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musicbassman

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Posts posted by musicbassman

  1. Yeah - and just as important as the gospel chops is the advice he gives about breaking down a rehearsal into sub sections - so many people don't do this. Or maybe some bands simply find this impossible - because the guitarist will NOT STOP NOODLING while the rest of the band is trying to check something out !!

    • Like 3
    • Haha 1
  2. Those born in the 40’s  - “The best music was in the 1950’s and 60’s”

    Those born in the 50’s  - “The best music was in the 1960’s and 70’s”

    Those born in the 60’s  - “The best music was in the 1970’s and 80’s”

    Those born in the 70’s  - “The best music was in the 1980’s and 90’s”

    Those born in the 80’s  - “The best music was in the 1990’s and 00’s”

    - Repeat ad lib till fade.................................

    • Like 2
  3. 4 hours ago, casapete said:

    Our band used to call them 'Doris Day' gigs ( quick pack away, quick pack away etc.... apologies to younger BC ers.)

    Couple of East London/Essex covers bands I worked with - when they turned up at a venue and realised that either they were slightly unsuitable for the booking, or the place was a dive, they'd talk about doing a

    Go Go Fo..........

    Get on, Get off, F*** off.....................

    • Like 1
  4. 59 minutes ago, Happy Jack said:

    The other guitarist said  "Actually I'm a bass player who dabbles in guitar". Oh dear.

    The other 'guitarist' is not just 'laid back', he seems to be completely away with the fairies !  Never mind key changes, I think even chord changes might be beyond him

    And what happened to the supposed keyboard player ?

  5. Working in covers bands, I have one standard set up on stage but then use many different styles of playing - open pick, damped pick, fingers, staccato, legato etc etc to get the correct feel for the song - which I think is more important than trying to get an exact sound..

    In any case, I think your sound is SO influenced by the type of stage and the room acoustics that micro attention to EQ is pretty pointless. You can have bass heaven on stage but you might be mortified if you heard what the punters are actually hearing.

     

    • Like 1
  6. "I think the main objective is to move people, make people think in their heart. I personally am not interested in appealing to other musicians. To me, it's more inspiring to move someone who doesn't know anything about music, but has a feel. They can say, 'I don't know what you're doing, but I just feel that's something there.' That to me is an incredible compliment, as opposed to, 'Well, you've just run up and down the fingerboard. That's wonderful, very fast.' All that means is I've just practiced the hell out of the guitar and I'm not really saying anything. I'm going from A to B, but not seeing anything on the way."

    Ritchie's right on this though. Especially applies to bass playing, methinks.

    • Like 1
  7. 2 hours ago, Akio Dāku said:

    Not my band obviously but I wanted to share this classic shot from the Manchester venue "Band on The Wall" that takes its name from the noval stage design it had back in the day. 46438502_1943orveday.jpg

    What a great picture, so much to look at. Love the drum kit.

    And it looks like quite a bit of 1940's style photoshopping going on there for the crowd to get the numbers up.

    • Like 1
  8. Dear Dan Dare,

    The word 'tribute' has nothing to do with 'fake'.

    A 'tribute' is actually what is correctly known as a 'paean' - meaning  'a creative work expressing enthusiastic praise'  or ' an expression of praise or exultation' (Wikipedia)

    This may all sound a bit nancy noo, but that's the way it is.

    By the way, I personally am not a huge fan of tribute bands, but, hey.......................... ^_^

     

    • Like 4
  9. 8 minutes ago, Happy Jack said:

    Saturday night was an almost perfect illustration of my theory regarding the audience self-selecting.

    We started off playing to an empty dancefloor in a huge but only quarter-filled pub.

    We finished like this:

    Ha ha  - well done HappyJack.

    I detect that your band's playing these numbers with tongues firmly in cheeks......

    Great! - You've had a laugh playing them, the punters have enjoyed singing along, and everyone goes home happy. Job done  ^_^

  10. Most big power ballads. False sincerity, pomposity, masses of musical cliches...........................and punters love 'em!

    Special smelliest dogpoo award in this category goes to 'The Power of Love'  - I remember playing this with several cover bands and wishing my life could end at that very moment the chorus started..............

    "Cause I'm your lady"..............................Aaaaaaaaargh.........................................

    • Like 4
  11. If you're just looking for something practical and not beautiful you could consider a biggish Portacabin.

    Best for security is the builders site cabin type with metal shutters to close over the windows.

    There's plenty advertised on ebay. Then factor in transport costs and a mobile crane to lift it over hedges, gardens, outbuildings etc. to your chosen location.

    Did this at my place a few years ago. cabin was £1500, transport £750, mobile crane £1K. It's a 'portable building' so you may not need PP

    Mind you, don't consider this if you have close neighbours and you want to use one of these for rehearsals, sound insulation is very poor.

    Hope this is useful.

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