Jump to content
Why become a member? ×

crazycloud

Member
  • Posts

    459
  • Joined

  • Last visited

Posts posted by crazycloud

  1. Can't go wrong with the older Peavey gear - my BW15 and Mark VI head have seen maybe 1000 gigs and 40y of use.

    I hardly use it now as I use my rig for bass, guitar and baritone so I'm building a large FRFR rig to cover everything. However, I could put it in the car in a minute's notice and use it happily for a bass gig. Living in the sticks now, there's little point in selling it as it's not worth much and shipping would kill that.

  2. 6 hours ago, SumOne said:

    feels risky potentially doing a gig and finding out half way through that the battery has died. 

    I have yet to have a battery die mid gig since I got my first active bass in 84.

     

    6 hours ago, SumOne said:

    Gotta say though, after doing a thorough setup (which it really needed) there now isn't much difference between this and basses I've owned worth £1k extra.

    Agreed as I love my 375 and have trouble trying to justify what a 2605 would cost, even though it it very purdy. The 375 will likely het a set of EMG E4Ws when available, just because. 

     

    The 375 was $829 new 2ya, also very purdy in a subtle way, and the best I can find the 2605 for is $2850. The EMGs will be circa $450. My 655 used was not much more than the EMGs will cost with a HSC due to a stupid error in the listing that meant it didn't get any interest. Japanese Ibanezes are superb, but not for the price tags, so I'm not seeing a valid 'upgrade' path.

    • Like 1
  3. On 20/05/2025 at 20:12, AJC08 said:

    I'm curious to know what is the brightest bass you've owned/played with the most sizzle on the top end? While still retaining good low end.

    Alembic Series II had the widest HF bandwidth, but unless the Q has set really high, there was no 'sizzle', which I take to mean excessive brightness / hardness at the top, ie a negative quality.

    • Like 1
  4. I still have a pair of Yamaha PB1 pres, one of which was my main pre, used with a matching Yamaha P series power amp in a true biamp configuration crossed at 300Hz, and so looks a bit second hand now.

    Mine are in storage awaiting time to do full cosmetic and technical restorations. So here's a pic I found via goolag.

     

    YamahaPB1.webp.7c081ba1a99d31d68654b941b61cbdc8.webp

     

    • Like 1
  5. 45 minutes ago, Dood said:

    no idea if a 5 or 6 is in the offing.

    The 5 string is the 108mm long version (magnet is 77.5mm wide) and the 6 string is 117mm with a longer 87.6mm magnet, info I got from Alex at EMG. I suspect, as I didn't ask, that these are actually P2 and P4 sizes (108/117x32mm).

     

    This means that they won't fit in my Ibanez SR or Cort A6 6 strings with the 108x34mm MK1 pickups without routing. The later BH2s in my BTB846 are the same size. Looks like I need to get out the router for at least the SR so that'll get DCXs or maybe TWXs.

     

    When I email back, I'll also ask if this new PU internal structure will also be available in the 35/40/45 sizes too - it would make no commercial sense if they weren't, assuming they fit.

    • Thanks 1
  6. 22 hours ago, RhythmJunky said:

    which I know I'll never buy as I'll never be good enough to deserve it.

    If you find one you love at a price you can afford, just buy it. If the idea you're not good enough so you shouldn't buy it was based in reality, only a handful of real high performance cars would have ever been sold.

    If I won the Powerball, I'd get another Alembic S2, this time a custom 6.

    • Like 2
  7. 1 hour ago, Stub Mandrel said:

    I'm not a small speaker sceptic

    Neither am I, and I understand well how speakers actually work, but...

    1 hour ago, Stub Mandrel said:

    have a PJB C4 which has loads of bottom end, it just isn't very efficient.

    ... but that isn't a tiny phone, laptop etc speaker which will have nothing below 200Hz, if not higher.

     

     

  8. I've had a couple of these, especially in the 90s when I was importing direct from Japan, mainly lawsuit era basses and the Bass Collection basses were really very good. I think they're why I like Ibanez SRs so much nowadays.

     

    One thing I have noted though, is the PUs seemed moved bridgeward compared to classic F positions. This is most noticeable on the P. 

×
×
  • Create New...