bnt

Reddit could be another option, there are subreddits for just about everything under the Sun e.g. I just ordered a Korg opsix, so I'm joining /r/Korg.

I have thought about this, you know, and read some pickup specs ... in the case of 6-string multiscale basses, there aren't any standard sized pickups that would fit, and fully cover all the strings, at the required angle. The EHB1506MS uses Nordstrand Custom Big Splits, not a standard size, off-the-shelf model. Now, I know that Nordstrand don't charge a lot for custom orders - the website says $20 or $40 - which may be a factor in why Ibanez use them. (I haven't ruled out the EHB1506MS for myself. ) So If you're going to replace angled pickups in a 6-string multiscale, about the only off-the-shelf option I can find with the required coverage would be an EMG 45P or PX (split-P) with the reverse option, which would have the bass and treble coils placed about correctly. With their other single or dual coil models, at least one string would be outside coverage of at least one coil. Bartolini offers the similar H66P and others, but they say all H6 series pickups are special order with long lead times. So I don't fault Ibanez for doing their own thing when it comes to pickups for EHB1006MS, since it was either that, use the same Nordstrand Custom Big Splits ($$), or investigate other custom - low volume options such as the Bartolinis I mentioned ($$). I expect there are other options, but good options? PS: Dingwall uses pickups custom made to their specs, not a standard size either.

What Ibanez is doing with the T1 pickups is something I've thought about before: to me it makes total sense for multiscales to have two humbucker coils in separate housings for flexibility in mounting. Standard housings look awkward to me and custom pickup housings add to the cost. So the EHB1006MS could become my first six string bass.

Since bass monitoring wasn’t the primary use case here, but rather a bonus, I didn’t feel the need to research this heavily or spend more on a “professional” setup. Philips’ dongle method means that they handle both ends of the link transparently, so I didn’t have to worry about how they achieved low latency. It could be aptX LL or something proprietary. But I agree that the current situation is a mess e.g. Apple’s approach to low latency is very hit-and-miss.

I was looking for some new Bluetooth headphones for use with my PC and iPad, and got a set of Philips TAH6206BK headphones. These are actually work in two modes: as standard Bluetooth headphones, with all the latency you expect, or in a “TV mode” for low latency with the supplied dongle. When the dongle is plugged in to a computer or smart TV, the combination works as a standard USB audio device with low latency = good for games, movies etc. The dongle can also work standalone when plugged in to any USB power source (such as a charger), and it has an aux input, and so this is where it gets more interesting. For example, I just had my tc SpectraDrive preamp’s headphone out going in to the dongle, and a long cable in to a bass, and while I expect there was some latency, it was not audible. I was pleasantly surprised that it worked as well as it did and sounded as good. I wouldn’t call the Philips headphones “road-ready”, being light plastic as they are, but for home practice, I’d call them pretty good.

Having neck-through multiscales is interesting to me, certainly. Only certain custom builders and IIRC Cort & Schecter before this,and neither of those with 37” scale on the B.

If you want to get deep in to synthesis, there’s a series of articles here that starts from the basics of sound. The way I see it, just making a sound is easy, but making that sound musical is why synths can get quite complex.

I watched bits of a video podcast that included a comparative spec sheet: Looks like balanced TRS outputs. The USB Audio is 8 in / 8 out = I'd want to see examples of just how you would make use of that. ("Re-amping" multiple audio channels?) It will be a shame if this goes head-to-head the Line6 HX Stomp for nearly the same price but two years later. Hopefully, Thomann gets stock at a competitive price.

Thanks - wasn't aware of that one. It's got the basic shape, but of course I'm thinking of something a lot more upscale. 💰💸

This might be weird, but here goes anyway ... I've always liked the look of the Yamaha SG-2000 guitar, and have sometimes wondered why they never made an equivalent bass, a SB-2000. So I would spec out a 5-string (SB-2500?) with a body of similar size or slightly larger, and a small headstock with lightweight tuners (since neck dive would be a risk). For electronics, I would want their nicest TRBX pickups, simple passive volume & tone for each , then to split outputs as on the Attitude. For woods and finish, I would look for something lighter than the SG-2000, maybe a quilted maple top or a light green tint. PS I might want to spec EMG soapbar pickups, such as the 40DCX at the neck and 40TWX at the bridge.

I’ve never owned a signature bass and probably never will. I have ideas of my own about signal chains and processing that I would rather spend my money on. The one in which I was most interested was (of course) the Rickenbacker 4001CS, which others have mentioned, but it’s way beyond my budget and there’s a risk I wouldn’t like it. I would consider a Stu Hamm Fender Urge because it’s a true signature bass, built to his specs from the wood up. 32” medium scale is big today, but Stu may have been the first to see the value in that. There is perhaps one I would jump on if I could afford it: a Status Chris Wolstenholme signature. That’s Chris’ “bread & butter” bass these days, only bringing other basses out for particular songs. The way he plays, he’s hard on the instrument, so carbon composite neck through construction makes sense. That thing looks like it would survive a nuclear war.

