around it... hopefully a MD CMD121 H, Zoom B6, and maybe a Maruszczyk Jake and a Shuker Series 2.

@walman - converted Wal Pro, Zon Legacy Elite, Status S2, G&L L2500 fretless, McMillen 12Step & DSI MoPho, Two Notes Bass Revolt, Trondheim Audio SkarBassOne, BackBeat2 (and my BackBeat1 will probably be available for sale). Darkglass Microtubes500 and one of the Barefaced cabs. All depends how late I leave and what will fit in the new car 🚙 😁

A couple of gigs this weekend.
 

Sound was good and we were tight both nights but had router problems with the desk. First night started with the wrong one plugged in, second night it didn’t work so had to be swapped so both setups had their stresses.

Second night there’s been something going on with management changes and we are told that the regulars are siding with the old manager and boycotting the pub at the moment, we’ll that’s what we’ll  console ourselves with anyway 🤷‍♂️

4 hours ago, ossyrocks said:

I’ve had lots of plexi Marshalls over the years. Based on features - the type of output selector, the position of the filter caps (none on top of the chassis) and what looks like a narrow vent in the cabinet, I would date this to 1967. The transformers look original. The mains transformer is the taller earlier type. If it hasn’t been messed with inside too much I would say you are in possession of what is a quite a valuable amp these days. It’s been some time since I followed values closely, but if it were mine and I was selling, I’d be pitching it around £3k. It could be worth more than that, I would take advice. I do know the right people to ask if needed.

 

Rob

It’s had the recent re-valve and before that I think some capacitors when we got it working again 20+ years ago. Otherwise it should be pretty much original.

still an awesome roar, but one restricted to home and recording nowadays 🙂

🫡 Ooooo 'ello is it that time already!? In the diary and currently nothing the night before.

Hopefully the bigger car will have arrived allowing space for more toys, but what to bring? 🤔

No feet now and if there were any I think they’d have been small.

I have a power brake and may try it with that.

Somewhere mid-late 60’s is what I’ve always understood it to be. 
 

Where are Joan, Win and Mary now I wonder (though I suspect I can make a fair guess 👻)

5 hours ago, PaulThePlug said:

Very Nice, but Berlimy if those were the settings used!..

🤣 My youngest is a guitarist and used it for a while with the inputs linked. He was the one that marked settings not knowing the potential value. I need to work out how to remove them someday 

Just got my Superbass back from revalve and bias, but have not had a chance to fire it up. Might have to give it a blast through on of my BF BigBaby’s 

It’s had a hard life and weighs a 🤬🤬🤬🤬🤬🤬🤬 ton.

I got it secondhand in the mid/late 70’s when it still had most of the Marshall logo but that eventually went with being slung in and out the band van.

It did have work to get it running again after sitting unused for a while and had the Bulgin replaced with an IEC but otherwise is largely original.

Age wise I’m told by those that have worked on it and know Marshall’s that it’s early, probably mid 60’s, so potentially valuable even in the state it’s now. When I sent some details to Marshall years back they didn’t recognise the serial number but it looks to be the same as on the faded bit of paper inside the case.

No idea who Frank was, but the stencil on the front is an iteration of my first band.

Dep with no rehearsal, just a setlist to learn. Had played about a third and knew the rest from the radio.

Picked up a few more transcriptions from @tomread (I owe you another pint), but though I’ve never played Chelsea Dagger or I Predict A Riot and others of that ilk they’re pretty straightforward so with a couple of first chord hints / kick starts to remind me I got through pretty much unscathed and all seemed ok. 
 

I did manage to totally screw the start to Sweet Child ‘o Mine, but in my defence it was the end of the night on a dark stage and I could barely see the fretboard or where I was on it 🤦‍♂️
 

Band all use IEM’s so I took an aux feed on an XLR into the P2 and on to my new Mercury Custom plugs and did my monitor mix which went ok. I’m getting used to the IEM process and liking it 🙂

3 hours ago, EBS_freak said:

*cough cough* RTFM.

 

Come Onnnnnnnnn

 

 

(It's cos it would seem to be deceptively simple... but it still gets ya!)

Manuals are for woosies, and also it’s working fine so I’ve never bothered. I mean it’s not as if the quick start isn’t in the box 🤣

Another good evening with the MercuryIEM’s and getting closer to a mix I’m happy with. Rolled the H6 ambient feed back and it helped a lot as that was getting ox & guitar bleed from the drummer’s monitor even if put behind the speaker.

Got hold of XAirMonitorMix from App Store which means I can’t accidentally select FOH and mess anything up. Seemed a no-brainier for £3.99

Still only used the P2 as everywhere has been tight on space, but that all seems fine running a 10M XLR from the stage box.

re the mono/stereo switch in the P2 I keep meaning to check but as I’m getting something in both plugs I’m presuming it must be set right, or just runs dual mono from the XLR in 🤷‍♂️

Second night went well and had the H6 behind the kit to hear that and a bit of ambience. Generally a good addition for my mix though it probably needs experimenting on positioning as there was too much bleed from the drummers monitor.

