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Posts posted by aguacollas
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1 hour ago, Reggaebass said:
Wow, nice one. That fretboard looks amazing.
The flat fretboard spoiled me a little. I feel really uncomfortable with low radius basses, which means I don’t have to worry about GAS with old Zenders. Also, it’s great to have 24 frets to start with. I was looking for the modern approach to the bass from the beginning, better ergonomics, no dead spots, great action, no hum...4 or 5 years ago I had a “return to the origins” phase, and bought two passive basses, one P and a PJ eighties basses, japanese and both great (as you would expect from Matsumoko and Fujigen factories). But playing those basses, as well as many other classic ones made me realise how much these modern basses improved the original designs in many ways. Tone apart, of course. Tone is a personal quest and I finally understood all the great things about passive pickups.
Thanks to that I feel comfortable with active modern basses as well as with passive basses, and I like to have all those options and sounds at my disposal when I fancy.
And it all began with a korean Washburn bass. Yeah, I really like those basses.
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Washburn xb400 Bantam, made in Korea. (Not the one in the pics)
Great bass, the pickups and electronics are a bit meh, but woods, construction, playability, and action are great.
Bought in 1998 to play with my first band, covers of Faith no More, Led Zeppelin, Zappa... big fun though the guitar player had to tell me where to put my fingers 😄I hadn’t played it for years, I bought a Warwick Corvette in 2004 and put the Washburn in its bag and forget about it until last year a sax player friend of mine wanted to learn to play bass and borrowed it. I put new strings on it and played it a couple of hours and, now that I know what to expect from a bass and can compare it to Warwicks, Lakland, Ibanez, Precisions... it really surprised me how good it is.
I’m saving to buy a MM pickup and a preamp, and probably a pickguard to cover the pickups routings and turn this bass into my Sterling/Stingray. I’m sure it will sound great. Maybe fretless, but I already have two, so probably just change the pickups and electronics and see what happens.
(Pics are from Reverb, my actual bass looks just like this one)
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I also have the fretless version of this bass. It sounds amazing in passive. A really great bass, specially for the price. And built to last.
GLWTS
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Nice bass. That is like an old one. Wenge neck, not Ovangkol.
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Precioso.
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10 hours ago, PunkPonyPrincess said:
Is it me or do other people start questioning the need for playing bass with frets when you have a couple fretless basses in your midst?
Not just you. It’s happening to me too. I’m keeping my fretted basses, though, I know I like to play them too. Just not so much these days, playing with your fingers feeling the string and the wood of the board is highly addictive. 🙂
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Weight, please?
That bass is so beautiful.
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Glad to help 😉
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On 13/04/2019 at 00:54, jmlbasses said:
I'm sorry, I don't understand
Dice: “Fantástico. ¿Cambios? “
Y te ofrece su bajo Amani sin trastes, lo tiene en venta. Por si quieres cambiarlo por el tuyo, @jmlbasses
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Warwick Streamer Stage 2 has active pickups, and old Streamers with EMG pickups also. I have both basses as well as a Jazzman with passive MEC pickups.
Just different flavours.
In terms of “gutsy” or “powerful” I’d say the ceramic MM MEC pickup of the FNA Jazzman run in parallel is the one. Not my preferred sound, though.
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Wow. Beautiful bass, congratulations
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Great bass, I think it has an Ebony fretboard, like all fretless Warwicks.
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Santana. First three albums, Santana, Abraxas, Santana III have a great latin rock energy.
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Christian McBride, the reason I recently bought a maple fretboard fretless I didn’t really need. 😋
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Beautiful. And a good solution with the new fretboard, I am considering doing the same to a maple fingerboard fretless I bought recently. That bass must sing, for sure.
Is the fretboard rosewood? I can’t tell if rosewood or macassar on my phone.
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Serial number should be around 6xx or 7xx, I have one of its siblings, #67x, march ‘87. Great bass, light and fast, and the growl you can get with those active pickups by digging it’s just addictive. You can tell it’s not a massive production bass, too.
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+1 Thomastik Superalloys.
I have them in a Warwick Streamer Stage II and they sound just like you describe it, warm but with all the roundwound goodness. Love them.
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There are many, but this one is just special to me. A genius on guitar and a bass player creating a new way of playing a very tradicional music. It’s just magical.
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I love jazz. I keep discovering great melodies and performances and solos and textures and great tight bands playing together. Jazz is inmense.
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Bienvenido. Hay mucho que aprender y disfrutar por aquí.
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The Official MARUSZCZYK CLUB!
in Bass Guitars
Posted
I had forgotten how much fun is the configurator. I don’t need more basses but I would like to have one like this one with me.