I’ve talked about mine here before: out of the box, being a passive P is probably what it’s best at, since that pickup is a beast. The other pickup and active EQ, not so good. It’s quite heavy, too, about 10 lbs. I see the Bass Centre does a few P basses, including a Bruce Thomas P and a John Entwistle “Frankenstein”, both for about £500 each.

Do you have any more details about that? I'm curious about what's going on structurally that would eliminate neck bends. (I have some ideas of my own about that problem.)

I saw that video but didn't twig that there was a short scale version: I just thought TimC was really tall, the way Chris Squire made his Rick look tiny. 😊

I’ve been following this bloke’s YouTube Channels for a long time, and one of them is about a museum he’s set up in Ramsgate to showcase all manner of weird and wonderful electronic stuff. It’s just opened, Sunday’s only for the moment, and you can book on EventBrite. Here’s a quick tour: On my list of reasons to go to Ramsgate.

Any bands in the Oxford area looking for a gig: James is looking for an opening band for their Oxford Academy gig on 17 August. Send details to [email protected] by 28 July. (I’m on their mailing list.)

I've had to take myself off the list, sadly. It was looking unlikely as it was, travelling from Ireland with all the hassle and uncertainty, and now I've had to change my booked time off work to accommodate someone else who needs it more urgently. I think this is the current list: @Richard R - Brawley Artemis 4, Brawley Artemis 5, EBS Session60 amp, something to weigh basses with. + son with his Westfield of some sort. @Stub Mandrel - Fender Performer, Hohner Jack Custom V, Deathburger (HB kit build), TE 1110 combo? @petecarlton - Mayones Cali4 "Puzzle" Bass: https://www.youtube.com/watch?v=pYAvWZGwc4s&t=13s&ab_channel=BassTheWorld.com; Sterling by Music Man Short Scale Stingray @Teebs PRS Kingfisher bass, Godin Passion RG-4 RN (It haz arrived! ) @SpondonBassed - Jack. (That's not short for Jack all, it's just that I can't decide until nearer the time.) @bassmansam - Rickenbacker 4003s, Eppy Thunderbird Vintage Pro and Ashdown ABM 500 2x10 combo @jebroad - Not-fender jazz (maybe), squire silver series jazz, old Kay SC, Dingwall combustion, Ashdown 8x10 (Maybe) @Jabba_the_gut - 27" mini basses, Short scale telebass, whatever else I build by then, TC RS210 combo. Cakes @Oldman -RUACH NT 35” Unlined Fretless Custom, head and cab @NickA Since the last one.. got a second Wal with an extra string and those weird metal things in the fingerboard ( supposed to help you play in tune I think, but cause all kinds of problems ). So, yes, please. I'll be there; Couple of Wals and some pjb amps. @Geek99 - POSSIBLE ... Ampeg AMP, bass-doc built relic P, homemade jazz with geddy lee pups, zoom b2. @Sarah5string Count me in. Dean edge pro 5 bass, Ibanez sr505 bass, little mark III amp, ashdown ABM 115 cab @verb Warwick Corvette and a TE Series 6 amp. @nickmew Dingwall Z3, Sandberg California II TM5 Fretless, Hofner Club, Roscoe Century+ 5 and probably a Phil Jones Double 4 as I'm not dragging along my big rig.

There’s a NBD thread on one, here!

Which was basically designed by Mike Rutherford and his guitar tech, after Mike (who was about 6’3”) wondered whether his standard Steinberger GL guitar looked a bit small on him!

Review video: The shape & button system is not random; it's an update / fix of the Goya Pantheon from the '60s, made at the behest of Juan Alderete.

I’m going to leave myself on the list while I monitor the evolving COVID-19 situation in the UK & Ireland. My general idea was to base in Nottingham for about 5 days and take day trips to parts I’ve never been to, such as Yorkshire, but if I have to self-isolate, it’s not happening. It’s supposed to be fun, not stressful. I’m fully Pfizer-ed as of six weeks ago.

My chances of attending are looking a bit less tentative now, as long as the UK gets COVID under reasonable control by then. I'll probably get ferries rather than fly, since the cost of flights that weekend has shot up since I last checked, and make it a longer trip. overall. I'm vaccinated and should be able to get a EU Digital COVID Certificate. Now to see whether the UK will accept those without making me take more tests or go in to quarantine.

Since I first rewired mine last year, I went back to the parts I have and this diagram I found on TalkBass. It’s for the MJ but it matches what I remember on my MP: Now, it’s possible that the 25k volume pot is after the EQ in active mode, but I don’t think so based on that diagram. And even if it was, we would still have that situation in passive mode.

The specific problem I had, which led me to install active EMGs in mine, was not the active EQ as such, but what came before it: the unbuffered output of the two pickups going through standard passive balance controls, and a 25k volume control, before it got to the circuit. I don't like to see a passive pickup signal with such a low resistance in the signal path. On top of that, the stock P's output is huge, which I like in general, but it doesn't play nice with the MM pickup, or with the active EQ. The MJ version might be better-behaved in that regard - I don't know. Note that I don't call it an active preamp, since it's only an EQ circuit: in my view the first job of a preamp is to buffer the signal before it's subjected to mixing or processing. It's probably OK as EQ circuits go, actually, but it didn't stand a chance due to the too-hot, badly-mixed signal it was getting.