funky8884

45 minutes ago, Alanbass said:

Thanks funky ... that is very helpful feedback. Did the pjb deliver a decent bass sound for fingerstyle bass rather than for slapping.

Hi Alan,  

I'm not a slapper ( at least not a total slapper  ) 

I only played finger style with a 5 string Yamaha PJ when I tested the 77, and it definitely handles the Low B and I think its sound is outstanding, it seems quite flat like a studio monitor so when comparing to other amps this has to be taken into account.

I love the sound of my Double Four and taken into context the size  of the amp it is magic, The Session 77 is louder and would easily do well in an acoustic set and with a volume sensible drummer.

The only thing that stopped me from buying a 77 was the portability as I am constantly moving my practice amp around the house to avoid my wife and 6yr old son so I needed something very portable that can be hidden easily.

Cheers

Wade

I tried the session 77 , EBS Session 60 and the Flight case ( BG 150 )

The 77 was louder and more focused than the Flightcase but this may be due to the size of the room I was testing the amps in, 

The 77 had a much nicer sound than the EBS and had more volume as the EBS would fart out, the EBS seemed to have more bass but did have that "boxy" sound.

I really liked the Session 77 and at a price of £314 I think it is good value as the quality of sound is very high.The pre-amp is sensitive and very small adjustments effect your sound.

I ended up buying a Double Four as the size suits me and it also is a brilliant little amp and has got me tempted to check out the PJB amps 

Hi Stevie, 

Which part of Dorset are you in ?

Thanks 

Wade

33 minutes ago, Musashimonkey said:

Yup, bass amp is now fully redundant. After much experimentation and alternating gigs with and without backline... QSC in kick back as monitor, with separate bass feed into it (so I can have a bass heavy mix) and viola, low stage volumes, all bass through front of house pa. everyone’s happy. Mesa Subway DI lets me split the signal and control volume from the pedal. Simple. 

K10.2 or k12.2 ?

These are great compressors, I have one and it is very unobtrusive and the blend ( double back knob ) is great to blend your dynamics back in with the compressed signal.

I have only used mine on the Full Range mode but need to experiment with the Mid Mode one day 

GLWTS

Brilliant ! Thanks

I had it all except the Cdiminished7 C,Eb,Gb,Bbb

I will walk through the progression now and thanks again for our help and tips  

Hi everyone, 

I am a beginner in music theory and am starting to read and play along with some charts on iReal,

My question is about the attached progression, as I understand it is Dminor7 - G7 - Cmajor7 - Cdiminished7 

I am confused with the G7 and Cmajor7 - are they both major 7's ? just written differently in the picture ?

The last C - Cdiminished7 is this the same as a min7b5 ?  

Thanks 

Wade

Thats a lot of cab for the money, this must be ultra loud !

56 minutes ago, TheGreek said:

 

Thanks, we have been conversing.

Hi

Is this still for sale ?

I've heard great things about the Rumble amps, unfortunately never played one but the owners say they go loud

2 hours ago, LukeFRC said:

Headphones for practice? 

I have some of those

Hi,

Is anyone using a 8" FRFR for practice and quiet gigs ?

I have been looking for a decent practice amp that can do the above and thought a decent 8" Powered PA cab would do it and could also be used by other instruments, failing that a 10" would be the obvious upgrade 

8 minutes ago, HazBeen said:

It is pretty much te same pre as the DoubleFour, with a 100w instead of a 70w D class power amp. It will be clean, not brittle and build quality like all PJB stuff will be good. For the right price a good amp. The DoubleFour already was quite loud and this amp has bigger speakers (the 30w more will have minimal impact on extra volume, the bigger speaker surface area will). 

I thought for £314 it would be an nice sounding amp and I do like the idea of the 7" drivers and the size of the box as it should push air more than the CUB and Double 4

1 hour ago, ped said:

I think they cancelled this amp, might be wrong though. 

There are a few in stock in some UK retailers, 

It seems like a good option for a  home practice and acoustic gigging amp

Hi does anybody own or played a  Phil Jones Session 77 ?

If so I am interested to hear about its sound and ability

http://pjbworld.com/product_session77_top.html

Thanks

Wade

9 hours ago, dave_bass5 said:

 

 

 

.

I know a drummer very close to exeter, I will send him a message

44 minutes ago, owen said:

Answering because I want to be notified of answers because it is a question I have often wondered as I have a bass with the BF system. 

Hi Owen, do you use a standard tuner ?

9 hours ago, HazBeen said:

I think that would indeed work, although the LT does not have a FX Loop 3 and 4 like the full fat version so depends on what else you do with the loops (i.e. do you have any effects in them).

 

I don’t own one at the moment, just had an idea ,

thanks 

I saw a Helix in action last weekend and the guitarist had a monitor feed from the desk to his Helix and then mixed his in ears from his Helix,

Does anyone know if you can use the Helix LT is the same way by taking a monitor send from the desk and inserting it into the effects return on the Helix LT ?

Thanks 

6 hours ago, operative451 said:

I think the earlier posters may have felt it was someone who'd decided to form a band...

Welp. I am meeting the guy next week for some racket-making! Should be fun...

Have fun

I know the Band leader ( guitarist/singer ) and the situation

I'm confused as to why he is a "tryer" 

Hi everybody ,

Does anyone own a Bass with the Buzz Feiten system and use an ordinary tuner ?

Thanks

Wade 

I may be wrong but isnt the Reddi supposed to mimic the B15 ?