SumOne

Chainska Brassika, supported by Bob Rats in Southampton. They were both very good. Bob Rats: VID20251205203834.mp4

Yeah, it would be great to try them out side by side. Andertons are the nearest shop to me (about 1hr away) that sell the Nord and Numa so I might go on a road trip. As far as I can tell there is only a single Viscont Legend One for sale in the UK (Gear4Music have one in stock, but their shop in York with is a >12hr round trip from Chichester) so I think it'll need to be an online purchase (in which case Thomann are cheaper) if that's what I go for and prepare to use the return policy. I tried the MIDI thing via an M-Audio keyboard (which I've since sold) but it turned into a bit of a liability live. There was latency but odly it was only occasional, I'd optimise everything on the Laptop, ASIO , Airplane mode, close all other programmes etc. and use it exclusively for music but it still seemed to have a mind of it's own at the most crucial moments (perhaps due to the keyboard, interface, software plugins, DAW, Laptop processing power or RAM....I dunno what the cause was - a lot of variables and potential points of failure felt part of the issue. I then got a good gaming Laptop (still Windows not Mac) and UA Volt interface and that seemed to work well at home, but almost every time I turn it on some sort of software needs updating and that makes me nervous, and things like Organ drawbars and effect knobs being mapped differently to different presets with nothing on the Keyboard clearly indicating what's happening seems potentially confusing without looking at the Laptop screen which I'd rather not do live, and just the live practicalities of where to put the Laptop and interface and relying on USB cables etc just seems a bit of a faff and liability. But yeah, in theory I can see that a decent MIDI keyboard and Laptop gives almost unlimited sound options and upgrades and I am sure it works well for lots of people and probably is the future, perhaps I should give it another chance, I think having a good dedicated Macbook would probably be needed to be more certain of reliability and low latency.

My Yamaha CK-61 sold last night so I now have £ burning a hole in my pocket! ....well, not much £ as it has funded a Kawai ES-60 that's on the way from Thomann, I think that'll do well for home use (which includes taking abuse from young kids so I didn't want anything I'd be too precious about). It leaves me the start of a stage piano fund and I've had some offers for my Akai Key 37 so that'll increase the fund once it sells. So now I'm seriously hyped about what stage piano to get! It'll need to be 73....and even that size is pushing it as I need to take it to weekly rehearsals and fortnightly gigs along with all my Bass gear (there's a bit of swopping around of band members duties depending on songs) in a small car (VW Polo, which often also has a guitarist and all their stuff) and stage space is usually tight. Depending on how much I can convince myself is worth spending, the main contenders are now: £2k: Nord Electro 73 semi-weighted would be the Nord for me due to size, toughness, sounds, drawbars, price (vs the Stage), resale value (£2k is stretching my budget, but the resale after 10 years is roughly £1,500 so I'm counting it almost like a loan plan - my maths is it'll be £50 per year for 10 years, the painful initial £2k is actually a £1.5k refundable deposit!). The v7 seems overdue so I'd wait for that though - either to get new or for the older second-hand versions to get cheaper. £1.5k: Viscount Legend One 73 is a decent size and weight, sounds good, good keybed (a knowledgeable online reviewer guesses it has Fatar TP-8), Organ drawbars (and lots of them!). All reviews seem to rate it highly - some a bit less so for the non-organ sounds but what I've heard all sound good to me. Perhaps it's just smoke and mirrors to make a modern thing look/feel/sound vintage gives me the impression of being something that'll still be good 30 years from now, keeping things simple and nailing the hardware for live use and the 'bread and butter' Piano/EP/Organ sounds will stand the test of time if expectations remain that It'll just do that particular use. Main negatives are it's a bit niche and new so unlikely to be many second hand for a while and no shops to test it, it's not proven to last for years like the Nords and resale value might not be great. I think I'm pretty much sold on this though, something about it has really grabbed me, it's just a shame that testing it out isn't an option - but I guess return policies are good nowadays. £850. Numa X 73, good keybed for the price, good interface, the sounds haven't blown me away (just from online reviews) the main thing that puts me off are the Organ sounds don't seem great and lack of drawbars. I kind of think this will feel 'okay - it'll do' but will feel a compromise and won't be something I'm really pleased to keep for many years, it probably isn't much of an upgrade to the Yamaha CK-61 I've just sold other than the extra octave and better keybed. I've tried the Roland and Yamaha options in their showrooms and none in my price range really did it for me. The Yamaha YC 73 has slightly narrower octave width which I thought was noticeable on the CK I owned and not ideal, the sounds didn't wow me. The Roland VR-730 didn't feel a bit improvement over the CK-61, and the V Stage 76 is out of my price range, and both seemed massive - almost deliberately made to take up as much space as possible!

Nice one, that's very useful.

