Yeah I've got much, much better results. I've said it before, probably on Talkbass, but this movie is really crappy and doesn't do the pedal right. I've got much better tracking results. If I were Signor Mark Bass I would ask this german webstore to remove this video
Dont know if u heard them already, but here are some better sound samples;
[quote name='phagor' post='691938' date='Dec 23 2009, 12:02 AM']Thanks squire. I didn't want to post the clips here and step on lapolpora's toes, as he said he was gonna do some... but maybe he's been busy, probably got better things to do than make silly noises!
But here's what I've done:
Finally got round to making some clips. In the first clip I run through the presets one by one.
[url="http://soundclick.com/share?songid=8510304"]Markbass Super Synth Presets Demo[/url]
Bear in mind that these are the unedited presets - I would probably tweak each one to suit the song or my playing style, especially the dynamics.
Demos 1 - 9 are synth presets 1 - 9
Demos 10 - 12 are octaver presets 1 - 3
Apologies to all the fine musicians whose songs I've butchered
Next are some random bits and pieces.
[url="http://www.soundclick.com/bands/page_songInfo.cfm?bandID=1021221&songID=8510303"]Markbass Super Synth Stuff[/url]
Demo one is a C major scale running down from C 3rd fret on the A string to C 1st fret on the B string, and using the open A and E strings.
Next is the bare sound of one oscillator, filter wide open, no resonance, no envelope, no dynamics. C 3rd fret on A string.
Third is all three oscillators, no detune.
Fourth demo is all three oscillators, this time with osc 2 + 3 detuned - nice and phat!
Demo five is a simple envelope controlling the filter, moderate attack and release.
Demo six is a big ol' filter sweep - no attack, max release. Watch your speaker level for this
Seven is me attempting to demonstrate how the tracking briefly plays the previous pitch. I play a high C (17th fret G string) then a low one (1st fret B string). On the low note you may briefly hear a blip at the beginning as the effect plays the higher note, then changes to the lower one a fraction of a second later.
It's pretty quick - I repeat those notes again. Then the same again with the low note as C 3rd fret A string, then C 5th fret G string. It's not really noticeable on the higher notes.
Finally I swap the original low and high notes. Again, the effect is not noticeable as the pedal can figure out the pitch of a high note much quicker than a low note.
Next I solo the octaver tones. First note is my dry bass sound, C (3rd on the A again). Next is the Octave +1 tone on its own. Then the Octave -1, and finally the Octave -2.
Next segment is all three octave tones at equal volume. Note that like the synth, you can't totally eliminate the dry bass sound!
Last demo is the same with the dry bass mixed back in.
I hope that gives you an idea what this pedal can do. If you have anything specific you want to hear, let me know. I'm not going to have much chance to play over the Christmas period, but I'll see what I can do.[/quote]