Both plugs in and again found I wasn’t digging in too hard on the bass and bv’s pitched better and not overstrained because I could hear what was going on.

Only two nights in on the journey but pleased with the results so far 😁

On 26/07/2023 at 23:20, WalMan said:

At last I get to use my Mercury IEM4's in anger twice this weekend.

 

Friday night with a house PA and I plan on using my Zoom H6 positioned the other side of the kit, by the guitarists and near the house speakers with a feed from my Two Notes Bass Revolt and possibly my Vox on a split from the mic to toe channels on the H6

 

Saturday night we have our usual PA guy so it should be an aux from the XR16 and set my own mix on the iPad

First night went ok, other than we got to the gig expecting to use the house pa only to find they had got it into their head that we were using ours. No idea where that came from but luckily our guy had his in the van and we wheeled that in. It meant I had a fullish mix fed from an aux to the P2.

Ended up with one plug slightly out as I was not getting enough ambient sound for the kit in the rush to get ready.

Good news was I was getting a good signal for bass so didn’t dig in too hard, and had a decent vocal signal so didn’t over stress as much as I might have in the past and got through songs where I might have blown a third chorus repeat fine.

Tonight I’ll try adding in the H6 behind the kit just for me. 

At last I get to use my Mercury IEM4's in anger twice this weekend.

Friday night with a house PA and I plan on using my Zoom H6 positioned the other side of the kit, by the guitarists and near the house speakers with a feed from my Two Notes Bass Revolt and possibly my Vox on a split from the mic to toe channels on the H6

Saturday night we have our usual PA guy so it should be an aux from the XR16 and set my own mix on the iPad

Not had a chance to try it yet, and now I have the moulded IEM’s I wonder whether I’ll need it unless running a noiseless stage (never gonna happen with on guitarist in the band 🤦🏼‍♂️)

Looks good and smaller & lighter than my v1 (which I must get listed). Charged quickly.

For some reason I had in mind it was going to have a phone app

to allow easy adjustment but possibly that had to be shelved during development.

The cable seems sturdy but may prove to be a PITA with my SmoothHound radio. I added a spare cable and belt clip anyway, and apparently Tsunami are producing a replacement that looks pretty solid.

Verdict out at the moment. We shall see 🤔

Was due to do a reasonably last minute replacement gig with my main band Saturday night but our drummer had a funny turn that morning (heat stroke / labarynthitis / who knows) so we had to blow out the gig at lunchtime as couldn't find a replacement drummer at the last minute ☹️ It was going to be my first with the IEM's so that will have to wait.

This weekend became:

• Friday night rehearsal with the prog covers band but pretty straightforward Floyd & Genesis songs so no great workout. The most involved was Roundabout and even that is pretty standard. Still first tinkers with the IEM's using my Zoom H6 as source on the line out to a Behringer headphone amp with an extra line from the DI on the Revolt Bass for dedicated bass and it seemed to work well. 
• Sunday day rehearsal/ writing session with my very first band from 45 years ago. Spiky new wave originals that are still fun to play and keep me busy as a 3 piece bass/guitar/drum combo. Also we played together a lot back in the day and were a pretty tight unit and could catch the odd slip or just chuck in a different style (having originated a fresh faced 17 year olds in a country / 50/60/70's band playing WMC's with an older guitarist). Even now we can flip a song into a different style and work our way through with nods, winks & a look, which I love being able to do. Used the IEM's again same as Friday night and again it worked well

Went to the last one at the Factory. Great night. Shame I can't make this one or the masterclass before due to work commitments 🤬

Not a true test of the system, but I have done two different rehearsals over this weekend with my new Mercury IEM’s, using the Behringer P2 and taking the line out from the Zoom H6 using the Mid/Side mic module plus a feed to the H6 from the Revolt Bass and it worked well.

I was probably not such a noisy barsteward on bass as I had the direct bass feed mixed in, and the results were generally good.

Not an entirely true comparison for live but looking hopeful.

Friday setup was in a fairly live room with a little damping and setup as if live but with the PA behind us. Started out with the H6 as if stage front and with the stereo mic set which was not great and bass heavy from the room even though I think I was quieter on the studio amp.

In the break I changed the mic module and moved the H6 to beside kit and guitar and under one of the Pa cabs and that made a huge improvement, though the H6 was slightly too far back and lost the guitar as it was a closed back cab. Should probably have taken a feed from the “recording out” of the guitar amp but not the end of the world.

Today’s setup was a better damped room but essentially the same (just my amp & cab this time - Darkglass and Barefaced BB2 - and with the H6 the far side of the kit in front of guitar rig and a vocal Pa cab, and worked really well.