I've been doing some nerding on Nord Electro 73 prices new vs second hand: V1, 2001, ? Now £600 V2, 2006 £1,400. Now £900 V3, 2008 £1,500. Now £1,000 V4,2012 £1,600. Now £1,300 V5 2015 £1,700. Now £1,400 V6 2018 £1,900. Now £1,600 It doesn't seem to make a whole lot of financial difference to buy new or second hand if you plan on owning for 10 years then selling as they start to de-value more once they are a few versions old. If fact, buying new is perhaps financially better in some ways. e.g. a 13 year old V4 today = £1,300, in 10 years it'll be worth roughly £700 (if it is ballpark equivilant to a 23 year old V1 price today), so that'll cost £600 for 10 years use. V7 is quite overdue, if history is any guide then it'll be about £2,200 and would be worth roughly £1,700 10 years later, so that'll cost £500 for 10 years of use. A selling point of the Nord is how well known they are and how well they hold their value. I think the Viscount Legend One 73 is still my favorite though (and is a bit cheaper at £1,555), but I imagine that if I went to sell it after 10 years there would be a much smaller market and probably more devaluation than a Nord. But in an ideal world I'll still be happy with whatever I get and it'll last me longer than that.

Don talking about something that has also annoyed me for a while - the often repeated online misconception that Reggae Basslines don't play on the one, and that the 'one drop' is referring to Bass. "you can play on the one, you can play off the one, it makes no difference when you're playing over a one drop, the one drop is the drum pattern"

I did do a board of Boss compact pedals, it was quite addictive tryting to get the colourful collection. The Boss compact hardware is really good and I found there are certain pedals that Boss do really well: Tuner, compressor, limiter, chorus, flanger, octaver, space echo, and the BB1-X. .....but then I wasn't such a fan of things like the AW-3, SY-1, GEB-7, ODB-3, there are better (often cheaper) alternatives . So once I started using some other pedals (e.g. MXR envelope filter instead of the AW-3, Sine FX parametric EQ instead of the GEB-7 ) the whole idea sort of went out of the window.

Although no one wishes they spent more time at work I do think many might think 'I wish I lived in a nicer place, had more holidays and saw more of the world, eat better meals, retired earlier, financially supported my kids better'... all of which unfortunately require £ which you usually get more of the more work is done. Don't get me wrong though, I'm no fan if spending time at work just for the sake of it. Work smarter not harder n'all that. But I do think it's an alright means to an end. I sort of figure 'fair enough', it is a balancing act.

I'm 'only' 46, but recently had my first proper health scare and these things tend to focus the mind on what to do with your life. I've come to the conclusion that everything is a balancing act and if it was completely 'live for the moment' I doubt the moments would could carry on being good and the living would probably get cut short! Many of the best things in life have to be worked at and have delayed gratification.... but just doing things in the moment for fun is also needed. With band stuff I did consider if it is actually worth my time and effort, the life balancing act means that is time I could spend with family, friends, fitness, career etc. My conclusion has been that it is worthwhile while it is fun and fulfilling as it isn't a £ earner to pay for other things in life. It doesn't always have to be the most fun ever though, sometimes it needs effort and pressure, highs and lows, bandmatres are humans and it is fine if they get moody every now and then - everyone needs to have a bit of slack. Likewise with things that initially seems very worthwhile e.g. Commit to 1hr of Piano a day, but really is it the best use of time/life? The delayed gratification of stuff like learning Piano is often worthwhile in the long-run and it is impressive that people have perservered with that long-term commitment but every time you see a great musician there is a real time cost and that time available is a finite thing. I have to say though, having mentally done this time audit, I don't think I'll ever look back and think 'I wish I watched more daytime telly alone', or 'I wish I spent more time on Basschat in my work from home hours' (sorry!). So I think both will get a bit of a cut-back. But again, it is a balancing act - just taking it easy, going easy on yourself and thinking 'that's enough effort for now' is often a good thing rather than constantly feeling like everything is strive and hussle.

"Enjoy yourself, it's later than you think. Enjoy yourself, while you're still in the pink. The years go by, as quickly as you wink. Enjoy yourself, enjoy yourself, it's later than you think"

I've put my Yamaha CK-61 and MPC Key 37 up for sale and bought a Kawei ES-60 as a 88 weighted key home piano (£295 Thomann sale). That'll hopefully leave me with about £700 towards getting a stage piano. Perhaps a Studiologic Numa X 73 (£849 from Scan) if I don't want to spend much extra, or something like Viscount Legend One 73 (£1,555) if I can save up and justify all that extra ££.

Although I love the MPC Key 37 I am going to put it up for sale as it doesn't quite fit with the things I need (home piano, stage piano, large midi keyboard for production). I am hoping I'm able to keep all of the licensed software though as I think there are some great sounds, I'm pretty sure that's fine as it is linked to my inMusic account rather than hardware and I already also have it all on the Laptop and you get 3x licenses. My plan is to get some sort of 73 key stage piano (f or live stuff. I've tried the Laptop + midi keyboard for live stuff before and it was a liability so I'm not going to do that again) and an 88 weighted key home piano (with speakers, simple, tough - to stay in the front room for the kids to learn on). And for home production the stage piano should work fine as a midi interface to still play the MPC plugin instruments via a Laptop. I've found that I actually usually have the Laptop hooked up to the MPC for production stuff as I prefer to do a lot of things like sample edits and Library management and sequencing via Laptop. I will definitely miss some of the MPC interface but it'll pay for the home piano and partly towards the stage piano.

In my view the green is the better colour (I owned one and it is a decent Bass), I guess most other people think the same so shops can sell the green ones for for more £.