TheRev

I've tried the Black star - wasn't impressed.  Mostly farty and not enough power to keep up with enthusiastically (i.e. drunken) played acoustic instruments.

If your cajon and guitar players are going to behave and play gently whispery folkie type stuff, then you might get away with one, but otherwise, naah.

Other's experience may vary.

I ended up with a Roland micro bass cube which did the trick but it's way more expensive than the ones you listed and will only fit in your luggage if your luggage is quite big. 

We've been reduilding our website and whie trawling back through old photos I found this from 2014 or 15.  Jack Scrumpy is no longer with us, but it's still a decent promo poster 

On 10/05/2022 at 20:59, jimmyb625 said:

Yep, I'm firmly in the "love gigging" camp.

 

In fact, any sort of live performance, whether it involves playing, being on stage acting, running sound for bands/plays/musicals, stage managing or driving the lighting desk. All of them hit the spot for me. I think it's something to do with the immediacy of it, you get one chance to make it work.

It's odd - I would think twice about attending a 3 day music festival as a punter but would happily work my ar$e off for 3 days doing stage management, monitors or FOH.  I think I prefer to be busy.

If I didn't gig I probably wouldn't play.  I don't enjoy the stuff that goes either side of gigs - the 2 hour drives, unloading & setup, or waiting around forever for the soundcheck, but once I get on stage, all that's forgotten. Making music with like minded people and entertaining a room full of punters at the same time is the best thing in the world.

Singer/songwriter-guitarists (for it is always these people) who expect you to be able to transpose on the fly when they put their capo on the wrong fret, or expect you to improvise to whatever they're playing without even telling you the key or meter. 

The AER is a good shout. If you want to spend less money, there's a Markbass 802 in the classifieds that's perfect for your needs.

4 minutes ago, Happy Jack said:

Well needles have got to be better than a slap in the face with a wet kipper.

Depends on how many times you have to be slapped with the kipper to cure your tinnitus.  I'd take one medium force kipper slap over 50 minutes of a face full of needles.

I've played a G4M bass. It wasn't awful but it wasn't great either. Not much in the way of tone or sustain, but if you're only going to slap the derrière off it, it will be OK

TL:DR. Do it.

If you already like the bass, then a properly fitted bridge can only improve it.

I think basses need to be played and gradually adjusted for a few years until you get the best out of it.

I've recently been considering spending a considerable amount of cash on a new bass, but instead I had my current bass (East German 70s ply) fitted with a new soundpost to give the E string more punch and it's like having a new bass but for £80 instead of £3000+.

I use a Stentor Student bass in our rehearsal room (it belongs to the guitarist) and while I don't enjoy playing it as much as my bass, it would only need a new bridge to get it playing how I would like it.

Have you considered Pirastro Perpetuals?

Bit lower tension than Spiro weich and will work with a magnetic pickup.

I spent at least 15 years obsessing about my tone in the mistaken belief that other people gave a toss.

Yes.

It would be dead boring otherwise.

NSFW, etc.

1 hour ago, julietgreen said:

Many thanks for all the replies.

 

At a basic level, are people saying it's plausible to put the mic into the Trace, as long as I deal with fb?

 

J

If your'e not expecting to turn your amp up stupid loud, then there's no reason your mic shouldn't work - assuming you have a XLR input on your Trace amp (or your mic has a jack plug output)?  Feedback can be mitigated by trying different mic placements and positioning yourself so your speaker cab isn't firing directly at the body of your bass. Some people find it helpful to raise the cab up high so it's at your head level.

My personal favourites are Rotten Apple by Alice in Chains, STP's Big Empty and Jeremy by Pearl Jam.

Thanks for your replies guys, much appreciated. I'm going to try some soundpost adjustment on my current bass before I do anything rash...

It looks like it's been chewed up and spat out.  I think you're going to have to contact Kent Armstong to get that working.....  

Or just buy a Krivo😏

Then you are no help to me.

Unless you do impressions of any other instruments?

Gawd help me, I'm thinking of buying a new bass.

I know there's a few Duke owners on here - I'd be very interested in your impressions of the Duke Two Tone or Duke Special, particularly if you play pizz rather than slap style.

How does it compare in sound to other basses you've played? Has it got a nice strong tone on the E and A strings?

Churrz!

Dave

The Eminence soundpost is kept in place by a wood ring glued to the back of the bass, so it's not glued in place but it won't fall over if you take the bridge off. This does mean that the soundpost can't be moved/adjusted as it would in a standard double bass.

The bass may benefit from a fingerboard re-shoot if its overly worn and you're getting buzzes and rattles with your string of choice.

Mine was fully set up before delivery and I haven't felt the need to have it set up in the 12 years I've owned it. 

I'd second the room acoustics consideration - I got a much nicer sound in my kitchen with a £30 Thomann mic than I did in my so-called music room with a £150 mic.

WTF was that doing on the radio?  It sounds like a home recording project done by someone who 1) doesn't know what latency is and 2) has cloth ears.

Oh - I love a game of guess the strings!!

Top set are Innovation Honeys

Next 3 are Helicore hybrids 

The black tapewounds - Pretty sure they're Presto Jazzicato

The gut-a like is a Presto nylonwound ultralight.

I know you didn't ask for string ID  - but I curently use or still have all these strings (though I use the Light nylonwounds rather than the ultralights) and I'm looking for an excuse not to write a risk assessment.

As I'm listening to this, it reminds me of Clayhill, with the legendary Ali Friend on bass. 'Mine at last' is the album to check out.

The video had me with just the melodica and bass, everything after that was a bonus.

No - but keep and eye on it.  If it starts to widen/spread then you can start to worry.