Getting a Squier Classic Vibe bass VI to play well

[Jean-Luc Pickguard]

I have an Andertons Factory Special Run LPB Bass VI, which I bought soon after they became available. I fitted it with a set of LaBella flats and set it up as best I could without dismantling the bass. While it was fun to play, it was ultimately a little underwhelming.

 

One problem was that the E string touched one of the bridge screwheads, causing a sitar-like buzz. To fix this, I wedged a Herco nylon plectrum under the string at the point of contact. Another issue was the trem — it had no usable travel and was essentially as much use as indicators on a BMW. The strings also felt disappointing: too floppy, lacking tightness and definition. Trying to get anywhere near the Wichita Lineman tone was pointless.

 

I’d occasionally take it out for a noodle, but I’d never recorded with it or played it live. Today, I wondered whether a thicker shim in the neck pocket might help. I cut a few pieces from an Amazon brown card envelope, put a capo on the neck, loosened the strings, and carefully removed the neck screws. I was able to ease the neck out of the pocket, fit the shim, and reassemble it.

 

I then spent a little time setting it up with just the tiniest hint of relief. Because of the shim, the bridge had to be raised considerably. I had no idea which Allen key size was needed, but after some trial and error, I found that 1 mm did the trick. I also raised the pickups. With the greater break angle, the strings now feel tighter and more focused. The E string no longer vibrates against the screwhead, and the trem now has useful travel.

 

I dialled in a twangy 60s Fender amp sound on my Fender Mustang GTX100, with tremolo and spring reverb, and spent a couple of hours playing. It’s amazing how such a small change in neck angle has completely transformed the bass. I’m now looking forward to recording it, and plan to use it in this month’s Basschat composition challenge.

Edited 4 hours ago by Jean-Luc Pickguard