Last night was supposed to be the first test with radio system and mix from the PA at a gig, unfortunately that was cancelled last minute as our drummer in that band had a funny turn in the morning and we had to take a decision to blow out the gig at lunchtime ☹️

On 06/06/2023 at 09:56, asingardenof said:

Adding a space into your passwords makes them immensely more difficult to guess as well. So in the example above, making it June blue Golf bC1 is making it a lot more complicated. Harder to remember too, so the password manager idea is also worthwhile. You can also use the password manager to generate random passwords of whatever length you choose so you can use different passwords for every site. I use Bitwarden for my password manager, having left LastPass following their purchase by a company with less than stellar data protection practices, and would recommend it to anyone looking.

Hmmmm maybe I'll need to watch for the LastPass renewal email and move on. Work is offering Dashlane with F&F membership

I need to use my new plugs in anger for the first time, but when to do so without a technical rehearsal or chance for a full soundcheck is another matter. Maybe Saturday

Dep last night. No one died, but how the heck did I get so lost on one even with the dots in front of me 🤦‍♂️🤪

Generally ok but DAMN! Just ht one damned me 😡🤬😡🤬😡🤬

On 08/06/2023 at 10:11, SimBass said:

I use a tascam x8 (Same as Zoom H6), and have never had a need to mount it up above the drums. I have it mounted on a mic stand next to may cab so I can easily control levels without it being in the way.

I purposely have it above the cab to get as litte bass cab as possible and send a DI bass signal to it for more control.

If I need more drums than guitar, I point it more towards the drums, if I want less drums, I rotate it away from the drums.

Simple and accessible, doesn't get in the way of the stage and if there is a nice aux signal then I plug that in too and reduce the ambient mic. (I'm often playing with un-mic'ed horn section so that's pretty rare)

 

My only worry with that would be that part of my reason to go back to IEM's is being tucked in the corner at times the other side of the kit to the guitars so it might be drum heavy but it will be experiment and I suppose if I all have an aux feed from the stage box that I can control from the iPad it may not be an issue

On 08/06/2023 at 11:24, Jakester said:

 

Slight tangent, but how do you find the Mercury IEMs? I'm currently looking and I was angling towards ACS, as I can't really justify super high-end IEMs with the amount of playing I do, but Mercury seem slightly cheaper for a similar spec. 

They seem fine to me, though I have not fully used them in anger yet. They are just down the road from my office to I popped in to get the moulds taken. It did take a while longer than anticipated for them to arrive because there was a delay in getting drivers (apparently).

I was going to get the 3's but they did 4's at a discount as I was a returning customer.

2 hours ago, mrtcat said:

If you only have guitars, bass, kick and vocal mics you should find there's plenty of spare channels. A cheap condenser mic might be even better. I've gigged on iems for years and have never had an ambient mic. The vocal mics pick up lots of ambient noise and even when we used electric drums with no mics I never felt I was missing anything.

There is that. How much goes through you PA otherwise though?

I did pick up a pair of Behringer C2's as well, but it remains to be seen what I can work out as feasible with the sound guy. We shall have to investigate but the possibilities for use with other bands I play with that do not have as much in the way of PA (one in particular that I actually rarely play with now but has a guitarist who really cranks his amp) look good with a simple option using the H6 

2 hours ago, mrtcat said:

What gets mic'd up in your band's stage setup? If there's overheads on the kit already surely you'd just mix that into your mix coming from your aux and use the P2 connected direc to the mixer? If there's no overheads on stage can you use your H6 as a stereo overhead plugged into a channel on your x16 and just mix that into your aux mix? Seems to be overcomplicated trying to work in an H6 between your aux out on the desk and your P2. 

Tends to be guitars, bass on DI and bass drum mic but no overheads. I was only thinking of the H6 for some general ambience that won't be there otherwise and over the kit seemed like an option to keep it out of the way and give a bit more kit to me. I need to talk to sound guy about the availability of channels to take the H6 through the stage box, possibly just for my IEM mix

My moulded plugs have now arrived and I'm in discussion with the sound guy for my main band about getting an aux line that I can control from my phone for my mix. A technical rehearsal would be good but I can't see that happening anytime soon. I was going to get 3 driver plugs from Mercury but they gave me a discount on 4 drivers as I had used them before for sound protection plugs

I also experimented with using my Zoom H6 for an ambient line at rehearsal, and plugged my mic into it on an XLR splitter cable. I could also take another line to it from the DI on the Revolt Bass pedal and mix as required.

As a quick check, the H6 line out into a Behringer P2 on my belt worked well at rehearsal as I could hear all that was going on and chat in between, so that shows a lot of promise.

For live I'd need to think where to put the H6, possibly over the kit? Plugging mic and bass to that won't really be an option as I'd have no way of adjusting the mix on the fly, but possibly feeding the X16 aux into the H6 and setting a general mix between aux and ambient from the H6 mics at soundcheck will work. I'll also need to trust others for setting stage level of the bass, and soundguy to mix it in for FOH, but hopefully won't be digging in as hard as because I can't hear the bass on stage as I should have a line to the IEM's

One guitarist is completely old school and will never go to IEM's and said "where are you going to put that live" after I put the H6 on a mic stand in the middle of the rehearsal room ... as if I was expecting to just plonk it on a mic stand front & centre for gigs