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Shaggy

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Posts posted by Shaggy

  1. I had a Paulman 5 string, which I only moved on purely because it was a 5 string; never seen another of his basses before or since.    Really well made (if a tad heavy) with beautifully figured tonewoods, which I believe he had a reputation for using. Think he was based up in the North of England.

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  2. This used to be mine; at least the loaded body was;  I only moved it on as I’m winding my bass gigging right down, or it wouldn’t have been going anywhere.  It’s both a truly astonishing design and a beautifully crafted instrument - the tonal range possibilities are almost infinite and at first seem slightly bewildering, but it’s really simply to use straight away as just about the nicest P bass you’ve ever heard, or the nicest J bass, and then start exploring the possibilities.

     

    I think whilst you could still order an Avenger 2 bass from Sims they were around £2K, but this body was ordered with several factory upgrade options: in 2-piece swamp ash (stock: mahogany), satin natural finish (stock: painted) and 3-band Glockenklang preamp (stock: 2 band) that would have taken it to £2.4K as a full bass.

     

    And of course, the seller is something of a Basschat legend that you can buy from with total confidence 🙂

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  3. 4 hours ago, Alien said:

    Another thing from back then...
    My dad worked in Dunstable, just a couple of buildings away from the AGFA factory, so he could get mates rates on bulk packs of cassette tapes (remember them?)
    They did a version of a C90 tape with an extra 3 minutes on each side, so overlength albums would fit onto one side, meaning you didn't have to pick your least favourite tune to lose!

     

     

    Don't remember the “long” C90’s, but I do remember trying the C120’s as you know you’d be sure get a full long album per side (and many of the “prog” LP’s were long......)  - unfortunately they’d regularly jam, stick, and / or uselessly fill your cassette deck with yards of unspooled tape....🙁.  I think I used to favour BASF chrome C90’s.   

     

    A bit of nostalgia 😎

     

     

  4. This thread probably says a lot about the age demographic on BC......😉

     

    Still had my first car in 1985, a 1966 Bond Equipe GT4S (cost me all of £100) which being old was positive earth electrics, so I couldn’t fit a car stereo conventionally.   Initially had a ghetto blaster on the back seat, them fitted a Blaupunkt stereo in a home made centre console (a nice bit of oak to match the wooden dash!) with the power lead going directly to the battery.    I think I only had 3 cassettes, so played to them on repeat:

     

    - Simple Minds: New Gold Dream

    - Dire Straits: Making Movies

    - Best of George Benson.

     

    Mind, in the house I probably already had around 1000 LP’s - almost all gone to car boot sales now 🙁

     

     

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  5. 1 hour ago, Cato said:

    Blimey, just seen the video.

     

    It's like something Whitesnake or Poison would have put out in the 80s.

     

    Probably why I liked it.....😎

     

    1 hour ago, Jean-Luc Pickguard said:

    It would have been hilarious if when casting for the cavorting woman in the video they chose someone age approriate for Mick, Keef & Ron.

     

    Beauty is in the eye of the beholder:

     

     

  6. In no way a Jimmy Buffet fan, but where I work (as an NHS Radiographer in a Cardiac Catheter Laboratory) I’m always at the mercy of other people’s playlists, and I used to work with a Cardiologist who was a massive JB fan - this will always take me back:

     

     

     

    I did like the fact that most of his songs were about boozing.......🥃

    RIP Jimmy

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  7. 13 hours ago, chris_b said:

    There are some pretty stupid posts in this thread. Shame on you.

     

    Any musicians who want to gig and make records should do just that. More power to them.

     

    I have to agree.  I always find these threads slightly depressing due to the utterly predictable Brit tendency to put down anything perceived as successful.   I’m not a massive fan of the Stones (though “Gimme Shelter” will always be in my all-time top 10 songs), but their sheer longevity for both creative output and for putting on high energy live performances is staggering - I’m pretty sure it’s a feat that will never be repeated again in the world of popular music.   Respect 😎

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  8. On 13/01/2023 at 18:59, TheGreek said:

    I just posted something on another thread about a certain track being a  means of time travel. 

     

    Then I  realised that most music does this for me. Songs that I haven't heard for a while will take me back to certain times and places which nothing else does  - with the possible exception of smells and food. 

    I'm sure that there's a scientific reason for this,  which TBH I'm not really bothered about.  Amazing though, don't you think?

     

    Examples of tracks and where/ when they take you back to...

     

    Absolutely true; and for me the strongest associations are indelibly linked to my romantic life.   Fiction Factory’s  “Feels like heaven” completely takes me back to bittersweet memories of early 1984 when I and the first real love of my life were going through a rocky time.....🤔

     

     

    On 13/01/2023 at 23:48, Mickyk said:

    New Gold Dream, SM ,takes me right back to Blackpool 1982,Imperial Hotel to be precise, with the Trader Jacks night club at the side what a weekend that was.

     

    My all-time favourite album, takes my right to the best summer of my life doing voluntary work at a Marine Biology station on a tiny island off SW Ireland 🙂

  9. We had the same experience a couple of years ago when clearing our parents home; ended up giving away their lovely old iron-frame upright piano for free.   Nobody wants them; I guess they take up too much space and the modern compact electric pianos are so good.

     

    There was also an antique harmonium in the house (technically mine, as I’d bought it on impulse from a junk shop when in my teens....) which had a slightly more interesting exit.   A Finnish heavy metal band touring the UK and passing through Cambridge happened to notice it posted in the Freeads, took it away, and used it that night as part of their act.    I assume it was probably destroyed with a flame thrower or something (which was a shame as it was a beautiful thing....), but I guess better to go out in a blaze of glory than mouldering away in a garage somewhere.

  10. Probably a dull question, but I assume it’s an old ‘un rather than the Krist Novoselic reissue?

     

    Tricky one, as vintage prices seem to be all over the place right now, and “rarer” doesn’t necessarily equal more desirable / valuable, in fact it can work the other way.  Might be worth looking at Andy Baxter recent sales, as he sells a lot of vintage Gibsons and seems to have a pretty good handle on realistic pricing.

     

    Personally I wouldn’t go above £1.5K, but then again personally I’d be holding out for an Artist model anyway - much nicer 😉.   (I’ve owned 4 of them, so am a bit of a fan....)

  11. Really beautiful bass - I put Thunderbucker ‘66 pickups in my custom Warmoth T’bird, put together so that I wouldn’t have to gig my 1965 T’bird IV, and can confirm that they actually sound better than the originals.  

     

    Something really special about a white Thunderbird; plus I’m sure this will be the equal of a Mike Lull for a lot less dosh - GLWTS 👍

    7D573997-27C0-4373-A513-B6B1D4DB3DBB.jpeg

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  12. 2 hours ago, jazzmanb said:

    Do we think the Wal price explosion has settled now ?

    bassbros and andys have stuff around 8k 

    You have to be buying at that price for investment i'd say ,but will it rise ?

     

    Interesting - prices seem to have plateaued recently; I guess partly down to the global economic situation and partly there’s been a bit of a spate of selling, presumably owners taking a chance on getting the best price now.    As that spate dries up I suspect prices will creep up again, as Wals will not only continue to be perceived as investment items, but also are still very much used by pros and session musicians who will pay what it takes to achieve that sound.   It’s been said before; £10K might seem a crazy price to us, but a pro / semi-pro violinist or classical guitarist could easily pay ten times that for a top level instrument.

     

    I’ll be hanging onto mine though 🙂

     

     

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