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ratman

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Posts posted by ratman

  1. Absolutely agree with all of that, that's one of the limitations. I use it two ways. 1- to cycle through patches ABC etc. I use blank patches here too if I know I'll need effect off settings in the cycle mode. And 2- normal footswitch mode, where i just want effect on or off. I have my MS60B on my small board which I use for pub gigs. If I'm on a bigger gig I use my main board with the B3. That's a lot more gig friendly, but I dion't use and amp models with either, mainly modulation effects. So I don't spend all night fiddling with the Zooms, I only need them here and there. Most of my OD's and compressors are real pedals.

  2. That's right arcureo, you can only be in one mode or the other. Tauzero made a valid point above too. He correctly said that if you only need to turn 1 effect on in a patch, just have it in the effect in the window and use the switch to turn it off/on. The LineSel will do the same for 2 or 3 effects at once, ie anything after it in the patch.
    This pedal does have its limitations but for the money it's a bargain and very useable. The same could be said about the B3 to some extent. And that's brilliant too,

  3. I have a question for you pedal builders - I'm about to order one of those BB's from pedal parts, it's my first kit. I do have a soldering iron and it's a 30W. Would I be better off with a 40W or 60W iron for more heat, or will the 30W do?

  4. I'm not a pick player, but when it's needed I use Planet Waves thumb picks, the ones that wrap around your thumb. Saves me getting cramps trying to hold onto a normal pick, and I can flip from pick to fingers and back in a flash. I always keep 2 hanging off the strings by my machine heads. They work for me.

  5. I played fretless exclusively for a few years. I wish I'd have known about flats & half wounds back then. I turned to flats a couple of years ago for my fretted and accoustic basses and loved them, although now I use half wounds on my P as they give me back some of the mid range that the flats took away, whilst retaining that lovely round flat sound. This has really helped for getting a good tone when recording, but also live, where the lack of mids using flats killed the effect of my overdrive pedals.

  6. I went from using Hartke heads for many years, to a Streamliner. I now have an amazing rich valve tone and way more low end on tap than I ever had before. (I was using Ashdown cabs which did the job just fine, but in the past year I've moved to Bergs, and they're stunning with my Streamliner.) You really need to try a few Genz amps out, you have to hear them in the flesh. The Shuttles are fab too, I just prefered the simpler Streamliner myself, but try them both out if you can. I suggest a visit to Bass Direct. And, the prices are a steal at the mo....

  7. I don't have experience with either, but I think you probably need to try them both out. The Aguilar does have sweepable mids which makes it way more versatile tonally. Personally, I wouldn't go for a pre amp without a mid control, for me all the sweet tones are in those mid frequencies.

  8. There's an art to 'plodding' away holding down 4's or 8's. Anyone who thinks it's beneath them as a bass player to play these kind of parts is serioulsly missing out. The notes may be simple but it's all about making it drive/swing/groove/bounce (delete where applicable) which is where the skill and fun comes in.

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