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Dubs

⭐Supporting Member⭐
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Posts posted by Dubs

  1. If I were local I'd be all over this, great venue to see anyone.

    As a non-Londoner it's the logistics of it that's the bigger issue than the ticket price - once I've factored in taking an afternoon off work, getting up there, a few beers and food, the cost of the ticket isn't the issue, it's everything else that comes with it that makes it expensive and a real hassle.

    Still tempted though... 

  2. I quite like the tune, it's not a banger but it's got a cool groove - I'd happy add it to my "Chill Background Music" playlist... It does sound incredibly generic though - to my ears the only stand out feature is the interesting guitar sound on the solo.

    I doubt this would get noticed if it didn't have Harry Styles' name on it.

  3. 1 minute ago, Woodinblack said:

    Why would anyone want to do this? You can already make an offer to someone selling something

    I'd tend to agree with this.

    You can view the seller's asking price as the opening bid if you like and you're welcome to make offers via PM. 

    I can only see "auction" style listings getting messy on here.

    • Like 1
  4. 47 minutes ago, BrunoBass said:

    That said, I’d rather listen to a song with a strong melody and weak lyrics than a great lyric with a poor tune. 

    I have this discussion with the singer in our band a lot, this is absolutely my take on it; good lyrics enhance a good tune but can't polish a turd.

    I don't know if it's because I listen to a lot of instrumental music but a good melody is way more important to me than a good lyric.

    • Like 3
  5. 20 hours ago, mikel said:

    It has been thus since I attended my first gig in 1968. The headliners are supposed to look and sound better.

    Maybe so, but what I've never understood about this is why would promoters and venues let it happen? Their agenda should be to put on the best show for the audience.

    As a headline band you'd have to have very little self belief and a massive ego to stipulate static lights and poor sound for any of the support bands. 

    I've been lucky enough to play some reputable venues with excellent house engineers so never actually experienced this myself, but I see it as a punter occasionally.

  6. Had a lot of interest and some very tempting trade offers, but this is still available for the moment...

    With regards to trade options, it's really only going to be a high end PJ with a jazz neck that I'm interested in. Happy to trade with cash adjustment your way if necessary. 

  7. I've owned this since 2008 but am pretty much only playing passive J or P type basses these days.

    EMG pickups, 18v Aguilar OBP-2 preamp, factory-installed strap-locks (I'll include a comfort strap with the sale, as pictured below). 

    Serial number shows this was made in 2000. The bass is in decent overall condition for a 19yr old instrument, the hardware shows some signs of wear and the top of the P pickup has a very shallow groove worn into the wood.

    Included in the sale is a Gator hardcase which is in a like-new condition, albeit about 10 years old. 

    The bass is available to play in Portsmouth/Southsea - drop in for a cuppa and give her a noodle! I gig regularly across the South East so may be able to meet up or deliver within reason.

    £900 cash, would also consider trades for a passive PJ with a Jazz profile neck.

    Feel free to ask any questions or ask for more pics, I'll do my best to get back to you ASAP!

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    • Like 4
  8. Big respect for doing it and stepping outside of your comfort zone. If nothing else, it's £150 and an invaluable learning experience.

    I've been asked to dep by the agency my band goes through and I've always said no; I've partly not got the desire to want to do it enough but mostly I don't have the minerals or self belief to put myself in that situation, so respect to you for doing it.

    • Like 1
    • Thanks 1
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