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Posts posted by LeftyJ
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1 hour ago, Kiwi said:
If I were him, I might be a little cautious about that. It's not technically his property and he probably trespassed to get it. Whether the matter gets enforced or not is another thing though.
He's not. He filmed himself while doing it, and during the car ride back home described in full detail to his selfiecam what he has taken home with him, including many photo's and video's of everything.
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9 hours ago, Jean-Luc Pickguard said:
It's the same workshop with the original workbench where Leo worked when it was the original Fender factory, so a lot of classic Fender design work was originated there too.
It was not the original Fender factory. That has long been torn down, there's a parking garage there now. It's the old CLF Design facility, where Leo built the original Music Man guitars and basses for Music Man after he sold Fender to CBS. So FMIC has zero history in that building, other than all the cool prototypes Leo took with him.
I wrongfully thought this too, but was corrected when I posted it on Reddit.
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They should do a Peter Frampton / Richie Sambora version that lets you do talkbox effects.
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LeCompte makes some interesting pickups, with those triple pole pieces.
They were on my radar through NoTreble, who made their creations Bass of the Week several times.
This one stood out to me, I love the body shape which appears to blend the offset waist of the Jazz Bass and something a bit Wal or Shergold like.
LeCompte Electric Bass - SHR - Short Scale
Interestingly, they spec this one as a 30.3" scale model.
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I wish they had kept the 60s body shape, which was ever so slightly more elegant and more compact. And a 70s style tummy cut would have been nice.
Stole this from Talkbass, where someone put the outline of a JMJ over a '66. The current reissues are more bulky and bigger:
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16 hours ago, lemmywinks said:
Assume these are Japan Custom Shop builds? If so the price is nothing out of the ordinary, that's where their top artists' instruments are built.
That would most often be the LA Custom Shop in the US
Much of their Japanese high-end builds are outsourced to Sugi these days. The Japan Custom Shop is for the really top notch stuff. I'm really curious where these Visions models are being made!
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Mr
in Bass Guitars
I'm surprised it hasn't sold yet at that price!
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Mr
in Bass Guitars
I just came across your status update and replied there, but I'll repeat it here too (and I'll share the pic you posted there):
For what it's worth, this doesn't appear to be a factory fretless (RS940) but a defretted RS924. A 940 would have no fretlines, and only tiny dot inlays near the edge of the fingerboard where the fretlines would have been, rather than inbetween fretlines. Maybe this helps lower the boundaries to have this neck refretted instead
. Being a lacquered fingerboard there will be some extra work involved to do a tidy and invisible job. These are fabulous basses, I really enjoyed mine a lot when I had it, so definitely worth the effort! It was prohibitively heavy though, and nowadays I favour a narrower nut width.
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Fame guitars and basses always used to be built by Mayones in Poland. I wonder if they still are!
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No lefties, bummer! In fact, I couldn't find ANY lefty on their website. They used to be such a lefty-friendly company, with a wide range of instruments available in left-handed versions. It used to vary widely per market, the Dutch distributor had few interesting lefty models in their range but France got a huge range including the neck-through Artisan models that have always tempted me. I've owned an Artisan B4, an NTL-B FL (the most high-end acoustic series Cort had around 2000, very unusual and rare lefty) and still have a lovely, lovely MGM-1 Matt "Guitar" Murphy signature that's also quite rare.
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1 minute ago, LukeFRC said:
I think it's the standard from the shopify theme
Solid point.
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That does look remarkably like the fonts on the Fender website.
G&L's W's don't have the pointy bottoms.
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Nice, and my second-favourite colour combo for a P, closely behind black + black 3-ply guard + maple board. Looks great!
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There was, for a short time, also a range of Czech made MTD basses but they're rare to come by. I know at least the Grendel was part of that range, I don't know about other models.
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Whoa, you could at least have included a NSFW warning in the title! That's stunning!
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1 hour ago, Dood said:
I'm going to look in to the new Peavey Cirrus V basses
These look promising! Made by NBE in the Czech republic, in the same facility that builds the Euro Spectors.
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That would make the new name for the series all the more confusing though. The old American Special and American Performer models were marketed as the entry level USA-made models, and it's true the American Professional Classic replaces the American Performer, but by using the Professional name they're suggesting these are on par with the American Professional II series, but with more vintage features. The difference in price between the Am Pro Classic and Am Pro II isn't that huge either.
Now I would really like to see some neck heel and neck pocket name stamps
(not that it would help much probably, because as the old moniker goes: one is made by Mexicans in Ensenada, and the other is made by Mexicans in Corona
)
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I've had a Fulltone Bass Drive for many years, I think it might match what you're looking for. It has a Tubescreamer-like drive, an additional boost with its own level control, and when switched to the "FM" setting (Full Mids) it doesn't scoop. It has no clean blend, and it sounds great to me. Works on both 9V and 18V, but at 18V the boost is... well, "boosted" quite a bit. I don't think it's currently in their range still, but it can be found used.
They've fallen out of grace for a while after mr. Fuller had some debatable opinions on the George Floyd protests, that nearly killed the company entirely. Fulltone had to close their facility in 2022. They're on their way back now after teaming up with Jackson Audio in 2024.
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First off: What a wonderful gift, these are great basses that punch well above their weight. Sire have quickly earned a reputation for well-built instruments with impressive fit and finish, and their necks with rolled edges are really comfortable. I'd say that's a really good choice!
18 hours ago, mybass said:As far as I am aware battery power does not switch on (bringing power to the onboard 'active' tone controls) until a guitar lead is inserted into the bass's jack socket, completing the 'active' circuit within the bass. The bass should still work as a 'passive' instrument when batteries are flat or not connected.
This is accurate. If the batteries were drained while in storage it may have faulty wiring, causing a short that engages the preamp even when no lead is plugged in. I would address that with Andertons too.
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Just now, neepheid said:
According to https://bassesbyleo.com/allen_wrenches.html - G&L (USA) went fully metric in 2006.
Ha, TIL!
All G&L's I've owned were older (my current ASAT Special is from 2001, it's already got a 4-bolt neckplate but still has the Bi-cut neck with compression style truss rod and bullet nut).
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1 hour ago, neepheid said:
Yeah, sorry mate, that doesn't look right - this is my 2020 CLF L-1000...
4mm hex iirc.
Metric on a US-made bass?
I guess pigs can fly!

Yamaha your thoughts?
in Bass Guitars
Posted
They probably would not, for they would be prohibitively expensive for the general public and would only appeal to fans of the series. Especially if they were to be made in Japan like the originals. The current bolt-on BBP34 and BBP35 sit at €2100 which is roughly the same as a Fender American Professional II. They're probably better-made, but many people will still argue "Made in the USA" is the holy grail. A neck-through model would sit quite a bit higher still, probably not below €3000.