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Dosi Y'Anarchy

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Posts posted by Dosi Y'Anarchy

  1. SOUNDCLIPS:

    Maxon AF9: [url="http://soundclick.com/share?songid=7427698"]http://soundclick.com/share?songid=7427698[/url]
    Marshall Guv'nor II: [url="http://soundclick.com/share?songid=7325603"]http://soundclick.com/share?songid=7325603[/url]
    Tech21 XXL Bass Edition: [url="http://soundclick.com/share?songid=7427709"]http://soundclick.com/share?songid=7427709[/url]

    im quite taken on the XXL, so i may end up hanging onto it

  2. So I got one of those small EHX pedal bags, and it doesnt wrench my shoulder out of its socket like my old one does, but it also means that I cant bring as many pedals out with me anymore...now I have more pedals off my board than on it and I feel like im wasting them.




    NOTE: Green Stache is NOT for sale yet

    [b]Maxon AF-9 Auto Filter[/b] - reported to be as close to an original Mutron III as you can get without actually buying one. Very wet/fat/funky filter. Its True Bypass too, according to Maxon.
    I'm looking for [b]£110-GBP including postage in the UK[/b].

    [b]Tech 21 XXL for bass[/b] - a very versatile distortion - provided distortion/fuzz is what you want. I bought it to try it as an overdrive, but it doesnt really do low gain.
    Had I bought it to test against the Green Stache, it may be the Stache here now, but I've recently picked up a number of new pedals and this is one that is getting used the least. Between its WARP and TONE controls, its capable of alot, and is meant to be the perfect companion to the BDDI. I'd like [b]£55-GBP including postage in the uk.[/b]

    [b]Marshall Guv'nor II [/b]- dont dismiss this cheap pedal - It actually holds the low end beautifully - has absolutely MASSES of volume on tap (never need to turn it up past 9 o clock), a 4-BAND eq (including DEEP control) and is capable of lower gain sounds to roaring distortion. I'm looking for [b]£25-GBP including uk postage[/b]

    All the pedals are in fantastic condition and are working as they should be.

    I accept paypal only.

    Thanks

    Theo

  3. ok, ive had an offer from abroad, but please dont make me send it to the yankees



    I'll also mention that i still have the original pickup covers. and the bass comes with straplocks already installed (and obviously i will send the corresponding locks for the strap itself)

    Im holding out for a UK sale, as postage abroad seems to be horrendously(sp?) expensive.

  4. thanks, i've had some interrest, some from overseas. I'd rather sell to UK residents, but no one seems to care much for Jags these days (albeit ones with a f*cked up look)
    this has been my recording bass at home as it just seems to have a better sound to my ears than my yamaha, and its EQ/preamp/signal routing options have just made it so easy to love.

    the jazz, although probably a superior instrument (american made, 3-band EQ, pickup pan, through body stringing ect), can have quite a harsh tone, and its been left under my bed with dead strings since i got the jag. I'm keen to give the Jazz some love, and get myself a musicman-style bass, so the jag has to go.

  5. I liked the sound of my Xciter when i had it, however when i was recording and had my amp really loud i noticed alot of background noise, on trying to discover what it was i found it was the Xciter. Ditched it the day after.

    It can make your bass sound both fatter and more 'sparkley' at the same time. From the reviews i've read i understand that many dont trust the DI on it (many believing it to be quite low quality- im not sure of the basis for this assumption tho) and also the jacks are plastic, which many didnt like.

    I got mine for £40 used, and for £40 its a great bit of kit.

    something to note though, much like the BBE sonic maximizer, this enhancing of bass and treble might come at the cost of mid-range (almost by definition) - sure it sounds great on its own, but you [i]may[/i] loose some presence in a band mix. This is all subjective tho, if you get a chance to get one for around £50 then i say go for it and just sell it if you dont like it.

  6. I use a BBE optostomp at the end of my chain, it does a pretty good job of subtle compression, I dont get harsh peaks with any of my filter pedals (BMS, AF-9), the only time i actually notice it working is when i have my wah too loud and the peak causes a slight 'popping' sound, but that doesnt usually happen when i have the wah set up properly - and also the 'pop' isnt the speaker-killing kind.

    They're about £60 and have two controls Volume and compression and an optional 15db pad

    Its a pretty highly-regarded compressor and is the easiest to use.

