MrFingers

Yep. Sounds absolutely atrocious via an amp, but has a really nice bark and growl when running through a DI. 😑 Either way, the lollipop tuners have been ordered, so the conversion can slowly start.

That's what really happened. Tuesday in the afternoon, I was suffering greatly from the "post lunch digestive swoon", and the further the meeting (read: monologue from 1 person) progressed, the less I became involved, so I started playing on my phone... Opened the app from the local 2nd hands website, and typed in "Precision Bass" (as I'm still on the lookout for a sunburst/white AVRI 63, hit me up if you want to get rid of you... who am I kidding, no-one does that). And just posted was a Fender P-bass shaped object for de facto Squier money. Trying to hide my excitement (it was to be avoided they might be thinking in the meeting I suddenly became enthusiastic about a legal addendum) I instantly contacted the seller, saying I'm buying it. Got a reply back "I leave on holidays next week... would tonight work, 20h00?". As one does, one says yes first, and then look at the map where it's actually located. The benefit of this napkin of a country is... that its at maximum a 2hrs drive from the capital... where I was located. Luckily it was just a 50 minute drive, so after work I went over there, plugged it in, gave it a whirl and took it home. The seller knew what he had in parts, he just wanted to sell it. So now I have a mongrel of a P-bass. - Roger Waters signature neck & tuners (!!!) - Fender HiMass bridge. - Some sort of nondescript white EMG's - A Japanese body. It's a virtually identical neck to the American Original '60 P-bass, just with a maple fretboard. Big piece of wood, but luckily everything hangs really balanced because the body is so heavy it has developed its own gravitational field and has already caught 2 moons. But plays really nice, no deadspots, sustain for dayzzzzzzzzzzzzz. That EMG pickup sounds exactly as you would expect it to sound: like a 9V battery. The reason why I was so excited is the Roger Waters neck. Not so much for it being Roger Waters, far from it actually. Because it's a maple-cap neck with a 1.75" nut-width and a sixties "thick C" profile. Specs I absolutely adore, and which Fender AFAIK never made outside (non-CS) of this series since the original run ended in 1970. So yeah, it will likely get disassembled, and I'll build a new bass around that neck... Hmm, which famous and very limited edition Fender is famed for using a maple cap neck... and for its uniqueness... 🤔🤔🤔... Or should I go CAR... Either way, it gets full-sized Gotoh lollipops!

There is no bevel visible, and it appears very thin. I think this is a proper anodized guard.

It's because frequency cancellation, a side-effect of two pickups in parallel². The closer the pickups are together, the stronger the effect. When that happens, the midrange gets reduced. Can be solved by not having both pickups at 100%. (² like that glassy sound on a Stratocaster on positions 2 & 4)

They were very shortlived (2 years end the 1990's) and were quickly shelved because they were EXTREMELY high quality instruments. Better than Fender was churning out in Mexico. Also, what you see is the only iteration there was: translucent red with gold hardware. No other colours.

One of the best that I played was a Squier Pro Tone Precision Bass V. Despite the soapbars...

Here’s to hoping they go the Joe Dart route and make it in a Ray24 version (fretless) under the Sterling brand.

Body does look like a 1970's product to me. It has the straight pocket, so: late 1970's. Neck is from a 1988 Fender AVRI '62 P-bass. Pickguard is way more recent. What does the pickup look like underneath the covers?

Under the pickguard is plenty of realestate for that.

It's a one-piece neck, so replacing the fingerboard is not that easy. And it would show immediately at the walnut trussrod plug, which would have its top cut off. Someone went to town on it by replacing the facedots (as can be seen on the detailed pictures further in this thread, it also shows no gluejoint at the headstock, so fretboard is original), and thus (locally) refinishing the fretboard. New nut is no real biggie. Frets do appear to me to be the original "low and wide" ones as were used after 1966. I don't see any tearout of the maple either that would suggest a refret. To OP: you can rest assured: the bones of the instrument (tuners, stringtree, neck (except position markers and possible new fretboard finish), body, neckplate (with its black backing plate) and likely the pickguard all check out for a 1974-1975 Precision Bass. It might be thrown together from parts sourced left and right (hurray for the modular design of Fender), but the parts do check out. Once in your possession, you can always remove the neck and search for a date-stamp, and maybe the potmeter codes. EDIT: the more I look at it, it might even be that the body finish is original as well. Prior to 1975, Fender used a rather light brown and very translucent colouring, before switching to a darker and almost opaque colouring (because then the wood didn't really show, so they could use more/uglier pieces of wood).

It went to hell, got beaten, and refinished, there and then travelled all the way back... But it's legit. What is an instantly recognisable feature is the 2 filled dowel holes at the rear of the body. One near the end of the body, the other next to the neckplate (prior tot 1969 they were both on the centerline of the guitar, the top one was moved because you could see it on a sunburst). The neck is also a typical 1970-1975 neck, the difference in discolouration between the headstock face (nitro) and the rest (poly) checks out. I bet that if you remove the E-tuner, you'll also see an (unfilled) dowel hole between the bottom two mounting screws for the tuner.

Chris Hillman was (and is) originally a mandolin player, and prior to joining the Byrds he never even picked up a bass (hence his rather melodic style: he approached it as a very big mandolin with very thick strings). That bass was loaned to him to mime in a TV appearance, he thinks it was a Fender body with a homemade neck, and it was absolutely atrocious. He later used a sunburst P-bass with transition logo on Monterey, which was then stripped and stained in brown, and used furher in the Burrito Bro's. As for that '63 P-bass, it has a rosewood fretboard, so I'd suspect that someone took a hacksaw to the headstock, and reshaped it. Also because a true <57 P-neck had the square heel just like the Telecaster, which doesn't fit in the curved neck pocket. Hence you can install a curved neck in a square pocket, but not the other way around.

Guild Starfire I

In order to hit two birds with one slap. Ánd a 5-string for that one time in a month I crave that ánd the classic-ish stingray sound. Didn’t want to fork out the cash for a true stingray, and didn’t really fancy the standard 5-string Ray cosmetics. This appears to be the perfect blend of 4-string looks, somewhat seventies sound and style and at an affordable price point… picked this one up 2nd hand but defacto new (plastic still on the batter cover) for next to nothing… plays really nice, sounds a bit barky, but need to rewire it to parallel. An absolute boat-anchor though!

Danelectro/Silvertone/Harmony,…