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NancyJohnson

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Posts posted by NancyJohnson

  1. The first gig I ever did (at a house in Englefield Green, Egham, Surrey...ooh, maybe 1978) was attended by Gerry Cott (Boomtown Rats) and locals boys Steve Lillywhite (well, we all know who he is) and his brother Adrian (who drummed with The Members and King). Steve Lillywhite said we 'were great and if we wanted some help in the studio [we] knew where to find him.'

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  2. OK, listen up. My band 'Last Three Standing' are playing at The Cellar Bar, South Hill Park Arts Centre, Bracknell on Sunday (yes, I know, Sunday) 27th January 2008.

    More details (plus six tracks of delicious audio) are available from our [url="http://www.lastthreestanding.co.uk"]website[/url].

    Cheers
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  3. The only reason I was drawn to SIT strings was that I read some good reviews from the perspective of restringing my Waterstone. To be honest, the lack of choice has been a nightmare! I was amazed at the reaction of the guy who I spoke to at the UK distributor.

    I've still got the same octaves on as were on it when it was delivered, but I've swapped out the bass strings to a set of my preferred D'Addarios.

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  4. Anyone used SIT (Stay In Tune) strings?

    I spoke to the UK distributor (who seemed to be operating from a private residence and seemed quite surprised someone was actually calling him about the product) - he said there 'wasn't much call for the strings over here'.

    I'm specifically looking to restring my Waterstone 12-String.

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  5. Damn damn damn damn damn.

    Why now? <shakes head> I've got a '79 Precision and a Waterstone 12 and want to hang onto these (the Precision will go into retirement when I get the DJ5).

    If it was April or May (by which time I'll be mortgage free), I'd have bitten your hand off for this. I will be seriously flush and looking to buy! First choice was black w/rosewood board, but WTF, I'd take a blue or white one if it came down to it.#

    Lovely bass.

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  6. I've got a huge pile of monthlies that need moving on, or they'll go into the recycling. I stopped subscribing to a bunch of periodicals and need to move them on before they get pulped. They're presently just taking up space in my garage. Shame. I'm in Crowthorne, Berkshire - east of Reading (fifteen minutes on a good day), near Bracknell/Ascot.

    These include:
    130+ Q magazines - from #10 or 11, up to whatever issue came out last May/June, plus some supplements (no CDs).
    T3 tech/toys mag from issue 1 to mid-2007.
    Premiere (UK film magazine) - entire print run from start to finish, plus a bunch of old US editions.

    I know there's some UK Bassist Mags in there somewhere too...I bought all of the original run when they came out, but haven't seen them in the six years since we moved.

    These are all packed in [photocopying paper] boxes with lids...all clean.

    Cheers
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  7. [quote name='warwickhunt' post='114036' date='Jan 5 2008, 01:54 PM']I applaud the initiative (and I'm not trying to urinate on your bonfire) but I think you may well struggle to find 20-25 people on this forum prepared to agree to the same spec for a Ltd Ed bass!

    I'm just trying to keep it real so that you don't expend a lot of time and effort into putting this in motion. I'd suggest that you ask if there are 25 BCers who are prepared to purchase a new Lakland, with a set simple spec i.e. metallic paint with maple board OR natural maple body with rosewood board. If people can't even sign up to that you'd save yourself some time. saying that if you are about to be mortgage free you may have loads of time on your hands :)

    Good luck :huh:[/quote]

    Hey, being mortgage free doesn't mean I'm stopping work...we've just been left a ridiculous amount of money following a family bereavement. We're twenty years into the mortgage and while we've been pretty prudent, our endowments aren't on track and we've been overpaying. It's been a nightmare to be honest.
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  8. [quote name='P-T-P' post='114015' date='Jan 5 2008, 01:14 PM']Also, aren't the DPLE's ordered through an associated music store, so presumably someone's turning a bit of profit there too so if Lakland will deal direct with us, perhaps it might not cost quite as much and presumably the import tax needs only to be on the cost price not the full retail price.[/quote]

    As far as I know Steve Barr has had (or had) a very tight relationship with the guys at Lakland for some time, he was a bass trader and the basses he supplied as part of the DPLE range all went through him (if anyone else knows differently, please reply).

    Insofar as any particular model, specifications could be firmed up...it simply wouldn't have to be a DJ05 with a j-retro, because let's face it, you can get Skylines in this configuration off the shelf anyhow.

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  9. [quote name='Thunderthumbs' post='113959' date='Jan 5 2008, 11:36 AM']...he had a huge crowd of interested people around him at the time shows that it's still impressive to a lot of people...[/quote]

    A few years ago I was leaving a gig at the Astoria in London and saw a large crowd of people surrounding a couple of people who were having sex on some stairs leading into a building. It was about 11.00pm. I suppose a lot of people thought that this was particularly impressive, but it's not really something I want to see in public.
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  10. I've followed Steve Barr's (Dudepit) activities for a while and got to thinking about these Skyline DPLE models he got going in recent years. He's mentioned previously that Lakland need (I think) 25 orders for a custom request model to be built and made available.