  7. Well here's my 2006 CIJ Fender Jaguar with a Leo Quan Badass II bridge. I also swapped the pickup covers for ones without holes (im a heavy-handed player and play in drop tunings and didnt like the sound when the strings touched the pickups). I also added a chrome 'ashtray' bridge cover that is specially made for Badass bridges.

    PLEASE READ: I tried to sand the body of this bass down and re-varnish it myself - as you will see it didnt really work out, still sounds amazing and everything works as well as the day it was made (possibly better since the upgraded bridge).
    I left some of the Hot Rod Red around the edge of the approximately bass to give a sillouette-effect
    I didnt touch the neck. The only 'damage' other than what i did to the body is a small indent on the back of the neck at the 4th fret - i only noticed it when preparing for sale.

    This has been my favorite bass since ive owned it, but my MIA Fender Deluxe Jazz has been neglected for far too long, and i cant part with it (it was given to me by my uncle), so the Jag must go. I dont need two jazz-style basses when i only ever use one, and i have a Yamaha Attitude so that covers most tones for me.





    loads more pics here:
    [url="http://s135.photobucket.com/albums/q143/dosiyanarchy/jaguar%20for%20sale/"]http://s135.photobucket.com/albums/q143/do...r%20for%20sale/[/url]

    as you can see, the body looks like a child was let loose with alot of sand paper, and for all intents and purposes, he was.
    The Scratchplate has also seen the sand paper as i had painted it with oilpaints and wanted to get it off afterwards.

    I loved the bass, but wanted to get creative with it to make it unique - and i succeeded, but not in the way i would like.

    As mentioned earlier, the bass still plays and sounds fantastic, If it doesnt sell, I dont intend on having it re-finished - its a great bass with the thinnest neck fender do on bass.

    More pics/detailed pic's can be supplied on request.



    im looking for £400 delivered to the UK (paypal)
    my availability isnt great, but you can collect in person for £375 (cash)

    If you have any questions, feel free to ask, just send me a PM.



  8. hey, heres my big muff, its from about 2000/2001, Its incredibly bassy, and with the tone down it actually ADDS bass to the signal. Its built like a brick Sh*thouse, got the older casing-style like the green sovtek muffs.

    [u]*note*[/u] its got some weird circuit where if you turn the distortion (marked: sustain) down, it decreases the volume too, to the point where if Sustain is at minimum, there will be no sound. This has never been an issue for me tho, as i prefer my sustain control to be between half and full - and just use the volume to compensate if i feel i need to.

    Im selling it coz i've got a GGG-Tuned Big Muff (built by Fuzzrocious pedals as a Green Stache) which is smaller.

    i paid £50, but im willing to sell for £40, including postage to anywhere in the UK, Paypal only please

    any takers?
  9. [quote name='alexclaber' post='393888' date='Jan 28 2009, 06:03 PM']I won one of these from Bass Player magazine and I have to agree. Even prefer it to my Big Muff for fuzz. But for overdrive it's not a patch on my Fulltone BassDrive (have they gone out of fashion, I'm so not up to date on the world of effects...)

    Alex[/quote]


    LOL i think the Bassdrives have gone out of fashion, but i dont know why, when I joined TalkBass in 2007, that was the pedal everyone either wanted or already had.

    by the way, if anyone does want a Blowtorch, dont pay over £100 for one, they can be found cheaper. I say this because the Bass Centre in Denmark Street, London was selling one for £160, and if I hadnt got my current one for like £55 (used) I might have been fooled into paying that.

  10. I had the SVX and Amplitube on my computer, however they've been crashing when i try to open them in fruityloops and Adobe Audition - im not complaining, maybe if i wasnt such a cheapskate i would BUY the programs and would actually bother to work out what the problem is. SVX is pretty cool, the FX are awesome too, once i heard their 'overdrive' i went wild

    Overdrive=Ampeg Scrambler

    I was lucky enough to own a re-issue Ampeg Scrambler and loved it to bits, but alas i part exchanged it for a B:Assmaster.

    I think the SVX Overdrive is the closest you'll ever get to it.


    If this stuff didnt sound like real ampeg stuff, their name wouldnt be all over it. so if you want ampeg tone on your home recordings: get Ampeg SVX...


















    ...or a VTbass (which I did - and even though i have line6 gearbox/podfarm software on my computer, the VTbass is still better than that)

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