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Davi

⭐Supporting Member⭐
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Everything posted by Davi

  1. 44mm with a fairly slim neck profile
  2. An exceptional well built bass, from the legendary Matsumoku factory in Japan, this bass is built like a tank, well balanced and easy to play, weighs 4.5kg, medium scale with nice low action in amazing condition, featuring 2 superb sounding humbucker pickups that can be toggled to suit whatever your style might be, comes with the orginal hard case thats had a hard life but kept this bass in the excellent condition that its in. I can post out for £20 if needed.
  3. A superb example of Fender Japan at its best, this 1987 Fender Jazz Bass Special is In amazing condition, especially for a 35 year old bass, very little wear. Featuring a slim Jazz neck profile and a Hipshot drop D tuner, powerful EMG PJ pickups, black hardware, metal tophat tone knobs, comes with a padded gig bag, collection prefered but can post for an Additional £20.
  4. Quest Atak 1b Bass made at the the legendary Matsumoku factory Japan in 1985, very rare to find in the UK. Good condition, punchy pickups and comfortable to play with a slim smooth neck with nice low action. Neck and frets are in excellent condition, a few love bites to the back of the body giving a slightly roadworn mojo, electrics all working good, comes with a padded gig bag, trades considered, can post for an additional £20.
  5. The bass is in mint condition out of the box. comes with a gig bag and strap. Trades considered, can post for an additional £22 The Epiphone Embassy Bass marks the return of a '60s classic. All the unique touches and features that made us fall in love with the original Embassy bass, reimagined for the modern performer. Equipped with a pair of powerful Probuckers, each note you play will rumble through even the densest of mixes. So you can be sure that your playing is heard in every practice and performance. Not to mention their immense versatility which shines in absolutely every genre. But, just like the original Embassy bass, the real secret lies in its playability. The iconic dual-cutaway body shape has been resculpted with a contoured upper horn for unrivalled comfort and fret access. Combined with the sleekness of the "C" shaped mahogany neck and laurel fingerboard, there's no doubt you'll be riffing away for endless hours without any strain or cramp. And if you needed any more reassurance that this is the bass for you, just look at it. It simply oozes with Epiphone's hallmark vintage style.
  6. Yeah its a beaut
  7. Hi, it will be £20 with Parcelforce worldwide euro economy
  8. No, theyre the original knobs
  9. Ive sent items overseas in the past with no issues, I can look into that if its something that you might be interested in ?
  10. Designed by Sekou Bunch in 2009 and released in 2010 and ran until around 2014 when Carvin rebranded to Kiesel for their high end guitars. Stunning looks with amazing playability and stability, as you would expect from Carvin. One of the nicest basses ive ever played and you'd be hard pushed today to find a nicer bass under £1500. Swamp ash body, Maple neck and Birdseye Maple fretboard, Carvin Alinoco pickups with Active/Passive switch, 18v preamp, stacked bass/treble knobs, 34" scale, 38mm nut width, Carvin premium tuners and bridge. In excellent condition, the body neck and frets are immaculate. comes with a high quality Carvin hard case with original case candy included. No offers please. Collection prefered but will post it out.
  11. So I got down to the rehearsal room last night and ran a speakon lead out of each channel of the QSC into the 2 cabs, had 50hz filter on and clip limiter switches on, parallel mode switches on, plenty of volume and sounds good, the Sansamp gain at 12 oclock and output 2 oclock, using a Fender Jazz bass in passive mode, im noticing the clip LED on each channel of the QSC is still coming when playing harder, im not hearing any distortion or anything unpleasant, is this ok ?
  12. One of the jack leads had melted from the bridging experiment, ive replaced the jack with a speakon, now using both channels parallel with limiter swiches on and 50hz filters on, havent had the chance to test it properly as I had to go back home to, but will after the weekend.
  13. yes I was in there recently, it was packed out
  14. Ive got an XLR, ill try it to see if there is any difference
  15. I noticed both of the channel clip LED lights came on
  16. I had the 2 cabs daisy chained out of 1 channel. I was under the impression that id get 600watts at 4 ohms and running 1 cab per channel would give me 360 watts at 8ohms, ive since learned that this was incorrect and the wrong way to set up. Both cabs are working. When I get the chance I will try running 1 cab per channel in parallel with clip limiter switch on and use an unbalanced jack from the sansamp out.
  17. Sorry I meant to say im using an unbalanced jack from the sansamp output
  18. Ive been using an unbalanced jack to speakon sansamp out
  19. I was originally running a Ashdown ABM IV 600 head into the cabs, it had plenty of grunt, I just didnt get along with the way it sounded. I then went with an Ampeg SVP-Cl preamp into the QSC 1850hd and loved the sound but struggled with the low output if the preamp. The sansamp sounds pretty good and more output than the Ampeg but not as much power as the Ashdown and lots of LED clipping from the QSC.
  20. The cabs are Ashdown 1x15 600w and 4x10 600w 8 ohms each. Running in parallel 1 cab per channel would put out around 380w each at 8ohms ? I find im struggling at this level within a band situation. I was under the impression that daisy chaining 2 cabs into the one channel would bring the load to 4ohms and around 600w, ive since learned that this isnt the case with the QSC 1850hd. It seems from what im reading that bridging the amp would be the best way to gain more headroom and reduce clipping with the correctly wired speakon lead.
  21. Im looking for some advice regarding my QSC RMX 1850HD. Im running a Sansamp RBI preamp ( which I like the sound of) into the QSC and daisy chaining 2 x 8 ohm cabs out of channel 1 to get a 4ohm load, I have the filter switches set to 50hz and also the switches set to parallel, the clip LED comes on quite frequently, I have both channels on the QSC set to full and the pre at around 12 o'clock. I also tried the bridged mono mode with the switches set to parallel, channel 2 filters and limiter off the but wasnt impressed by how it sounded. Am I doing something wrong with the way ive set it up ?
  22. I was under the impression that the G2202 only had one pickup and the G1222 was the 2 pickup version
  23. Hi, could anyone help me identify what model it is, its definitely not the G2220, the decals are different, the strap button is at the 13th fret rather than the 15th and the controls switch is in a different place to the G2220, im struggling to find a definitive answer. G1212 or G1222 maybe ? It was bought around 2001 and is made in Korea.
  24. Thanks for all your advice and help, stacking gain on top of each other isnt a perfect solution to the output issue but it gets the job done with minimal hiss
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