    As some of you know, in a couple of months I will be mortgage free (yay!) and will be looking to boost my bass armoury with a Lakky (or two) and got to thinking that why don't we try and commission a BCLE model? There certainly seems to be a few Lakland fans on this forum, but whether they'd be willing to part with £1,000+ for a bit of history is questionable though. I certainly wouldn't mind getting the ball rolling and make some preliminary enquiries to Lakland to find out their minimum order quantity is for a limited run.

    Seeing as how I thought of this (heh), my primary request would be that I get model #1 and that it would be for an edition of the DJ5, custom colour, but NO Dark Star pickups. Perhaps we could get John East in on the act to retrofit his superb retro units once they are in the country (this might also save on some tax and duty).

    I know there would certainly be a waiting period of six months or so, so there's no real rush...I know that they'd need a deposit on order.

    Anyone interested in doing this?

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  11. Can I just make a straight remark here (and I'm not looking for a fight)?

    If this was a guitarist we'd all be saying it was a load of fretw*nk. I'm sorry, but that sort of playing is just drivel and it doesn't have any place in a musical sense. OK so the guy can do a lot of fancy tricks. Duh. And no, I can't 'play' like that, nor do I have any inclination to learn and do so either.

    If I actually had to listen to a musical track with that going on in the background I think I'd upchuck.

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  12. I was having a looksie at the Sky listings for the next week or so and there's a show about John Entwistle on Biography (Channel 156) next Wednesday evening. Can't confirm the time...6.00pm I think.

    Not a big Ox fan to be honest, but he had (and destroyed) some great gear.

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  13. I used to have a white Hamer Scarab bass (the guy from Def Leppard used to use one). It had a fantastic piano like tone, the thinnest neck I have ever played, but in hindsight, jeepers, what was I thinking? Some guy took it off my hands in a PX deal on a '79 Precision I'm still using seven or eight years ago.

    If anyone is interested in seeing this beauty, I can scan a photo in over the next day or two.
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  14. [quote name='martthebass' post='106607' date='Dec 19 2007, 05:51 PM']This looks a bit like Nicks (OHM's) old DJ5? If so give it a bit of time. I just bought one - a twin of this but black sparkle - hate it at the mo but will try and grow to love it.

    If not ignore the above and good look with the sale.[/quote]

    If it's a DJ5 and you still hate it around March/April, please send me a PM.
    Thankee
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  15. [quote name='dood' post='105774' date='Dec 18 2007, 10:07 AM']Yes, I totally agree.. the ole addage 'if it ain't broke...' etc etc... I was using the POD XT rack straight into a power amp.. I think its a really good way to go. I loved my XT, unfortunately had to sell at the mercy of a motor vehicle!

    I'll have another one one day!

    Out of the list above, the power amp that stands head and shoulders above the rest for value for money is the Yamaha P5000 or P7500. Absolutely ram packed with features.. and buying online they work out pretty cheap too.[/quote]

    I've had a quick look on Th*m*nn and am genuinely (and pleasantly!) surprised at how reasonably priced the power amps are. My old Trace Eliot one cost a fortune and I let it go for a bag of beans.

    I think the Yamaha P2500S or a Behringer EP2500 will be more than adequate - my head is racing now - the racked bass POD will work fine with these and there's a crossover to bi-amp. I have an Ashdown deep bass 1x15 as part of my existing set up and I can pick up a matching Ashdown 4x10 easily enough, then sell on my existing POD and Ashdown MAG to fund part of it.

    I've mentioned before that I should be mortgage free in about three months, so some new gear is a certainty. The lads I play with now are sooooo loud.

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  16. I think when you're just using the same set up (POD>Ashdown>Cabs) and are reasonably happy with it (well, until quite recently) you just stick with what you know and in this instance, avoid looking elsewhere.

    I'd like to go with a racked Bass POD + Power Amp>2 cabs in the near future. I only really knew the Trace amplifier by experience.

    Will investigate!

    Thanks!
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  17. I used to have a Trace Eliot PPA300 stereo power amp a few years back...I really wish I'd hung onto it. Can anyone help me out with at least the names of some manufacturers of 2U stereo power amps please!
    Thanks
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  18. I own a MAG combo and a deep bass 1x15. Generally I use a Precision into a Bass POD as a front end then direct into the effects return. I've used this set up almost exclusively for about four years.

    This week, I really couldn't be arsed to break all the kit down, so I left the POD at home. I have to say I was distinctly unimpressed by the standalone Ashdown setup. The sound just didn't cut through, it sounded very wooly and dull - the only real positive was that when I use the POD, my e-string really booms...through the Ashdown it was more even/compressed. My drummer remarked that when I use the POD my sound is everywhere, so next week, I'll pack the unit.

    One noticable thing was that my signal into the passive input was very hot - my Precision has a SD Quarter-pounder in it - I could only turn the gain up to about position three or four before the VU meter was showing me well into the red (clip)....consequently, not much was going into the power amp stage.

    I'm not about to change this setup (well, not just yet...) as ultimately I'm pretty happy with it when I use the POD working as the pre-stage. It's also very portable and loud enough for right now. When the drummer gets his DW kit, I may be moving it on.

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